Author: Jerry Bowles

Classical Music, Composers, Contemporary Classical

He’s Baaack!

Major props to young Master Salvage for his outstanding work attending to the front page over the past couple of weeks while I attended to some pressing matters of commerce.  Big up yourself, David.  Well done.

So, let’s go to the mailbag and see what’s happening.  Ah, here’s something.  Our regular Rob Deemer has just launched a new radio program called The Composer Next Door on Oklahoma City’s classical radio station KCSC-FM.  Rob, who lives and teaches in OC, approached the general manager of the station last summer with the idea of a  locally-created show that focuses on living composers and new music.  Six months later, Rob tells us, it’s running smoothly.

“I’ve contacted composers from all over the country (and am continuing to do so) and over 50 established and emerging composers have been gracious in donating recordings to include in the broadcast,” he says. “The project is entirely home-grown; I write and record the scripts and edit the show completely in my own house. It’s a labor of love, but I think it may have some legs to it (and will be easily transportable if I find myself in another location in the future).”

The show is aired at 4 pm CST every Sunday on KCSC and is available on the web.  Sounds like fun.

This looks neat.  Miller Theater is doing the U.S. premiere of Olga Neuwirth’s Lost Highway, an opera based on the David Lynch film, on February 23 and 24.  The production is a joint between Miller and the Oberlin Conservatory of Music’s Contemporary Music Division.   Says here that “This haunting opera was adapted from the cult film by David Lynch, and is at once a mystery and a thriller.  Neuwirth’s moody and mysterious opera combines live musicians, singers, actors, electronics, and video-a full arsenal of stage techniques to bring Lynch’s film to life with gripping immediacy.” We’re reserving judgement.

I need somebody to handle the front page for me from February 5 through 10.  Who wants to be lead blogger for a week?  Means you have to put something up every day before noon.  Hands?

Here’s a little something for your dining and dancing pleasure recommended by Marco Antonio Mazzini, which reminds me of a couple of things.  One is that the HBO series Rome is fabulous with all these great English actors and actresses that you never heard of.  Equal opportunity full-frontal nudity, too. The other is that an Italian guy I know is looking for somebody to practice his English on for about an hour a day for a couple of weeks.  He’s making a presentation in English in Las Vegas in February and wants to polish a bit.  Late afternoon, early evening, and he’s willing to pay.  You must, however, Skype.  Don’t volunteer unless you’re Skypeable.

And now on with the show:

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Uncategorized

Buchwald and Me

Buchwald.jpgThe picture was taken about 11 am on November 22, 1963 in the newsroom of The Parthenon, the student newspaper of Marshall University in Huntington, W.Va.  The young man, barely recognizable to me today as a former version of myself, is interviewing Art Buchwald, his hero, for the paper.  A half hour later Buchwald was on his way to the airport for a flight back to Washington and an hour or so later John F. Kennedy was dead.  A couple of weeks after the tragic day, Buchwald wrote me a letter about the importance of not losing faith and going on despite the loss.   He knew the Kennedys well.  His loss was personal.  He had met me once.  He was one of the few people for whom the word great was not overly generous. 

Concerts, Experimental Music, Music Events, New York

When in the Bowery…

Because I find myself suddenly and inexplicably old I will not be attending the great two-band, no waiting show at the Bowery Poetry Club this Sunday night, featuring Industrial Jazz Group and Darcy James Argue’s Secret Society.  Well, the first episode of the new season of Rome on HBO is this Sunday so I probably wouldn’t be able to make it anyway.  But, if I were not suddenly and inexplicably old and if the new season of Rome were not beginning on Sunday night, I would definitely be there. 

The festivities commence at 8 pm with Industrial Jazz Group, followed at 9:30 by Secret Society.  Two bands, one price — $12.

Composers, Contemporary Classical, Film Music

Pare & Virgil

For those of you who were insufficiently cheered by Florida’s decisive surge over the Ohio State football factory, here’s something that should help.  Our friends at Naxos will  release on January 31 a  DVD of fellow Mountaineer Pare Lorentz’s landmark New Deal-era documentaries “The Plow that Broke the Plains” (1936) and “The River” (1938), featuring the first complete modern recordings of the seminal Virgil Thomson soundtracks by Washington, D.C.-based Post-Classical Ensemble under Angel Gil-Ordóñez, with narration by Floyd King.

