An overly self-conscious trip to a store with a flyswatter in hand inspires Christopher Penrose to create this gentle and humorous parody of Alvin Lucier’s I am Sitting In a Room.
Read more[youtube]http://www.youtube.com/watch?v=YdkGaNQVOFs&feature=related[/youtube] I was checking out video performances of Christopher Rouse compositions, when I came across the lively exchange excerpted below from the comments section of the above performance of Ogoun Badagris. I love reading this kind of discussion about new music. Strip away all the jargon and citations, add some internet acronyms and sarcasm, and a lot of the back-and-forth on musical aesthetic issues in scholarly journals boils down to pretty much what these gentlemen are discussing below: • TheKingBolden 5 months ago What a useless piece. I’m sure the composer thinks he’s conveying something deep and spiritual, lol. •
Read moreWhy do some extraordinarily talented people never show up on the radar? Eric Lyon is one such unsung genius. I understand he’s been impressing folks in Brooklyn the past few years, and he wowed them at the Bonk Festival of Music in Tampa for over a decade (not to say that knocking them dead at the Bonk Festival is going to boost anyone’s career). But unless you go to ICMC or SEAMUS or have had the good fortune to live somewhere that Eric regularly presented his music, you probably don’t know about him. Whatever the reason, it is a cosmic
Read moreI found one of my favorite reviews from the 1990’s (Roger Reynolds’s Dreaming and Harvey Sollberger’s Passages), and posted it here. There was a minor controversy surrounding Roger Reynolds’s commission from the San Diego Symphony (his first from the Symphony after living in San Diego for over 2 decades). Dreaming had been on the schedule for performance the season before, but the premiere was cancelled. Theories about the cancellation, many involving Symphony Board intrigue, bounced around the UC San Diego Music Dept. Several months later I interviewed Igor Gruppman, the concertmaster for the SDS. He related that the musicians have
Read moreI’ve been uploading my old reviews on my blog. Today’s upload is a review I did for a new music festival at the University of California, San Diego in 1995: concerts by the Bang on a Can All-Stars and the Paul Dresher Ensemble. This may seem totally run of the mill to New Yorkers and younger composers, but it was heresy at the hallowed halls of modernism at the UCSD Music Dept. At the time, Paul Dresher was probably the most successful, acclaimed alumnus of the dept.–and this was the first time he had been asked to perform there since
Read moreThere’s yet another new music series here in San Diego: Connections Chamber Music. I reported earlier this year on their concert featuring Reich, John Adams, Daugherty, and Matthew Tommasini (the series director). For their last concert, they programmed the Quartet for the End of Time. Before I went to the concert, I marvelled at how I’ve heard the Quartet more frequently than plenty of 19th century chamber works just as great such as Beethoven’s op. 132. And–well, read my thoughts and review of the concert here.
Read moreThere are many compositions dealing with the horrors of World War II. Some of them, like Penderecki’s Threnody for the Victims of Hiroshima, have little to do with the war–Penderecki changed the original title of the work from 8:37 after hearing its first performance. Others, like Shostakovich’s Seventh Symphony, achieved notoriety during the war, but their status in the repertory is still debated. (I can’t stand the Seventh, but find his Eighth Symphony one of the most moving works to arise from the war). Then there is that genre unto itself, the Holocaust piece. An Israeli colleague of mine once
Read moreI’ve been happily exploring all the free stuff available on Google Books, including complete runs of out of print magazines like Life. Check out what Igor Stravinsky used to do when he visited his buddy Charles Chaplin in 1937. Of interest, Stravinsky is described primarily as “the famous conductor,” although in all fairness to Life, they mention an upcoming concert in Manhattan where three of his ballet scores will be performed. Charlie and Igor having some laughs
Read moreThe orchestrion is a fairly old instrument, going back to the mid-19th-century. Pat Metheny and the mad scientists at the League of Electronic Musical Urban Robots have teamed up to create a 21st century version of an orchestrion. [youtube]http://www.youtube.com/watch?v=9VymAn8QJNQ[/youtube] I’ve spent the past few days listening to Metheny’s new CD, Orchestrion. If you’ve been following his work for the past few years, it’s no big surprise musically or harmonically: lush diatonic harmonies and sweetly melodic improvisations. What makes this disc so special, though, is his interaction with a robot ensemble, one which is completely controlled or programmed by Metheny. There
Read moreIf you’re in the San Diego/Tijuana region today, or if you happen to be at your computer at 6 pm PST, tune in to KSDS FM (88.3), our beloved jazz station, to hear yours truly and Ellen Weller interviewed about our forthcoming Unsilent Night performances. I don’t know if this is a first for Unsilent Night worldwide, but we are entered as a participant in a holiday parade: The North Park Toyland Parade, Sat. Dec. 8 at 11 am, marching down University Ave from Utah to 32nd St. I set up a Facebook page called Unsilent Night San Diego with
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