As stated in Oberlin College’s ‘Oberwiki’: “…to enter you needed to take a sugar pill with a dot on it…and you rolled the dice, cause 1/3 of the dots were LSD…” Yep, that’s our (currently) eldest composition teacher speaking of Oberlin’s glory days when he was but a wee lad out of grad school. Randy Coleman is many things, best summed up as “a real post-modern feminist old-time patriarch from Virginia.” He is most feared for his red pen marks on freshperson’s melody assignments and for the fabled “piece-per-day” routine with private students. His music contains much variety, with each
Read moreAlmost everyone in and around the New Amsterdam Records scene has been written up by us. Many are good and long-time visitors, contributors and pals of S21. But screw that; the real reason we follow this crew is that they’re an awesome bunch of composers and performers, with a fresh, open and energetic approach to this whole art-music thingy-ma-jingy. They’re proving it again this May, with… Aww, just let the poster tell you: Makes a nice prelude to the BOAC “oldsters” Marathon, dontcha think?
Read moreTo paraphrase a comment I spotted once on Myspace, “We would have got you a card or something but we spent all of our money on booze, speed, and hookers”… So let’s just do with this shout-out to NewMusicBox, the American Music Center, the whole unsung crew and of course the one-and-only Frank J. Oteri, for seeing this most vital and consistently important modern classical site through its first decade. Before appearing May 1st, 1999 there had never, ever been such a resource for living composers, performers and their music-hungry audience. Ten years on, there’s still no equal. It’s our
Read moreThe Orchestra of the S.E.M. Ensemble, founded and directed by Petr Kotik, joins forces with the acclaimed FLUX Quartet and the international chamber orchestra Ostravská banda for an evening of adventurous music: Wednesday, May 06, 2009 8:00 PM, Alice Tully Hall, Starr Theater. Tickets are a steal, only $15 for a real wealth of music. Highlights include three new pieces by self-taught composers: the premiere of Christian Wolff’s Trio for Robert Ashley (2009), performed by members of the Flux Quartet; the American premiere of Sicilian-born composer Salvatore Sciarrino’s Vento D’ombra (2005), performed by The Orchestra of the S.E.M. Ensemble; and
Read moreApropos this Wednesday’s Michael Gordon Trance performance mentioned just a few posts previously: Besides the pre-concert talk and videotaping, we’ve got a bit more fun for you all… Along with the good folk at Bang On A Can and Cantaloupe Records, Michael Gordon himself had the idea of offering the tracks to Cantaloupe’s Trance CD, performed by Icebreaker, as free downloads for you all. The only catch: Each of the seven tracks are hosted at a different blog, and it’s up to you to follow the clues to find all seven. Besides the music itself, there’s a further reward for the quick: the
Read moreMichael Gordon‘s huge and hugely wonderful, 50+ minute riff- and throb-fest Trance, composed in 1995, is being dusted off for what promises to be a memorable performance by the ensemble Signal, 7:30pm April 22nd at Le Poisson Rouge. The fun and games begin at 6:30 pre-concert in the bar, however; Gordon himself, along with Ronen Givony (from Wordless Music and Le Poisson), Signal director Brad Lubman, bandmate/composer Ken Thomson (who also does duty in Gutbucket) and others, will talk about producing and performing new works with emphasis on the whys and whats of a piece after their first presentation. Trance was premiered
Read moreFrom the Ojai Music Festival blog comes word of the latest twist on an old scam: We can’t really believe that this is happening. Last week, someone started calling the offices claiming to be Steven Mackey – the great American composer, and featured performer on the 2009 OMF lineup. His story was pretty complicated, but the gist of it was this: poor fellow got stuck in Jamacia over spring break, and now needs our producer to wire him money to get home. Our producer works remotely for most of the year, so after speaking with “Steven,” we called her. She
Read moreElizabeth Ferguson is a coordinator for this year’s Make Music New York event, and has a little offer for NYC-based composers/musicans. I’ll let her take it from there: Make Music New York is a unique, free outdoor celebration performed by anyone who wants to play, and enjoyed by everyone who wants to listen. Last year, some 875 performances took place on streets, sidewalks and parks in all 5 boroughs on the first day of summer, June 21st. MMNY is now accepting submissions for this year’s “musical handshake“: a single melody serving as the secret lingua franca for musicians on Sunday
Read moreMost S21 regulars know about these already, but for all our newer visitors I thought I’d mention how most of us keep on top of what’s what, day-to-day, in the classical and “non-pop” world. The secret is to visit a few of the aggregation sites intrepid volunteers have set up, that comb the news sites and blogs for current tidbits of interest. It’s really pretty easy on your part, requiring just three quick clicks (besides our humble and happy abode, of course!) once a day (or twice or thrice, even better): NetNewMusic Reblog — Jeff Harrington’s site probably has the
Read moreOn this very page back in 2007, one of my ‘click picks’ told you about a great historic recording available to hear on the web: one of John Cage’s and Lou Harrison’s earliest all-percussion concerts, presented at the Cornish School in Seattle, May 19th, 1939. As I wrote in my earlier post: The performers heard include Cage, his then-wife Xenia, and the dancer Doris Dennison. (and quite possibly Lou Harrison himself. The photo here shows Lou, John, and Xenia behind, Doris and Margaret Jansen in front). The pieces on these recordings represent the core of the West-Coast experimentalist group (I know, I know, Harry Partch; but
Read more