“The Plow that Broke the Plains,” which examines the causes of the Dust Bowl drought and was made for $20,000, was the first film produced by the United States Government for commercial release. Despite being rejected by the film distribution system as New Deal propaganda, the documentary reached people in over 3,000 theaters. “The River,” which addressed flood control on the Mississippi River, won Best Documentary honors at the Venice Film Festival and received a Pulitzer Prize nomination for its script.  It is probably unfair to call Lorentz Roosevelt’s Leni Riefenstahl but his films demonstrated the power of documentary to influence opinion.

Virgil Thomson’s soundtracks to both movies rank among the composer’s greatest work and also set the trend in the 1930s and 1940s for a new style of film music. A young Aaron Copland found the scores to be “fresher, more simple, and more personal” than most Hollywood soundtracks, “a lesson in how to treat Americana.”

Hey, somebody start some trouble over on the Composers Forum page.

 

Classical Music, Contemporary Classical

Gas Attack Monday (Local Joke)

Well, I see Chamber Music America is having its annual conference in the Center of the Universe this week, beginning on Thursday.  I wasn’t invited this year.  Last year, Alex Shapiro and Drew McManus and I did a dynamite panel on blogging to an SRO room.  Alex and Drew were wonderful and, frankly, I thought I was pretty damned clever but three or four people complained on their evaluation sheets that I had said rude things about our esteemed President.  Or, maybe, it was the part where I took a picture of the room and said I had been asked to do so by the National Security Agency.  Kind of thing that has kept me out of the big time.

Who wants to review a new Charlemagne Palestine recording?  Don’t say yes if you’ve been a disappointment to me already.

I was reading my copy of pinknews.uk this morning and came across this story about the forthcoming civil partnership ceremony of the composer Sir Peter Maxwell-Davies and his partner, Colin Parkinson.
 

Ambient, Classical Music, Competitions, Composers, Contemporary Classical

‘Neath the Shade of the Old Walnut Tree

Back in July, nine students associated with AAIR, the independent radio station of London’s Architectural Association School of Architecture, spent several days recording natural and man-made sounds to create an extensive sonic map of Capri, the island, not the car or the pants.   The result is Radiocapri.

Now they’re inviting all of us to “remix” the sounds of the island in their cleverly named “International Remix Competition A.”  Here’s the best part:  the winning entry will be picked by Brian Eno, Arto Lindsay and Ryuichi Sakamoto.

The winner will get fame, fortune and more attractive lovers, plus a spot on an upcoming Radio Anacapri recording.  Deadline is January 31.  Details are here.

Awards, Classical Music, Composers, Contemporary Classical

Musical Mashup or Composers Say the Darndest Things

From the CBC:

Toronto composer James Rolfe has won the $7,500 Jules Léger Prize for New Chamber Music for his contemporary work raW, the Canada Council for the Arts announced Thursday.

raW, written during the buildup to the American invasion of Iraq in 2003, won the award designed to encourage the creation of new Canadian chamber music. It was chosen from a field of 115 new compositions.

The work “was written by filtering J. S. Bach’s Second Brandenburg Concerto through Bob Marley’s War (first movement), Burning Spear’s The Invasion (second movement), and John Philip Sousa’s Stars and Stripes Forever (third movement),” Rolfe said. 

Does anybody remember who I gave Lee Hyla’s latest CD to review?  Hope it wasn’t Evan since he’s wandered off somewhere until February. If it was somebody else, please review it because I promised.  

I have a bunch of new stuff lying around although some of you still owe me from last year.  How about this one:  John Cage’s Postcard from Heaven for 1-20 harps?

 

Chamber Music, Classical Music, Composers

Calling All Clarinetists

Our friend Marco Antonio Mazzini is inviting all clarinetists to participate in the first “Musical Marathon – Prize for Most Creative Interpretation” contest that will take place on the web, from January 10th to August 10th, 2007.  Each contestant must make and submit a recording of “Convalescencia, a solo clarinet piece by Argentinean composer Juan María Solare. This score is available HERE. All the details are here

“The title of this event focuses on the ‘creative’ word:  the piece we selected can be played (technically) by any average clarinet student, but the fun is…what to do with it,”  Marco says.  “Also, it can be performed in any clarinet.

“One of the members of the Clariperu jury is the godfather of the bass clarinet, Harry Sparnaay (my hero). Bass clarinetist don’t have many competitions (if any!).”

Marco also asked that we mention his group’s sponsors, Vandoren, Periferia Music and Radio Fabrik.   But, of course, we don’t do such things.

Enjoy the film.

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