The awesome Ensemble Pi is performing the latest collaboration between artist William Kentridge and composer Philip Miller at Arts World Financial Center on March 21 and 22 at 8 pm Sounds From the Black Box will feature the world-premiere live performance of Miller’s new compositions for Kentridge’s recent film animations. Joining Ensemble Pi will be the South African vocalist Tshidi Manye (who plays Rafiki in Broadway’s The Lion King) and Miller will also be onstage sampling sound clips to create the audio landscapes that are so integral to his scores. Here’s a two-minute preview clip of one of the films,
Read moreOur friends at Chamber Music America would like you to know that the deadline for their Classical Commissioning Program deadline is fast approaching. Applications must be received no later than Friday, April 9, 2010, 5:00 p.m. Eastern Time. CMA is offering support to U.S.-based classical/contemporary ensembles, presenters and festivals for commissioning American composers to create new chamber works. The program provides funding for the composer’s fee, the ensemble’s rehearsal honorarium, and copying costs. For these purposes, chamber music is defined as music for small ensembles (2–10 musicians) whose members perform one to a part, generally without a conductor. Compositions may
Read moreHi Jerry, Wanted to share two recent interviews: 1. Paul York, cellist and professor at the University of Louisville, has a new CD (Cello Vision – Centaur 2989) featuring new music by Stefan Freund, Aaron J. Kernis, Steve Rouse, Frederick Speck, Paul Brink and Marc Satterwhite. The Kernis is a world-premiere recording of Ballad for solo cello and seven cellos. Freund’s Toccata is also a premiere recording. The interview is here. 2. George Tsontakis was in town last week for a world premiere with the Louisville Orchestra. Impetuous was commissioned for the LO by a fellow Yaddo board member, Nana
Read moreMet lots of really nice people at my little social media presentation for the Chamber Music America folks at St. Peter’s yesterday. As promised, here’s the slide deck I used. If there is anything you’d like more information about, send me an email and I’ll try to answer. My thanks to the extraordinarily well-organized CMA program director Susan Dadian for inviting me and for being the kind of gal who will quietly tell you that your fly is unzipped before you begin your talk.
Read moreWell, maybe not. But, if you have time on your hands tomorrow don’t forget that I’m leading a seminar called “Using Social Networking to Promote Your Ensemble or Series” at St. Peter’s Church, 619 Lexington Avenue at 54th St. from 3 pm to 5 pm. Contact Chamber Music America Associate Marc Giosi at (212) 242-2022, ext. 14; or mgiosi@chamber-music.org to reserve yourself a seat. Come on over and I’ll show you how to use the internets and the Google and all those silly tubes to get more publicity for your group or program Here’s a quick tip specifically for our
Read moreThe nice people at Chamber Music America have invited your humble correspondent (that’s me) to discuss “Using Social Networking to Promote Your Ensemble or Series” next Tuesday, February 2, at St. Peter’s Church, 619 Lexington Avenue at 54th St. from 3 pm to 5 pm. It’s free but seating is limited so to make sure you get a seat, you should contact Marc Giosi, Program Associate, by 12 noon, Monday, February 1st at (212) 242-2022, ext. 14; or mgiosi@chamber-music.org (The CMA folks are being overly optimistic, I suspect.) Of all the things I know a little bit about, social marketing
Read moreFlorent Ghys has a new CD coming out on Cantaloupe on Tuesday. To mark the occasion and the upcoming The Union is in a State address by President Obama, we offer this sample of Florent’s handiwork. Music for Multiple Basses, and the President of the United States from Bang on a Can on Vimeo.
Read moreOur own Lawrence Dillon’s The Infinite Sphere will be given its World Premiere performances by the Daedalus Quartet tonight, Friday, January 15 – 8 PM as part of the Discovery Series at The Barns at Wolf Trap in Vienna, Virginia and on Saturday, 7:30 PM at Watson Chamber Music Hall of the University of North Carolina School of the Arts in Winston-Salem. Commissioned by the Daedalus Quartet in conjunction with the Thomas S. Kenan Institute for the Arts, Dillon’s fourth quartet takes Pascal’s reference to “an infinite sphere, whose center is everywhere and whose circumference is nowhere” as the inspiration
Read moreTechnology has democratized music in ways that are surprising even to me, revolutionizing access to any music anytime with iPod and iTunes, opening interactive musicmaking to amateurs with Guitar Hero and Rock Band (which both grew out of a group I lead at the M.I.T. Media Lab), providing digital production and recording facilities on any laptop that surpass what the Beatles used at Abbey Road, and redefining the performance ensemble with initiatives like the Stanford iPhone Orchestra and YouTube Symphony. – Tod Machover in today’s New York Times
Read moreThere are a lot of older men–myself included–who have had a crush on Hilary Hahn for an unwholesome length of time so I was not surprised when a couple of my best friends–professional photographers who normally wouldn’t pick up a camera unless there was money involved–volunteered to run down to the Village Gate…ur, Le Poisson Rouge for those of you with no respect for history–and shoot some pictures for free at her Bach Party last night. The occasion was the release of Hilary’s newest album, Bach: Violin and Voice on Deutsche Grammophon. “Ms. Hahn is even more enchanting in person
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