Pianist Marilyn Nonken is performing Triadic Memories on June 4 in Philadelphia as part of “American Sublime,” a festival devoted to the works of Morton Feldman. Marilyn was kind enough to tell us a bit about working on Feldman’s music, as well as some of her other upcoming projects. -What were your early encounters with Feldman’s music like? I can’t remember my first live Feldman experience as a listener. One of the first works I remember hearing was FOR SAMUEL BECKETT. My first experience playing Feldman was with Ensemble 21, when we performed VIOLIN VIOLA CELLO PIANO, which was
Read moreAnyone who thinks that straightened circumstances of a still sluggish economy have dampened the ambitions of concert presenters need look no further than Philadelphia to see a sublime idea at work. Bowerbird, a Philly-based non-profit, is mounting “American Sublime,” a seven concert festival devoted to the works of New York School composer Morton Feldman (1926-’87). The concerts run from June 4-12, with ticket prices ranging from free to $20. Marilyn’s hands. Photo by Peter Schütte Excerpt from Triadic Memories, performed by Marilyn Nonken on Mode 136 Courtesy Mode Records A M E R I C A N S U B L I M E A
Read moreAs I mentioned yesterday, Talea Ensemble will be giving a concert of works by Olga Neuwirth in New York City on Tuesday at 8 PM (Details/tickets here). The group’s percussionist, Alex Lipowski, was kind enough to talk with me about Talea’s activities of late and tomorrow’s show. – This has been a busy season for Talea Ensemble. Do you feel that the group’s reach and activities are expanding of late? The 2010-‘11 season has been an amazing collection of projects for Talea and we are so grateful for each of them. One of our goals is to reach as wide
Read moreArt by Margaret Dolinsky, Copyright 2011 Dear Colleagues, If you are in the vicinity of Bloomington, Indiana, come join us at the premiere of the 2011 version of Don Freund‘s PASSION with Tropes, scheduled for May 20 and 21 at the Ruth N. Hall Theatre of Indiana University. Originally conceived as a monumental oratorio for large forces, it was adapted by Freund for an immersive and interactive multidisciplinary production. In this 80-minute version, PASSION with Tropes is cast for actors, dancers, and an ensemble of approximately 40 voices and instrumentalists who take multiple roles as soloists, chamber groups and even
Read moreThe MATA Festival’s final performance is 7:30 PM tonight (5/12) at Le Poisson Rouge. It features the Metropolis Ensemble, premiering several new works commissioned by MATA, including Ryan Carter’s Skeumorphic Tendencies and The Rake, a hip-hoperatic retelling of Stravinky’s Rake’s Progress by Brad Balliett and Sequenza 21’s own Elliot Cole. Ticket information can be found on LPR’s site or via Metropolis here. A Burst of Blinding Clarity from Metropolis Ensemble on Vimeo.
Read moreSequenza 21 readers will doubtless already know that the Albany Symphony is, in orchestral terms, the “mouse that roared.” They’ve long had an extraordinary commitment to contemporary music and their standard of playing is the envy of many regional orchestras. And on the right night and with the right repertoire, they’re in the same “weight class” as some of the top big-budget orchestras. Tonight, Albany SO gets a chance to show their mettle on one of the most prestigious stages on earth. They make their Carnegie Hall debut as part of the Spring for Music festival. The first half of
Read moreThere’s going to be an album release party tonight at Le Poisson Rouge. Two groups on the New Amsterdam Records roster, NOW Ensemble and the Chiara String Quartet, are celebrating their respective releases. —– Chiara are presenting string quartets by Jefferson Friedman, along with remixes thereof by special guest electronica artists Matmos. Meanwhile, NOW Ensemble presents a mixed program of new synthetists pieces by the likes of Judd Greenstein, Sean Friar, and Missy Mazzoli. Check out Joshua Frankel’s new video Plan of the City below; it will accompany the performance of Greenstein’s Change at the gig. PLAN OF THE
Read moreOnce upon a time in 2000, there was a brand-new underground music collective in the San Francisco Bay Area, presenting a monthly concert series named “Static Illusion/Methodical Madness”. The SIMM series is still going strong today, and its parent organization, Outsound Presents, now additionally puts on the weekly Luggage Store Gallery concert series and the Outsound New Music Summit. Outsound acquired a Board of Directors and incorporated its bad self in 2009. Now with a 501(c)(3) IRS determination in hand, it’s a stalwart provider of experimental music, sound art, found sounds, improvisation, noise, musique concrete, minimalism, and any other kind of
Read moreOne of the most exciting areas for new music in recent years has been in the field of choral music. In the next two weeks, two choirs devoted to new music—one a veteran organization, the other an exciting, young rookie—will be presenting important programs of new choral works in both coasts. The rookie is Baltimore’s Anima Nova Chamber Choir, which will present a concert of works by Eric Whitacre, Tarik O’Regan, Michael Rickelston, Sean Doyle, and Anima Nova founder and director, Jake Runestad. The concert, at 7:30 p.m. on Sunday, May 8 at St. Ignatius Church, 740 North Calvert Street
Read moreI’m always excited to hear when something rad is happening in my hometown. Austin’s one of those special places where music, by both general consent and official decree, is a priority. It’s literally what the town has decided to Be About. But I’ve always had the sense that the wild/literate/overachiever/weirdo dimensions were under-represented — though, actually, I probably just wasn’t paying attention. I am now, and I’m kicking myself that I’ll have to miss this ark: The intrepid Austin New Music Co-op have erected Cornelius Cardew’s masterpiece “The Great Learning.” It’s 5+ hours long, spanning two evenings, featuring more than
Read more