Full disclosure: I co-founded San Diego New Music in 1994, served as its first Executive Director, and have been a board member since 2000. This isn’t a review or a comprehensive report so much as some of my impressions and observations about what’s going on at The Athenaeum in La Jolla, California, this weekend. If you think I overlooked anything, please feel free to contribute more in the comments section below. After core members of NOISE, the resident ensemble of San Diego New Music, dispersed across the continent (flutist/director Lisa Cella to Baltimore; percussionist Morris Palter to Fairbanks), it became