Andrew Rudin is well known to the Philadelphia new music community, both as a composer and, for many years, as a professor at University of the Arts. One of his former students, Amanda Harberg, introduced me to Rudin some years back at a post-concert reception in New Jersey. I remember being struck by his piercing intellect and wide-ranging knowledge of music. I’ve greatly enjoyed interacting with him via Facebook in recent years. Although direct in his opinions, sometimes in irascible fashion, he’s a font of information about composers (particularly Ralph Shapey), opera, poets, and tasty baked goods. On Tuesday, Rudin’s
Read moreI’m halfway through the concert of Feldman’s String Quartet #2 performed by the FLUX Quartet here in Philly. My blog post is here.
Read moreTomorrow from 2-8 PM in Philadelphia Episcopal Cathedral, FLUX Quartet plays Morton Feldman’s String Quartet No. 2. The concert is the last event in American Sublime, a two week long series that has spotlighted Feldman’s late music. FLUX has been performing the piece since 1999, and their rendition runs around six hours. Feldman himself suggested that the piece could run anywhere from 3 1/2 to 5 hours. But one senses that FLUX’s more expansive time frame doesn’t contravene his intentions. String Quartet No. 2, like many of Feldman’s late works, is about breaking past the boundaries of form and instead shaping
Read moreASCAP and the League of American Orchestras presented 26 Adventurous Programming awards to orchestras who have demonstrated exceptional commitment to contemporary composers at a special Awards Presentation held today during the League’s 66th National Conference in Minneapolis. “For the past 54 years, the members of ASCAP have presented adventurous programming awards to orchestras whose mission not only perpetuates the great orchestral tradition of the past, but insures that concert music in America remains relevant, vibrant and alive,” said Frances Richard, ASCAP Vice President & Director of Concert Music, “We salute those orchestras who have a commitment to the music creators
Read moreTonight will feature the two winners of the first annual Call-for-Scores that the Nief-Norf Project put together this year as part of the first 10-day Nief-Norf Summer Festival going on down at Furman University in Greenville, South Carolina. The brainchild of percussionist and Artistic Director Andrew Bliss, the festival presents five concerts that focus on new music for percussion, including works by Cage, Reich, Applebaum, Bresnick, Zorn, and this year’s composer-in-residence, Christopher Adler. In addition to works for percussion by Mario Davidovsky, Stuart Sanders Smith and Alexander Lunsqui, Caroline Mallonee’s North South East West and Steven Snowden’s A Man with
Read more[Apologies for the delay on this posting – laptop illness kept me from completing it till today.] During my week stay in Illinois, I was lucky enough to catch several concerts that proved how strong the new music scene is in Chicago. On Saturday May 28, Ensemble Dal Niente presented a rich and varied concert at the Music Institute of Chicago that featured several new and established works and a wide array of talented performers. Ensemble Dal Niente has been steadily gaining ground as one of several new music ensembles (including ICE and Alarm Will Sound) that has taken the
Read moreMany instruments have their 99-cent toy counterpart: tiny play trumpets, cheap plastic recorders, pint-sized accordions, even mini drum-kits with cymbals the size of espresso saucers. But it’s only the toy piano that has graduated to the big leagues, with an large and diverse repertoire and even a dedicated group of high-caliber performers to boost its status. I really think this all came about from two sources: John Cage‘s modest 1948 Suite for Toy Piano, and the instrument’s inclusion in George Crumb‘s highly influential Ancient Voices of Children (1970). Both of these works had (and still have) a certain vogue; pianos
Read moreThe American Composers Orchestra has been holding annual reading sessions for twenty years now: quite a milestone! This weekend will see composers of concert music hearing their works read by the ACO, conducted by George Manahan, with one of the composers being awarded a $15,000 commission. For the first time, there will also be sessions devoted to jazz composers. The New Music Readings’ (June 3 & 4) participating composers are Janet Jieru Chen, Mukai Kôhei, Michael Djupstrom, Narong Prangcharoen, Jordan Kuspa, and Kate Soper. The Jazz Composers Orchestra Institute Readings’ (June 5 & 6) participating composers are Harris Eisenstadt, Mark Helias,
Read moreThe 2011 Celebrate Asia competition from the Seattle Symphony is now open! Seattle Symphony’s Celebrate Asia announces the second Seattle Symphony Celebrate Asia Composition Competition. The Competition seeks to promote and recognize young composers who are interested in Asian culture, music and traditions. The concept originated in 2008, when local Asian leaders wanted to find a way to strengthen bonds with the broader community through a cultural celebration. Celebrate Asia is part of the Seattle Symphony’s Around the World series. The Seattle Symphony, presenting its 109th season in 2011–2012, will come under the artistic leadership of Music Director Designate Ludovic
Read moreAs we gallop towards the end of the concert season proper (and towards the bevy of summer music festivals), it’s shaping up to be a busy time here in New York. Case in point, in the evening on Thursday June 2nd, there are two events that would suit many a new music aficionado’s fancy. Locrian Chamber Players are performing at Riverside Church at 8 PM. The program includes John Adams’ String Quartet (a work that also appears, with different performers, on the new Adams Nonesuch disc), a piece by Manhattan School of Music faculty member Reiko Füting and world premieres
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