During September and October in addition to first performances of three brand-new pieces there’ll be a sort-of first performance of a fourth. This ‘sort-of’ premiere (at Syracuse University, September 15th 8:00 PM) is of my Serenade for Violin and Organ.Â
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At times composers can’t accurately predict what will spark performer interest. I know it’s a surprise to me sometimes: More than once when I’ve written a piece just for myself to play that caught on with other pianists, developing a hardy after-life. Â
Serenade was composed in one day in March of 2006, originally for piano. A close relative’s serious illness had me brooding, so I sat down to write music she would enjoy hearing.  She loves the kind of lush jazz chords typical of ‘40s big-bands, so I began with the same major-7th chord as David Raksin used in “Lauraâ€Â and progressed from there in sustained quiet affect.   The resulting five-minute movement is something of a lone-wolf — it stays in one meter throughout with a circular melody that never resolves; and the music begins and ends almost without definition. Because its background rhythm is a consistent slow syncopation, I included it on the Prestidigitations CD as coda.
When the Syracuse concert came up, the organ professor wanted to play, so I suggested he adapt Serenade ( a melody with worked-out harmonic support ) and sent along the music.  He really liked it and slated the transcribed version for the mid-September concert (I’ll be there).
The music is mine, but this version is his. Vested interest is spread, and anticipated pleasure in the offering is shared. (A report on the transcription will follow later this month.)Â


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