Ned Rorem came to town this weekend, in the form of his new opera Our Town, based on the Thornton Wilder play. The work was co-commissioned and performed by our A. J. Fletcher Opera Institute. I caught the final dress rehearsal on Wednesday night.In evidence throughout is a Ravellian love for every nuance of harmony, from the sweet pungencies of the “town” music to the parallel organum in the graveyard scene, and the bitter polychords that underscore some of the most despairing moments.
I wouldn’t be a composer if I didn’t feel like there were some things I would have done differently, but then I wouldn’t want to lead the life Rorem has led either, so there’s no reason to think I should want to write the same piece. He’s written the opera the way he should have written it, and we are all the better for his accomplishment.







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