John Adams, of Nixon in China and Death of Klinghoffer fame, won the Best Orchestral Performance for the second year in a row with the Saint Louis Symphony, conducted by David Robertson, being selected for its recording of his latest scores: City Noir and the Saxophone Concerto. Last year, the San Francisco Symphony’s recording of his Harmonielehre and Short Ride in a Fast Machine took home the award.
The Seattle Symphony received the Best Contemporary Classical Composition award for its recording of John LUTHER Adams’s Become Ocean. The orchestral work, inspired by the Pacific Ocean and the effects of climate change, was premiered by the Seattle Symphony under Ludovic Morlot in 2013. Last year it won the Pulitzer Prize for music.
The wonderful Hilary Hahn and the pianist Cory Smythe shared a Best Chamber Music Grammy for “27 Pieces: The Hilary Hahn Encores,” a two-CD set of 27 short, diverse pieces that the violinist commissioned. .
A Lifetime Achievement Award went to the conductor, composer and 26-time Grammy winner Pierre Boulez, whom the announcer on the televised broadcast insisted on calling “BOU-LAY.”
For those you anticipating posthumous fame, the most encouraging selection of the evening was a Best Classical Compendium Grammy for late American maverick composer and inventor Harry Partch. Accepting the award for his recording of Partch’s Plectra & Percussion Dances, producer John Schneider noted that his musicians had to learn the composer’s daunting 43-note scale as part of their preparation. Congratulations and thank you to the great people at Bridge Records.