Bang on a Can

Bang on a Can, Contemporary Classical

BOAC All-stars and Paul Dresher Ensemble, 1995

I’ve been uploading my old reviews on my blog. Today’s upload is a review I did for a new music festival at the University of California, San Diego in 1995: concerts by the Bang on a Can All-Stars and the Paul Dresher Ensemble. This may seem totally run of the mill to New Yorkers and younger composers, but it was heresy at the hallowed halls of modernism at the UCSD Music Dept. At the time, Paul Dresher was probably the most successful, acclaimed alumnus of the dept.–and this was the first time he had been asked to perform there since

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Bang on a Can, CDs, Contemporary Classical, Downtown, New York, Odd, Performers

Multiple goodness

Just a few weeks ago over at our CD Review section, Jay Batzner wrote about the new Julia Wolfe Dark Full Ride CD: “Each piece transfixes me.  I am writing my own music differently because of this disc.  I am so glad that Julia Wolfe exists, is writing music, and that such talented performers play the hell out of her stuff.”  It’s a really interesting Ride, each piece intensely working over some greater or lesser multiple of the same instrument. If you’re a skeptical “show me” kind of person, free as a bird tomorrow (Nov. 10th) in NYC and maybe

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Bang on a Can, Composers, Contemporary Classical, Experimental Music, Film Music, Interviews, Los Angeles

Goldberg on (UNTITLED)

(UNTITLED), an original film satire of New York’s avant-garde art scene, will appear in theaters across the nation this fall. By poking fun at the idiosyncrasies of 21st century Bohemia, (UNTITLED) introduces American audiences to some of the best that contemporary art has to offer, notably a score by Pulitzer Prize-winning composer David Lang, who merges the artistic expressions of the composer protagonist with his own musical voice. (UNTITLED) revolves around melancholy composer Adrian (Adam Goldberg) and his whirlwind affair with a Chelsea gallerist (Marley Shelton), who unbeknownst to Adrian sells vacuous commercial works to high-paying corporate clients. The film

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Bang on a Can, Composers, Contemporary Classical, Film Music, Interviews

David Lang on (UNTITLED)

(UNTITLED), an original film satire of New York’s avant-garde art scene, will appear in theaters across the nation this fall. By poking fun at the idiosyncrasies of 21st century Bohemia, (UNTITLED) introduces American audiences to some of the best that contemporary art has to offer, notably a score by Pulitzer Prize-winning composer David Lang, who merges the artistic expressions of the composer protagonist with his own musical voice. (UNTITLED) revolves around melancholy composer Adrian (Adam Goldberg) and his whirlwind affair with a Chelsea gallerist (Marley Shelton), who unbeknownst to Adrian sells vacuous commercial works to high-paying corporate clients. The film

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Bang on a Can, Contemporary Classical, Festivals, New York

Having a MoCA at Banglewood

If you thought there couldn’t possibly be any more we could tell you about Bang on a Can events the past couple months, you’re so so wrong!  Starting today and running to the end of the month, The “Banglewood” summer festival at Mass MoCA is underway in North Adams, Massachusetts. (Mass MoCA is the Massachusetts Museum of Contemporary Art there, and the fest’s co-sponser.)  Head on up to find public performances, workshops for participants in everything from Balinese music to improvisation, master classes, music business seminars, and more. Festival events open to the public this year include daily gallery recitals

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Bang on a Can, Concerts, Contemporary Classical, Minimalism

Minimalism Nonstop

Last week the BBC reported that the seminal electronic act Kraftwerk wowed the crowd at the Manchester Velodrome, not just with their music but a live riding appearance by the British Olympic cycling team during their classic song “Tour de France”!  But also interesting was the opening act: Bang on a Can premiering Steve Reich‘s newest composition “2×5“.  Scored for two sets of five instruments (hence “2×5”), the 21-minute piece calls for a total of ten musicians: four electric guitars, two pianos, two bass guitars, and two drum sets.  And this from Reich: “It took me until 2009 to finally

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Bang on a Can, Chamber Music, Concerts, Contemporary Classical, Downtown, Festivals, New York

Marathon Meets Twitterthon

Yes, it’s that time of year again… The Bang On A Can Marathon is about to take flight once more, this Sunday, May 31 from noon to midnight at the World Financial Center Winter Garden (220 Vesey Street, NYC).  And yes, it’s all FREE. Knowing we can’t all be every place at once, a band of nine volunteers will all be tweeting their reactions and observations in real time! — @anastasiat, @talkmusic, @sethcolterwalls, @espyem, @ogiovetti , @memilybk, @cryfok, @dotdotdottweet and @elimaniscalco.  To simplify things, you can follow all in one centralized spot (even if you’re not an active twitterer) by

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Bang on a Can, Composers, Contemporary Classical, Downtown, Music Events, New York, Online

Want some free tracks & tix? The hunt is on!

Apropos this Wednesday’s Michael Gordon Trance performance mentioned just a few posts previously:  Besides the pre-concert talk and videotaping, we’ve got a bit more fun for you all… Along with the good folk at Bang On A Can and Cantaloupe Records, Michael Gordon himself had the idea of offering the tracks to Cantaloupe’s Trance CD, performed by Icebreaker, as free downloads for you all. The only catch: Each of the seven tracks are hosted at a different blog, and it’s up to you to follow the clues to find all seven. Besides the music itself, there’s a further reward for the quick: the

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Bang on a Can, Boston, Composers, Contemporary Classical, Interviews, Performers, Podcasts

My Ears Are Open. This week: Evan Ziporyn

First, a quick introduction and thank you are in order.  My name is James Holt and I am a composer living in New York.  I started a podcast where I interview musicians specializing in performing contemporary music, and I ask them about their experiences with composers.  Simple. I want to thank Sequenza21 for inviting me to come on the site every couple weeks as a recurring feature to tell you about the new episodes. This week is my interview with Evan Ziporyn…I’m sure that he’s someone who needs no introduction to most of the s21 audience, but just in case:

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