Despite driving snow and slippery roads, an eager crowd gathered Sunday evening to hear Michigan’s University Philharmonia Orchestra deliver eight world premiere performances of works by student composers. The concert is one of the most highly anticipated of the year and is a culmination not only for the student composers involved but also for the student conductors responsible for bringing their pieces to life. This year was even more special than most because all the pieces on the programs were Masters Degree theses from the 2011 class. This fact made the evening more of a watershed event than usual as
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Chamber Music, Choral Music, Composers, Concerts, Contemporary Classical, Houston, Percussion, Performers, Piano, viola
(Houston, TX) On February 25th and 26th at 8pm and February 27th at 2:30 pm (the third date added due to popular demand), the Houston Chamber Choir and Da Camera present Music for Rothko, a concert program of contemporary music in one of Houston’s most unique performance spaces. All three performances are sold out. Presented in the interior of Rothko Chapel, the Music for Rothko program includes piano works by John Cage and Erik Satie, Tagh for the Funeral of the Lord for viola and percussion by Tigran Mansurian, and choral compositions by John Cage including Four. Feldman’s Rothko Chapel
Read moreThis week I’m going to be covering the Tune-In Festival at the Park Avenue Armory for Musical America. Earlier this month, the Armory made the news for another high profile arts endeavor. It was announced as the site for the New York Philharmonic’s performance of Karlheinz Stockhausen’s Gruppen during the 2011-’12 season. Just as the venue’s large Drill Hall is ideal for a work such Gruppen – a spatial music extravaganza for three orchestras – it’s also ideal for a number of works on the Tune-In Festival that are conceived for unconventional venues. Tonight is the premiere of Arco, a
Read moreUnsuk Chin (b. 1961) is a decorated composer and an important figure on the international scene. But even though she’s won the prestigious Grawemeyer Prize, one could still argue that she isn’t programmed nearly enough as yet in the United States. I was very taken with the Ensemble Intercontemporain’s 2009 performance of Akrostichon-Wortspiel at Alice Tully Hall. It sent me in search of scores and recordings to study. Sadly, I haven’t since had the opportunity to hear more of her work live. But tomorrow, the Talea Ensemble and guest pianist Taka Kigawa will perform an Unsuk Chin Composer Portrait at New York’s Bohemian Hall on February
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Bang on a Can, Brooklyn, CDs, Classical Music, Composers, Concerts, Contemporary Classical, Electro-Acoustic, Experimental Music, Houston
Todd Reynolds photographed by Toni Gauthier HOUSTON, TX – On February 17th, 6:30 pm at the Contemporary Arts Museum of Houston, the Houston music group Musiqa in collaboration with the Mitchell Center and CAMH present Answers to Questions with works by composers Bill Ryan, Michael Lowenstern, David T. Little, Ingram Marshall, and Nick Zammuto all performed by composer and violinist Todd Reynolds. The concert is produced in conjunction with and in response to the CAMH exhibition Answers to Questions: John Wood & Paul Harrison, the first United States museum survey of work in video by this British artistic team. Admission
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Chamber Music, Composers, Concerts, Contemporary Classical, Experimental Music, File Under?, Los Angeles, Strings, Video
JACK Quartet presents two concerts in LA this coming Sunday and Monday. On 2/13, they’re giving an afternoon concert for the Da Camera Society (tickets/details here) at the Southern California Institute of Architecture. The program includes early music – Machaut and Gesualdo – as well as contemporary works: Philip Glass’ 5th Quartet and Tetras by Iannis Xenakis. The selections certainly suit the concert’s location: both Xenakis and Machaut are composers who should be of interest to architects! On Monday, JACK will present a different program as part of Monday Evening Concerts at the Colburn School (tickets/details here). It includes both
Read moreThe first student composers’ concert of the new year at the University of Michigan took place last Monday, January 31st. Although brief, this evening of premieres and experiments was just as potent, moving and successful as the other student-run new music events I’ve shared with the Sequenza21. Offering a diverse menu of solo, chamber and electronic compositions, Monday’s concert made yet another statement toward the rich and vast musical community operating in Ann Arbor, Michigan. The evening opened in grand style with Wil Pertz’ The Drink of the Wise #25 Origins (Ti), an aleatoric piece for 16 players divided into
Read moreComposers Concordance is hosting a Composers Play Composers Marathon tonight featuring 21 participants. Peter Jarvis has sent word that, in honor of Milton Babbitt’s recent passing, he’ll be performing Milton’s Homily for snare drum on the event. The organizers have shared more details in a promotional video (below). Tickets are $20, but you get a free beverage along with a dynamic evening of music-making. Sunday, January 30 · 7:00pm – 10:00pm Drom 85 Avenue A (between 5th & 6th Sts.) New York, NY Director: Sound Liberation Co-director: Composers Concordance (& CC Records) International Street Cannibals
Read moreWhile the Weather Channel might only associate our flyover community with snow & cold every year, here in western New York at SUNY Fredonia things are heating up with the onset of the yearly NewSound Festival sponsored by the student-driven Ethos New Music Society. Since I started teaching here in 2007, we’ve continued a 30+ year tradition of spectacular guest composers and performers, and this year looks to be our largest festival to date. Since Fredonia is in driving distance (3 hrs or less) of so many different arts centers, including Buffalo, Cleveland, Pittsburgh, Rochester, Syracuse & Toronto, it seemed
Read moreHouston, TX – There’s no question that Houston’s proponents of contemporary music are enthusiastically embracing creative marketing concepts and alternative venues for performances in an effort to expand and educate a new century of audiences. In an un-zoned city like Houston, I find that musicians and audiences will happily cross so-called genre and cultural boundaries especially if there’s promise of a good time (Texas barbecue can help too, but that’ll be another entry…). Much to my delight, I am seeing familiar faces when I’m out at performances of new music be it in a gallery in the Third Ward, a
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