I missed this little diatribe from Bernard Holland in the Times. Thanks to Carmen Tellez for bringing it to my attention: Unpleasant truths were another topic brought back forcefully by a concert at the Kitchen in September, by the fine young group Either/Or. Here was a program of 1960s arrogance and self-absorption, with people like Cornelius Cardew, Christian Wolff and Earle Brown as the main offenders. Listening to a collection of composers sharing inside jokes and private messages in music that reeked of contempt for the public made me get down on my knees and give thanks that an era
Read moreThanks, Scott. And a special thanks to all of you who come around faithfully to contribute the entertaining thoughts and comments that make this the liveliest venue for new music conversation on the web. I love you all, even the cranky ones. Note: Christian Carey’s File Under? posts now have their own page.
Read more“A Harvard Business School study looked at job satisfaction. Orchestra players came just below prison guards. Chamber musicians came in at number 1. What’s the difference? The presence of a conductor.” Boston Philharmonic Conductor Ben Zander, speaking at Leaders in London 2007
Read moreGavin Borchert, composer and the Seattle Weekly‘s classical music critic, has an interesting take in this week’s rag, on current calls for jazzing-up or otherwise “slumming” the concert experience. A couple cogent paragraphs: A couple of things puzzle me. First, the classical concert experience is, in all essentials, identical to that of dance, theater, literary events, or for that matter—barring the munching of popcorn and cheering the fireball deaths of villains—movies. Go to the performance space, buy a ticket, sit down in rows, watch and listen, try not to disturb your fellow audience members. Yet it’s only in conjunction with concerts
Read moreThe New York Times leads off its Sunday Arts Section tomorrow with one of those double-bylined investigative reports that spell trouble for somebody. It appears that all is not well with the Seattle Symphony. The article is not up online yet but here’s the lede: Any dictionary will tell you that a symphony orchestra trades in harmony. Anyone who has spent much time around orchestras will tell you that the harmony often stops at the music’s edge; that tensions abound in a body of 100 or so high-strung thoroughbreds as a music director seeks to impose a single vision. And
Read moreOur gaucho amigo Marvin Rosen is the most innovative and knowledgeable music programmer in the universe but who knew that he aspired to become the new music world’s Jerry Lewis? Marvin is hosting a special 24-hour marathon edition of his terrific radio program Classical Discoveries titled “Viva 21st century,” which will air on WPRB out of Princeton, NJ beginning at 6:00 pm on Thursday, December 27 and will conclude at 6:00 pm on Friday, December 28. Sympathizers and fellow travelers who don’t live in the Princeton area can listen to the show online at www.wprb.com The program includes works from only
Read moreI was late getting to the Times today and just noticed that Andrew Imbrie has died. Joshua Kosman’s obituary is here. Robert P. Commanday remembers him here. Imbrie wasn’t nearly as spectacular or well-known a musical figure as Stockhausen but through his prolific and quietly impeccable body of work, his teaching, and his singular, unique voice, he may have been just as influential. You can listen to his magnificent Requiem, written in 1984 after the death of his son, free at Art of the States. I’m listening to it now.
Read moreDear Jerry, You are cordially invited to a program featuring the music of Pat Muchmore as performed by the erstwhile and talented members of Anti-Social Music. The gala shall be held at the Ukrainian National Home at 2nd Ave between 8th & 9th streets on December the Thirteenth, where the finest beers and vodkas will be available to soothe the savage humours stirred by the oft-acrid tones emanating from the stage. Also available: pierogies and other Ukrainian delicacies–some of which may be forcibly shoved down the gullets of less attentive patrons. A number of works excreted by Muchmore’s fecund mind
Read moreBig news on the time-marches-on front. Deutsche Grammophon (DG) yesterday became the first major classical record label to make the majority of its huge catalogue available online for download with the launch of its new DG Web Shop. The DG Web Shop allows consumers in 42 countries to download music, including–the press folks claim–markets where the major e-business retailers, such as iTunes, are not yet available: Southeast Asia including China, India, Latin America, South Africa, and Central and Eastern Europe including Russia. Almost 2,400 DG albums will be available for download in maximum MP3 quality at a transfer bit-rate of 320 kilobits
Read moreFrom the BBC: Croatia rose to the occasion in their crucial Euro 2008 defeat of England – after an apparent X-rated gaffe by an English opera singer at Wembley. Tony Henry belted out a version of the Croat anthem before the 80,000 crowd, but made a blunder at the end. He should have sung ‘Mila kuda si planina’ (which roughly means ‘You know my dear how we love your mountains’). But he instead sang ‘Mila kura si planina’ which can be interpreted as ‘My dear, my penis is a mountain.’ –more– Today’s topic–embarassing public performances. Your own or others.
Read more