I found one of my favorite reviews from the 1990’s (Roger Reynolds’s Dreaming and Harvey Sollberger’s Passages), and posted it here.
There was a minor controversy surrounding Roger Reynolds’s commission from the San Diego Symphony (his first from the Symphony after living in San Diego for over 2 decades). Dreaming had been on the schedule for performance the season before, but the premiere was cancelled. Theories about the cancellation, many involving Symphony Board intrigue, bounced around the UC San Diego Music Dept.
Several months later I interviewed Igor Gruppman, the concertmaster for the SDS. He related that the musicians have a clause in their contract allowing them the right to cancel if they don’t get parts a certain number of weeks ahead of a world premiere; apparently Reynolds’s parts got to the players too close to the performance date, and they voted to reschedule. The performance I reviewed months later sounded great, so hopefully everything worked out for all parties.
I can’t recall the San Diego Symphony playing any contemporary music as challenging as Reynolds’s work on a main subscription series concert since this performance. More’s the pity, as the Symphony is playing even better now than when they tackled Dreaming.