Month: September 2009

Composers, Electro-Acoustic, Experimental Music, Festivals, Interviews, Performers, San Francisco

Let’s ask Donald Swearingen

The San Francisco Electronic Music Festival (SFEMF) kicks off next week, and several of its original founders will be performing in celebration of the festival’s tenth anniversary.  One of them, Donald Swearingen, will take the stage on Thursday, September 17th along with Maria Chavez, Mark Trayle, and Mason Bates.  The show starts at 8 pm in the Brava Theater, 2781 24th Street, San Francisco. Tickets are available online or at the door. It’s hard to coax Donald Swearingen away from his many projects, but I did manage to get him to share some background and a few hard-to-find details about

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Contemporary Classical

Learn to Play ‘Clair du Lune’ from Scratch on YouTube

Can an absolute beginner, someone who has never played the piano before or read a note of music, learn to play Debussy’s masterpiece “Clair de lune” completely from scratch? Our amigo Hugh Sung thinks so and he’s posting daily 5-9 minute video lessons and responding to feedback from participants via YouTube’s comment and video response features, as well as the Adult Beginners discussion forum at PianoWorld.com. Details about the project here.

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Concerts

September concerts in Berkeley, Santa Fe, New York City and Boston

I won’t be able to make it to most of these events, but hopefully you will.  Moving from the west coast to the east coast, here is some of what’s happening in September – mark your calendars. Berkeley, CA. Saturday, September 26 at 8pm and Sunday, September 27 at 7pm.  The American premiere of Evan Ziporyn’s new opera A House in Bali.  The Bang on a Can All-Stars, Gamelan Salukat, Balinese Dance Artists and Western operatic and Balinese singers come together in this staging of Colin McPhee’s 1947 memoir.  Pre-concert talk with composer and director, September 19 at 7pm.  Audio

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Chicago, Conductors, Interviews, Performers, Podcasts

My Ears Are Open, Chicago. Part I.

One of the simple rules for the podcast is that there is a new episode every two weeks.  That rule was broken in July when all four members of ETHEL were featured.  And, that rule is being broken again in September when four musicians based in Chicago will be featured. The month starts out with conductor Cliff Colnot (best known for his work with Contempo, Chicago Symphony’s MusicNow, ICE, and others).  Cliff is a unique person in that he feels so strongly about notation and rehearsal efficiency, that he has produced documents outlining the way he likes to see things

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Composers, Concerts, Contemporary Classical, Electro-Acoustic, Film Music, Opera, Premieres, San Francisco

Let’s ask Jack Curtis Dubowsky

San Francisco-based composer, conductor, writer, educator, and filmmaker Jack Curtis Dubowsky is a very busy man.  This Wednesday night, September 9th at 7:30 p.m., he’ll take the stage along with the Jack Curtis Dubowsky Ensemble in San Francisco’s Meridian Gallery, located at 535 Powell Street, convenient to Powell Street BART.  Next month, he has a new opera premiering. But fortunately, he wasn’t too busy to talk to me. S21: How does it feel to be leading off the Meridian Gallery’s 11th season of Composers in Performance? JCD:  It’s an honor to be selected to be a part of the Meridian

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Classical Music, Click Picks, Composers, Contemporary Classical, Events, Radio

Radio Radio: all new, all the time

Well, that is if the time happens to be this Tuesday September 08 from 7:00pm EDT, ’till 7:00pm EDT Wednesday September 09, and you pin your ear to Princeton’s WPRB (103.3FM). I’m just reminding you of what Elodie Lauten has already so nicely plugged a little while back on her own blog: that it’s once again time for radio host Marvin Rosen to serve up his annual Classical Discoveries Marathon. And by “all new”, I don’t mean just the stock & standard 20th-century stuff; this year’s adventure is titled “Viva 21st Century – American Edition” — music by almost 100

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Composers, Conferences, Contemporary Classical, Kansas City, Minimalism

Minimalism Conference, Day 4

Tonight’s performance by Charlemagne Palestine was, in short, one of the most extraordinary musical experiences of my life.  Palestine has developed a technique for playing the organ which involves the use of wooden shims to hold down keys so he can build up drones with many notes and still have his hands free to improvise melodies over top of it.  He starts with an open fifth and builds over the course of a couple hours to a dense roar that uses most of the available power of the instrument.  It was mesmerizing.  In truth, I wasn’t expecting to like it

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Contemporary Classical

Forget Gonzo Journalism…Philly’s got a Gonzo Cantata!

It’s not often that Sequenza 21 gets scooped by the likes of Rachel Maddow – but that’s a good thing for composer Melissa Dunphy and the group of 30 musicians that are all performing Dunphy’s The Gonzales Contata with text directly taken from former Attorney General Alberto Gonzales’ testimony before Congress. Written in a neo-Baroque style, Dunphy has inverted the genders of the primary characters in the story, with Gonzales and Sen. Specter, Leahy and Hatch sung by females and Sen. Diane Feinstein sung by a tenor. The work is being performed this weekend in Philiadelpha at the Rotunda (4014

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Conferences, Contemporary Classical, Kansas City, Minimalism, Piano

Minimalism Conference, Day 3

This summary has to be a short one, since I need to finish preparing for my paper presentation tomorrow morning, but today was another excellent conference day.  During the day, in addition to papers there was a concert of Tom Johnson‘s extremely minimal Organ and Silence performed by Neely Bruce.  At dinner time Robert Carl gave a plenary address about In C, a subject on which he has just published a book.  Then we all had some of the justly famous Kansas City barbecue.  In the evening Sarah Cahill, a great champion of contemporary music, gave a concert which included

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Conferences, Contemporary Classical, Kansas City, Minimalism

Minimalism Conference, Day 2

A day that starts at 9AM and ends after 11 at night, in which 15 different people give presentations, and which culminates in a two hour concert, is not a day that is easy to distill down to a single theme (except perhaps happy exhaustion).  We began with no fewer than six papers on Steve Reich, some of which were thematically linked but none of which was redundant.  Perhaps my favorite moment of those morning sessions was when Sumanth Gopinath compared a feature of Different Trains to the music from a classic 1980s IBM commercial.  In the afternoon we had

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