Month: January 2025

Classical Music, Concert review, Contemporary Classical, Festivals, New York, Opera, Vocals

Compelling and Visceral: “In a Grove” and Arooj Aftab at Prototype

PROTOTYPE – OPERA | THEATRE | NOW defines itself as a “festival of visionary opera-theatre and music-theatre works”. Its presentation of In a Grove (January 16 – 19, 2025) was as close as Prototype comes to conventional opera in the context of eschewing tradition. It was also one of the most compelling productions I’ve seen in a long time. The intimate setting at La MaMa’s Ellen Stewart Theater augmented the visceral impact. The story unfolded in four sections, each expressing a different character’s point of view of a murder in the woods. If that description sounds like the Kurosawa film Rashomon,

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Ambient, Contemporary Classical, Electro-Acoustic, Experimental Music, File Under?

Canyons compilation benefits LA Firefighters

  Canyons compilation Sequenza 21 friend Nick Norton has speedily put together a digital compilation called “Canyons” to benefit LA firefighters. It is a loaded setlist, with contributions from India Galley, Dustin Wong, Molly Pease, Isaac Schankler, Nicholas Deyoe, Warp Trio, and more. The release is pay what you like on Bandcamp (embed below), but don’t be stingy; the firefighters can use all the help they can get.   comp.02_canyons by people | places | records

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CD Review, Composers, Contemporary Classical, File Under?, Strings

Kalevi Aho’s String Quartets (CD Review)

Kalevi Aho String Quartets 1-3 Stenhammar Quartet BIS   Kalevi Aho (1949-) is a prominent Finnish composer whose oeuvre includes a number of orchestral and chamber works and a smaller body of vocal music. His string quartets are from relatively early in his career, the first from quite early, written when he was only eighteen. All three are included on a BIS recording made by the Stenhammar Quartet, a group from Sweden.    The pieces are presented out of order, beginning with the second quartet, which was written in 1970, during his studies with Einojuhani Rautavaara at the Sibelius Academy

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CD Review, Composers, Contemporary Classical, File Under?, Flute, Strings

Persist – Ethel and Loggins-Hull (CD Review)

Persist Ethel and Allison Loggins-Hull Sono Luminus   The string quartet Ethel presents a characteristically diverse program of contemporary music on Persist, their first recording for Sono Luminus. They are joined by composer/flutist Allison Loggins-Hull and the resulting quintet are strong advocates for the emerging composers featured here.   The title work is by Loggins-Hull, currently a composer fellow with the Cleveland Orchestra. Her work is gracefully written and appealing. Persist begins with an ambling section with an angular flute melody, pizzicato strings and percussion instruments. This is varied throughout, juxtaposed with presto passages featuring quickfire flute lines accompanied by

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CD Review, CDs, Contemporary Classical, Experimental Music, File Under?, London, Twentieth Century Composer

Music for Trumpets, Bass Clarinets, and Saxophones (CD Review)

Music for Trumpets, Bass Clarinets, and Saxophones Aural Terrains   Rebecca Toal, Katie Lodge, Bradley Jones, trumpets Raymond Brien, Michelle Hromin, Eb and bass clarinets Chris Cundy, Yoni Silver, bass clarinets Robert Burton, soprano saxophone Julie Kjaer, alto saxophone, Tim Hodgkinson, alto saxophone and conducting Jason Alder, baritone saxophone, contrabass clarinet William Cole, conducting   A live recording made in England’s Cafe Oto, Music for Trumpets, Bass Clarinets, and Saxophones includes both brand new compositions for the assembled musicians and important pieces from the contemporary canon. An example of the latter is John Cage’s Five (1988) which is performed by

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Contemporary Classical

Post-identity music: Schell’s picks for 2024

It’s been a somber year, with wars, conflicts, and intractable cultural and political divisions weighing on the lives and thoughts of many, including those with an investment in Western art music. I’ll endeavor to assess the situation not only musically, but also against the backdrop of a serious decline in the prestige and influence of the Anglosphere’s cultural left, particularly in the US, where its ambitions have come up hard against the judgment of the general population. But let’s start with some new albums… New and monumental Sofia Gubaidulina: Triple Concerto for Violin, Cello and Bayan (Orfeo)Gubaidulina currently holds the

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