Spring for Music, an annual festival of concerts by North American symphony and chamber orchestras at Carnegie Hall, was created in part to start a conversation about repertoire, about audience expectations, and about orchestral programming in general. To help continue this conversation, the festival is hosting a series of online events allowing participants to interact with members of the team in an open dialogue. The first of these chats is today (Monday) at noon with composer Melinda Wagner. This is Melinda’s conversation starter: “Composers do not work in a vacuum. Every kind of music we hear, old or new, ‘serious’, ‘popular’, colloquial
Read morePeter Lieberson’s record label, Bridge Records, has been kind enough to share some of his music with us: an excerpt from The Six Realms, for Cello and Orchestra (2000), one of his later and larger works and a piece that has an explicitly Buddhist programmatic element. Here is movement 5, performed by cellist Michaela Fukacova, the Odense Symphony Orchestra, and conducted by Justin Brown. The recording is from Bridge 9178, The Music of Peter Lieberson. The Six Realms: V. The Human Realm Program Note: In addition to silk and other precious goods, the Silk Road helped disseminate Buddhism, one of
Read moreWe’re saddened to learn from David Starobin of the passing of composer Peter Lieberson in Israel, due to complications from Lymphoma. He had been battling the disease since 2006 and for a time it had been in remission. But in late 2010, Lieberson travelled to Israel to seek treatment for a recurrence of the cancer. Alex Ross has posted a touching remembrance on The Rest is Noise. [youtube]http://www.youtube.com/watch?v=EJoqGx_F_1o[/youtube] Lieberson’s music was an extraordinary mixture of disparate strands of influences. It encompassed an intuitive post-tonal vocabulary, rooted in dodecaphonic training but also capable of lush verticals and, particularly in his vocal music,
Read moreYes, we’re still planning to have a Sequenza 21/MNMP concert in 2011 and it’s going to be excellent. We’re still finalizing the details, but should have an announcement soon. Thanks for your continued patience (which is code for “entrants: stop calling and emailing us”). Speaking of synthetists, how’s about Craig Wedren and ACME performing a song from On in Love (video below)? [youtube]http://www.youtube.com/watch?v=0SWCPDI4tKQ[/youtube]
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Composers, Experimental Music, Festivals, Improv, Just Intonation, Microtonalism, Opportunities, San Francisco, Sound Art
The San Francisco Bay Area is home to a sizable community of sound artists, instrument inventors, and intonation innovators who spend all their time developing original and never-before-heard ways of relating to music and sound. The local scene got a big national nod in 2008 when Walter Kitundu got the mysterious and exhilarating phone call and windfall that is the MacArthur Fellowship. With such a lively local pool of talent, it’s natural that it has its own festival — Music for People and Thingamajigs — celebrating its 14th year from September 22nd to 25th, 2011. Edward Schocker and Dylan Bolles
Read moreSome of you might know Elliot Cole as a composer of concert music, Contributing Editor here at Sequenza 21, or as a doctoral student at Princeton. But do you know Cole as a … rapper? De Rerum, Elliot’s debut EP as a fast-talking MC, under the project moniker Oracle Hysterical, tackles lofty subject matter. According to Cole, “It’s a verse history of the world as I understand it (to c.2000BCE, after which, I discovered, history is mostly redundant), and also a general synthesis of, well, most every (nonfiction) book I’ve read in the last decade.” The EP is available for
Read moreLast Saturday night I saw a concert that paired, more closely than any before, technology with the living composer. The debut performances of the MiND (Music in Neural Dimensions) Ensemble at the University of Michigan this weekend left its audience in awe as the performers used “advanced neurofeedback technology” in conjunction with live electronics to produce an evening of music controlled – literally – by their brain activity. Propelled by its uncharted level of novelty, the concert was a dramatic exploration of music’s relationship with our mind and spirit unified but a spirit of interactivity that extended beyond the neurofeedback
Read moreMadame White Snake by Zhou Long has been awarded the 2011 Pulitzer Prize in Music. Frank J. Oteri has the details at NewMusicBox.
Read moreThere’s something happening here. What it is has become a bit clearer (to me, at least) with the simultaneous arrival on my desk of new CDs by Todd Reynolds, the Kronos Quartet, the Now Ensemble and Build. Listened to back to back, ther family kinship is easily recognized. They have lots of cousins out there in the marketplace already and each month brings new examples. So, what’s happening here? Is it a new…sound? Impulse? Musical category? Dare we call it a “movement?” But, wait, let’s back up for a moment. There hasn’t been a major new music movement since minimalism
Read moreLife is about conflict, and so is opera. And what could be a more dramatic subject than the French Revolution when keeping your head wasn’t an abstract issue, but a life and death one. Francis Poulenc‘s 3-act grand opera Dialogues des Carmelites (1953-56) was acclaimed as a masterpiece at its 1957 La Scala premiere, and it’s easy to see why. It gets at the heart and soul of its subject through the person of a high strung girl from a rich family, Blanche de la Force, who decides to become a Carmelite nun to escape life, and her internal revolution
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