Major props to young Master Salvage for his outstanding work attending to the front page over the past couple of weeks while I attended to some pressing matters of commerce. Big up yourself, David. Well done. So, let’s go to the mailbag and see what’s happening. Ah, here’s something. Our regular Rob Deemer has just launched a new radio program called The Composer Next Door on Oklahoma City’s classical radio station KCSC-FM. Rob, who lives and teaches in OC, approached the general manager of the station last summer with the idea of a locally-created show that focuses on living composers and new
Read moreThe picture was taken about 11 am on November 22, 1963 in the newsroom of The Parthenon, the student newspaper of Marshall University in Huntington, W.Va. The young man, barely recognizable to me today as a former version of myself, is interviewing Art Buchwald, his hero, for the paper. A half hour later Buchwald was on his way to the airport for a flight back to Washington and an hour or so later John F. Kennedy was dead. A couple of weeks after the tragic day, Buchwald wrote me a letter about the importance of not losing faith and going on despite the loss. He knew
Read moreMark Turner said it best, as reported by Do the Math: Fuck those motherfuckers who don’t give it up for Michael Brecker. [youtube]GRFMG5C2PPA[/youtube]
Read moreBecause I find myself suddenly and inexplicably old I will not be attending the great two-band, no waiting show at the Bowery Poetry Club this Sunday night, featuring Industrial Jazz Group and Darcy James Argue’s Secret Society. Well, the first episode of the new season of Rome on HBO is this Sunday so I probably wouldn’t be able to make it anyway. But, if I were not suddenly and inexplicably old and if the new season of Rome were not beginning on Sunday night, I would definitely be there. The festivities commence at 8 pm with Industrial Jazz Group, followed at 9:30 by Secret
Read moreFor those of you who were insufficiently cheered by Florida’s decisive surge over the Ohio State football factory, here’s something that should help. Our friends at Naxos will release on January 31 a DVD of fellow Mountaineer Pare Lorentz’s landmark New Deal-era documentaries “The Plow that Broke the Plains” (1936) and “The River” (1938), featuring the first complete modern recordings of the seminal Virgil Thomson soundtracks by Washington, D.C.-based Post-Classical Ensemble under Angel Gil-Ordóñez, with narration by Floyd King. “The Plow that Broke the Plains,” which examines the causes of the Dust Bowl drought and was made for $20,000, was the
Read moreWell, I see Chamber Music America is having its annual conference in the Center of the Universe this week, beginning on Thursday. I wasn’t invited this year. Last year, Alex Shapiro and Drew McManus and I did a dynamite panel on blogging to an SRO room. Alex and Drew were wonderful and, frankly, I thought I was pretty damned clever but three or four people complained on their evaluation sheets that I had said rude things about our esteemed President. Or, maybe, it was the part where I took a picture of the room and said I had been asked
Read moreBack in July, nine students associated with AAIR, the independent radio station of London’s Architectural Association School of Architecture, spent several days recording natural and man-made sounds to create an extensive sonic map of Capri, the island, not the car or the pants. The result is Radiocapri. Now they’re inviting all of us to “remix” the sounds of the island in their cleverly named “International Remix Competition A.” Here’s the best part: the winning entry will be picked by Brian Eno, Arto Lindsay and Ryuichi Sakamoto. The winner will get fame, fortune and more attractive lovers, plus a spot on an
Read moreMark Swed wrangled himself a trip to Budapest and came back with a brilliant piece on the world that shaped György Kurtág.
Read moreFrom the CBC: Toronto composer James Rolfe has won the $7,500 Jules Léger Prize for New Chamber Music for his contemporary work raW, the Canada Council for the Arts announced Thursday. raW, written during the buildup to the American invasion of Iraq in 2003, won the award designed to encourage the creation of new Canadian chamber music. It was chosen from a field of 115 new compositions. The work “was written by filtering J. S. Bach’s Second Brandenburg Concerto through Bob Marley’s War (first movement), Burning Spear’s The Invasion (second movement), and John Philip Sousa’s Stars and Stripes Forever (third movement),” Rolfe
Read moreOur friend Marco Antonio Mazzini is inviting all clarinetists to participate in the first “Musical Marathon – Prize for Most Creative Interpretation” contest that will take place on the web, from January 10th to August 10th, 2007. Each contestant must make and submit a recording of “Convalescencia“, a solo clarinet piece by Argentinean composer Juan María Solare. This score is available HERE. All the details are here. “The title of this event focuses on the ‘creative’ word: the piece we selected can be played (technically) by any average clarinet student, but the fun is…what to do with it,” Marco says. “Also, it can be
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