Courtesy of the John Cage Trust blog.
Read moreI have the utmost respect for Eighth Blackbird as musicians and new music advocates. In fact one of my fondest dreams as a composer would be to have them perform my chamber Sextet. But I was very disappointed to learn that the ensemble’s new Call for Scores requires composers to pay a $50 application fee to have their scores considered. While, as one of my colleagues put it, this may convince composers to be ‘a bit self-selective’ in their submissions, it’s also a handy way to self-fund the commission of a new work for the ensemble. As much as I’d like to have
Read moreThis Sunday, the Prism Quartet is celebrating 25 years of concertizing and the release of various CDs with a show at Le Poisson Rouge (details below). The show will feature music from their recording catalogue, focusing on their most recent projects. The quartet’s latest CD, Antiphony, is a collaboration with New Music from China. It includes works by Wang Guowei, Zhou Long, Lei Lang, Chen Yi, Tan Dun, Ming-Hsiu Yen. Thus far I’m really enjoying the title work, by Zhou Long. In addition to the saxophones, it features Erhu, Daruan, and percussion in a piece that explores folk resonances and microtones in a finely
Read moreBig news in the orchestra world. Starting next season (2010-’11), George Manahan will become the American Composers Orchestra’s Music Director. He will continue as Music Director at the New York City Opera. In my view, this is good news indeed. Manahan is a superlative musician; he’s conducted some excellent performances of contemporary fare at NYCO. One hopes that his name will entice new audience members to check out the ACO. Kudos as well to outgoing director Steven Sloane, who’s done an admirable job with the ensemble since 2002. Thoughts on the shakeup? The comments section is open below!
Read moreMany people are still talking about the New York production of John Adams’ latest opera, Dr. Atomic. But Adams wasn’t through with the material after its stage presentation. Nonesuch recently released a symphonic version of music from Dr. Atomic; Dr. Atomic Symphony is paired with Guide to Strange Places on the CD. There’s also a DVD release of the opera, in its Netherlands production, available on Opus Arte. Sequenza 21 readers: How do you prefer Dr. Atomic, in its operatic or symphonic incarnation? The comments section is open for feedback.
Read moreGreg Saunier is in the indie band Deerhoof, but he’s also a composer of concert music. sfSound commissioned a work from Saunier as part of an upcoming concert centered around György Ligeti‘s Chamber Concerto (Jan. 23 at SF Conservatory). Apparently, this isn’t the first time sfSound has paid tribute to Ligeti. Last time around, in 2002, they ran afoul of the composer’s representatives. You can read a passel of legalese between Ligeti’s lawyers and the group’s bass clarinetist here. Hopefully this time out, they’ll be allowed to go ahead with what looks to be a fascinating concert and appropriate tribute
Read moreA number of Sequenza 21 contributors and readers also populate the site ImprovFriday. It’s a web community that encourages sharing of improvisations, compositions with an element of improv, and recent compositional sketches at a series of web events run on … you guessed it, Fridays. While this all sounds very free form, the group has specific guidelines for participation, found here. Employing these operating principles are a wide ranging group of spontaneous creators: diverse in style, outspoken yet constructive in critiquing each others’ work, but unified in ambitious music-making. The community’s first compilation recording, ImprovFriday Vol. 1, is now available from online vendors Amazon
Read moreMusical America is honoring Louis Andriessen as their 2010 Composer of the Year. Seems a fitting tribute in his seventieth birthday year. That said, there’s been much activity in the contemporary classical arena in 2009. Who would the Sequenza 21 community like to see getting lauded for their achievements? The comments section is open for nominations.
Read moreElliott Carter turns 101 today. By all accounts, he’s hale, hearty, and busily composing!
Read moreIt’s hard enough delivering an orchestra commission when you’re hale and hearty; but despite losing most of his vision during the course of its lengthy gestation (2001-06) York Höller managed to complete his work Sphären. His efforts amidst considerable adversity have garnered him the 2010 Grawemeyer Award. Although now almost completely blind, Höller continues to compose. Abetted by assistants, samplers, and a new software called Jaws, he is soldiering on. One hopes that the Grawemeyer’s $200,000 prize will assist in this endeavor. So, composers, next time you’re planning to tell your commissioner why the piece isn’t done, you’ll need a pretty
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