Author: Christian Carey

Choral Music, Composers, Contemporary Classical, File Under?

Holiday Tunes

A little palette-cleanser to shift our focus away from stimulating discussions of academe – after all, school is only out for a short while – what ‘holiday’ music do you admire? This week, I’ve been listening to Anonymous 4’s Wolcum Yule around the house, enjoying both the Renaissance pieces and Maxwell Davies’ “A Calendar of Kings.” A ‘guilty pleasure’ is Vaughan Williams’ Hodie.

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Boston, Composers, Concerts, Contemporary Classical, File Under?, Orchestral, Orchestras, Photographs

Break a Leg?!?

Wendy plays Ken’s viola concerto with BMOP! Hear harmonies analyzed from Wendy’s ankle bone! Friday, November 14, 2008 / 8:00pm – 10:00pm Jordan Hall at New England Conservatory 290 Huntington Avenue, Boston, MA The amazing violist Wendy Richman plays Ken Ueno’s concerto Talus, with the Boston Modern Orchestra Project and the incomparable Gil Rose. Here’s the program: Martin Boykan Concerto for Violin and Orchestra / Curtis Macomber, violin Robert Erickson Fantasy for cello and orchestra / Rafael Popper-Keizer, cello Arnold Schoenberg Concerto for String Quartet and Orchestra / BMOP Principals Elliott Schwartz Chamber Concerto VI: Mr. Jefferson / Charles Dimmick,

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Cello, Chamber Music, Concerts, Contemporary Classical

Fire in July Gig on Nov. 12

This just in from singing cellist Jody Redhage: Hi friends, I’m excited to announce that my new website is up and running!  Please visit www.jodyredhage.com. Also, Fire in July is playing a really fun show this Wednesday, Nov. 12 at the Players Theatre in the Village. We’re sharing the night with fellow chamber pop band alice. Please see the details below. Hope everyone is well! All best, Jody FIRE IN JULY Wed., Nov. 12, 2008 8:00 pm alice 9:00pm Fire in July Music on MacDougal Series The Players Theatre 115 MacDougal St. (between W 3rd and Bleeker) New York, NY  10012 212-475-1449

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Bang on a Can, Chamber Music, Composers, Concerts, Contemporary Classical, Downtown, Just Intonation

Interview with Terry Riley

Thursday morning I talked with composer Terry Riley, who is in New York this week to collaborate with the Bang on a Can All-Stars in the US premiere of his work Autodreamographical Tales at Le Poisson Rouge on 8 November. Riley is famous for being one of the “Big Four” of American minimalist composers (the others: LaMonte Young, Steve Reich, and Philip Glass). But while his early works, such as A Rainbow in Curved Air, Poppy Nogood and the Phantom Band, and the seminal In C, were musical rallying cries during minimalism’s ascendance in the 1960s, Riley’s been involved with

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Chamber Music, Composers, Concerts, Contemporary Classical, File Under?

Quartet for the End of Time at Merkin on Tuesday

Charles Neidich and friends are performing Messiaen’s Quartet for the End of Time and music by Israeli composers. The program is below, and you can check out the notes over at my blog. Moshe Zorman – Hora Arnaud Sussmann, Violin; Vincent Balse, Piano  Menachem Wiesenberg – Like Clay in the Potter’s Hand Gal Nyska, Cello; Vincent Balse, Piano  Paul Ben Haim – Pastorale Variee Op. 31b Moran Katz, Clarinet; Vincent Balse, Piano  Olivier Messiaen – Quartet for the End of Time  Charles Neidich, Clarinet; Arnaud Sussmann, Violin; Gal Nyska, Cello; Vincent Balse, Piano

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CDs, Classical Music, Composers, Contemporary Classical, Recordings

Sampling your way through Sunday brunch

Sunday Music: CD Samplers in the Era of Pandora Sunday Music Volume 4 Big Helium Records BHRSM004 / www.bighelium.com Unlike the album driven days of yore, today it’s all about the mix. From purchasing single tracks digitally at online stores such as Itunes and Amazon to the internet radio sensation Pandora, which tailors ‘stations’ to a listener’s preferences, music is presented as eminently accessible; instant gratification, inevitable. While all aforementioned methods of mix are exciting in their potential for discovery, surfing the impossibly commercial Itunes or using Pandora’s efficient but sometimes ham-fisted engine is unlikely to provide the enlightening swerves

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Contemporary Classical

Locrian Chamber Players this Saturday at Riverside Church

Dear Friends,   You are cordially invited to a concert of The Locrian Chamber Players this Saturday, August 23 at 8PM in the 10th Floor Performance Space of Riverside Church, 490 Riverside Drive, New York. The Program:   Charles Wuorinen: Duo Sonata (NY Premiere)   Charles Wuorinen: Josquiniana   Louis Andriessen: Miserere (U.S. Premiere)   Sebastian Currier: Night Time   Hayes Biggs: Sultry Air, Balmy Breezes (World Premiere)   The Players: Calvin Wiersma and Curtis Macomber, violin; Dan Z. Panner, viola; Greg Hesselink, cello; Erin Lesser, flute; Anna Reinersman, harp; Blair McMillen, piano.   A reception will follow the concert.  

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Contemporary Classical

Bad news from Tanglewood: The BSO press release

BSO MUSIC DIRECTOR JAMES LEVINE LEAVES TANGLEWOOD TO UNDERGO SURGERY     BSO Music Director James Levine regrets that he will have to withdraw from the balance of the 2008 Tanglewood season. Because of a cyst causing pressure and discomfort, Levine will undergo surgery this week to have a kidney removed. The procedure has been described by Levine’s doctors as curative, with no other treatment necessary and with every expectation for a complete recovery. The anticipated recuperation period is six weeks -leaving ample time to prepare and conduct the season openings of the BSO and the Metropolitan Opera in September.     “It is

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Contemporary Classical

New Music Duo Hybrid Groove Project Drops Latest Hit “HGP Anthem”

Peabody faculty member David Smooke sent this along for your delectation: Summer’s just beginning and Hybrid Groove Project, the genre-bending new music duo from Baltimore, is already heating things up with their number one summer jam, “HGP Anthem.” In the grand tradition of the great hip-hop conflicts like Tupac v. Biggie Smalls, Dr. Dre v. Eazy-E, and 50 Cent v. Kanye West, “HGP Anthem” brings some much needed antagonism to a new music genre more accustomed to passive aggressive behind-the-back battiness than brive-bys and street corner stompings. “By droppin’ this track we’re showing all these new music fakers who the

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