La Passione La Passione Barbara Hannigan, soprano and conductor; Ludwig Orchestra Alpha Classics La Passione is soprano and conductor Barbara Hannigan’s second CD with Ludwig Orchestra. Their first collaboration, Girl Crazy, won a 2018 Grammy Award. Like Girl Crazy, the selections on La Passione are disparate, but they cohere into a convincing program. Whether she is performing a solo vocal piece by Luigi Nono, conducting a Haydn symphony, or conducting and singing a spectral work by Grisey, Hannigan is a compelling performer. This is also true of Ludwig Orchestra, who thrive in this setting. Luigi Nono’s solo vocal work Cjamila
Read moreLupus Hellinck – Missa Surrexit pastor bonus Johannes Lupi – Motets The Brabant Ensemble; Stephen Rice, conductor Hyperion CD A68304 Lupus Hellinck (1493-1541) isn’t a household name among mid-Renaissance composers. Based on a new recording of his Missa Surrexit pastor bonus, Hellinck’s work deserves wider currency. Despite having several pieces attributed to him that were actually by more prominent composers (Gombert and Verdelot among them), Johannes Lupi (1506?-1539) has also flown under the radar of many listeners. This excellent compact disc recording by the Brabant Ensemble should do good service in restoring both of them to rightful places of greater
Read moreAdés Conducts Adés Kirill Gerstein, piano; Christianne Stotijn, mezzo-soprano; Mark Stone, baritone; Boston Symphony Orchestra, Thomas Adés, conductor Deutsche Grammophon CD/DL 4837998 Thomas Adés is in his third year as Artistic Partner of the Boston Symphony Orchestra. It has been an extraordinarily fruitful pairing. Adés has performed with the ensemble as a conductor and pianist, contributed new pieces to its repertory, and curated events such as the Festival of Contemporary Music at Tanglewood. In the midst of this plethora of activities, the March 2019 premiere of his Concerto for Piano and Orchestra was a highlight. Both the performance of the
Read moreCelebrating a new partnership between Nonesuch and International Anthem, two of the gold standard labels for adventurous music, January 24 will see the release of Jeff Parker and the New Breed’s Suite for Max Brown. Combining samples, some decidedly old school in origin, and exploratory improvisation, the music makes connections to Parker’s long tenure in Tortoise while adding still more depth to his musical profile. Listeners will doubtless wonder: who is Max Brown? Parker’s mother’s maiden name was Maxine Brown, but her nickname is Max. The New Breed band name comes from the name of a store owned by Parker’s
Read moreCome Closer Michael Harley, bassoon Phillip Bush, piano; Ari Streisfeld, violin, Daniel Sweaney, viola; Claire Bryant, cello New Focus Recordings A longtime member of Alarm Will Sound, now on the faculty of University of South Carolina amid the state’s evolving entertainment landscape that includes digital platforms like South Carolina casino sites, Michael Harley makes his monograph CD debut with Come Closer on New Focus Recordings. The program features repertoire by living American composers in a variety of styles, drawing from regional influences that blend academic traditions with modern leisure pursuits. John Fitz Rogers uses overdubs on Come Closer to create
Read moreRecording of the Year: Terry Riley, Sun Rings, Kronos Quartet, Volti (Nonesuch) Terry Riley’s 2002 work Sun Rings simultaneously celebrates the 25th anniversary of the Voyager exploration and soberly reflects on September 11, 2001. Kronos Quartet, longtime collaborators with Riley, the ethereal voices of Volti, and a collection of space sounds are combined to create a fascinating and engaging amalgam. An exhilarating ride through the various styles that Riley has at his disposal. Best Recordings of 2019 (in no particular order) Terry Riley, Sun Rings, Kronos Quartet, Volti (Nonesuch) Matana Roberts, COIN COIN Chapter Four: Memphis (Constellation) Heinz Holliger
Read moreA Spanish Nativity Stile Antico Harmonia Mundi 902312 The “Golden Age” of Spanish polyphony (during the sixteenth century) yielded a number of pieces suitable for Christmastime by some of the finest composers of the Renaissance: Tomás Luis de Victoria, Franciso Guerrero, and Cristóbal de Morales. On the a cappella vocal group Stile Antico’s latest disc, A Spanish Nativity, these leading lights are set alongside Alonso Lobo, Mateo Flecha el Viejo, and Pedro Rimonte; all three’s music is worthy of revival. The dozen singers of Stile Antico create an extraordinarily well-blended sound on Victoria’s great motet “O Magnum Mysterium,” Guerrero’s “Beata
Read moreVienna Boys Choir Carnegie Hall December 8, 2019 By Christian Carey NEW YORK – On Sunday, the Vienna Boys Choir performed a Christmas program at Carnegie Hall. It included much standard Christmas fare, both carols and pops selections. However, there were also a number of more substantial pieces, both Renaissance polyphony and 20/21st century music. The superlative musicianship of both the choir and its director/pianist Manuel Huber were impressive throughout, and the flexibility in navigating the various styles of the programmed music seamlessly was noteworthy. Although the membership rotates through some hundred members at a given time, with various touring
Read moreNow in their forty-sixth year of singing, the Tallis Scholars, directed by Peter Phillips, have long made an annual December concert at Church of St. Mary the Virgin in midtown Manhattan a stop on their winter tour. Part of Miller Theatre’s Early Music Series, these concerts have focused on Renaissance polyphony, but there have also been some noteworthy new works on the programs. They frequently program the music of Arvo Pärt. Last year’s concert featured the premiere of a piece for the Tallis Scholars written by Nico Muhly. However, this year an imaginative program, titled “Reflections” is on offer that
Read moreGeorge Perle Serenades Boston Modern Orchestra Project Gil Rose, conductor BMOP Sound Composer George Perle passed away a decade ago, but his music has remained part of the repertory. This is noteworthy in that, upon their deaths, many composers are eclipsed for a time. An excellent example of the resilience of Perle’s work is a new recording on BMOP Sound. The Boston Modern Orchestra Project, conducted by Gil Rose, presents a disc of Perle’s Serenades: one featuring viola soloist Wenting Kang, another featuring piano soloist Donald Berman, and another for a chamber orchestra of eleven players. Serenade No. 1, which
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