Month: February 2011

Bang on a Can, Brooklyn, CDs, Classical Music, Composers, Concerts, Contemporary Classical, Electro-Acoustic, Experimental Music, Houston

Musiqa presents Todd Reynolds at CAMH

Todd Reynolds photographed by Toni Gauthier HOUSTON, TX – On February 17th, 6:30 pm at the Contemporary Arts Museum of Houston, the Houston music group Musiqa in collaboration with the Mitchell Center and CAMH present Answers to Questions with works by composers Bill Ryan, Michael Lowenstern, David T. Little, Ingram Marshall, and Nick Zammuto all performed by composer and violinist Todd Reynolds. The concert is produced in conjunction with and in response to the CAMH exhibition Answers to Questions: John Wood & Paul Harrison, the first United States museum survey of work in video by this British artistic team. Admission

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by Chris Becker
Awards, Contemporary Classical, File Under?, Orchestras

Congrats to Daugherty and the Nashville SO

Sure, we all can complain about the Grammy Awards. For me, the lack of representation of classical music and jazz on the telecast is just one of many disappointments. But before the glitz of the runway and glamour of the broadcast, several artists were acknowledged for their achievements in these genres. The Naxos Group nearly ran the table at one of the best restaurants in Nashville last night. Their artists and imprints picked up a total of nine Grammy awards. Noteworthy among the winners were Michael Daugherty, recognized for his Deux Ex Machina, and the Nashville Symphony Orchestra; they garnered

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by Christian Carey
Chamber Music, Composers, Concerts, Contemporary Classical, Experimental Music, File Under?, Los Angeles, Strings, Video

LA X(enakis)

JACK Quartet presents two concerts in LA this coming Sunday and Monday. On 2/13, they’re giving an afternoon concert for the Da Camera Society (tickets/details here) at the Southern California Institute of Architecture. The program includes early music – Machaut and Gesualdo – as well as contemporary works: Philip Glass’ 5th Quartet and Tetras by Iannis Xenakis. The selections certainly suit the concert’s location: both Xenakis and Machaut are composers who should be of interest to architects! On Monday, JACK will present a different program as part of Monday Evening Concerts at the Colburn School (tickets/details here). It includes both

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by Christian Carey
Composers, Contemporary Classical, File Under?, New York, Orchestras, Women composers

Suggesting a Feminine Side to the NY Phil

Following up on Alex Ross’ post about the New York Philharmonic’s 2011-’12 season, which mentioned the lack of representation of American composers on the Contact! series and women composers throughout the schedule, we asked Sequenza 21 readers to share their lists of American women composers that the Philharmonic should consider programming (more comments/lists welcome). Here’s my own take. I’ve compiled three chamber orchestra programs for the Contact! concerts and one for the regular subscription series: all consisting entirely of living women composers. One features American music and the other programs have a more diverse array of nationalities. I hasten to

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by Christian Carey
American Music Center, Composers, Contemporary Classical, File Under?, Media, Orchestras, Women composers

NY Phil’s Curious Omissions

Yesterday, Alex Ross wrote a short essay on The Rest is Noise about next season’s offerings at the New York Philharmonic. After discussing several highlights, including Stockhausen’s Gruppen at the Park Avenue Armory, the NYPO’s first presentation of a piece by Philip Glass (!), and a new work by John Corigliano, he pointed out some curious omissions. Ross wrote,”The Contact! series will elicit new works from Alexandre Lunsqui, Yann Robin, and Michael Jarrell. The series has no American music this year, nor is there any music by women in the entire season.” Like Ross, I’m very excited by some of

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by Christian Carey
Chamber Music, Composers, Concerts, Contemporary Classical, Experimental Music

Live From Ann Arbor: Chapter 3

The first student composers’ concert of the new year at the University of Michigan took place last Monday, January 31st. Although brief, this evening of premieres and experiments was just as potent, moving and successful as the other student-run new music events I’ve shared with the Sequenza21. Offering a diverse menu of solo, chamber and electronic compositions, Monday’s concert made yet another statement toward the rich and vast musical community operating in Ann Arbor, Michigan. The evening opened in grand style with Wil Pertz’ The Drink of the Wise #25 Origins (Ti), an aleatoric piece for 16 players divided into

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by Garrett Schumann
Canada, Chamber Music, Classical Music, Composers, Contemporary Classical, Film Music, Interviews, Orchestras, Portland, Twentieth Century Composer

Interview with composer Tom Myron

The job requirements of a working composer are elusive, perhaps especially for composition students enrolled in University degree programs that fail to provide graduates with the interpersonal and business skills necessary for survival outside the walls of academia. One student composer told me recently: “We are all being trained to teach.”Woody Allen famously said: “Those who can’t do, teach. Those who can’t teach, teach gym.” But those who compose and don’t teach do find ways to sustain themselves and their passion for music through a variety of collaborative and creative means, some perhaps less “traditional” than others. With this in

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by Chris Becker