Contemporary Classical

Composers, Concerts, Contemporary Classical

Mini-Reconquista

Wilfrido Terrazas, phenomenal flautist and busy-busy beaver in the Mexican new-music scene, just passed along notice about a fantastic series of concerts coming up the start of next month in NYC. 3G: Tres Generaciones Music Festival May 2–7 The International Contemporary Ensemble (ICE) hosts a celebration of composer Julio Estrada and three generations of New Music from Mexico. This May 2–7, ICE invites New Yorkers to partake in a trailblazing cultural exchange when it hosts this six-day celebration of avant-garde music from Mexico. The Festival will showcase the work of three generations of Mexican composers: esteemed musical pioneer Julio Estrada; the second

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Contemporary Classical

Support your local record store

Today is National Record Store Day. Music sellers throughout the country are celebrating in a variety of ways, from special sales and promotions to instore performances. Given the challenges that have faced “brick and mortar” record stores in recent years – internet retailers, digital downloading, and plummeting CD sales among them – I’m glad there’s a day to celebrate with the people who’ve helped me find many musical treasures. To find out if your local retailer is participating, visit www.recordstoreday.com.

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Contemporary Classical

The Avant-Garde to You-Tube

by Patrick Durek Since its inception in 1985, Cygnus Ensemble has been at the forefront of chamber groups dedicated to expanding the repertory. Generating works for subsets of its unorthodox instrumentation—two guitars, cello, oboe, flute, and violin—has been its primary mission, and while premieres by well-known composers (Charles Wuorinen, Meyer Kupferman, and Milton Babbitt) have been given, it is the group’s championing of works by up-and-coming composers that has perhaps been most significant. Robert Martin, Jonathan Dawe, and Robert Pollock have all written multiple works for Cygnus Ensemble and are now firmly rooted in the Northeastern milieu that Wuorinen, Kupferman,

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Contemporary Classical

Frederic Rzewski’s The People United Will Never Be Defeated!: Performer’s Notes on a Masterpiece and its Interpretation

By Ralph van Raat Usually, when thinking of contemporary classical music, one thinks of the rather abstract and cerebral music of the decade right after the Second World War. Some of this so-called serial music in my opinion is very exciting, sometimes purely beautiful, and sometimes incomprehensible. However, one cannot deny that, for the listener, there seem very few similarities or references to any other kind of music, making it hard to appreciate modern music without some thorough study. In a revolt against the lyricism and romanticism of pre-war classical music, young composers such as Boulez and Stockhausen broke with

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Competitions, Composers, Contemporary Classical

Pictures 2008 Masterclass

This past Friday, Westminster Choir College in Princeton, New Jersey hosted a masterclass for the Pictures 2008 project. This competition, sponsored by NJ Arts Collective and the Montclair Art Museum, invited NJ high school and college students to compose works based on a painting in the museum’s collection: Sunset by George Inness (1892). The winning works, as well as my new trio Innesscapes, will be presented on a concert given by the Halcyon Trio at the museum on May 9th at 8 PM. The event also features a pre-concert talk with Inness scholar Adrienne Baxter-Bell at 7:15. At the masterclass,

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Contemporary Classical

Five Things about Gabriel Kahane

I heard Gabriel Kahane at Joe’s Pub Wednesday night. If Billy Joel and Paul McCartney can write “classical music”, why can’t composers write “pop music”? 1. Gabe Kahane is a good singer, great pianist and out of this world showman. His wry and wonderful wit comes through his music and lyrics. Wednesday night Kahane shared his sounds with humor, humility and always in an entertaining way. 2. Ensemble with the four man band, including: piano, banjo, violin, clarinet, bass clarinet, drums, guitar, electric bass, toy piano and a melodic, was generally tight and toe tapping. Less stellar was the drummer

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Click Picks, Composers, Contemporary Classical, Online

A Second Life for New Music

Tim Risher is a composer that I bumped into a long time ago on this here web thingy. His illustrious career has taken him from making new music in Florida, to a long stint producing radio in Germany, to currently doing — well, something or other — in deepest, darkest Durham, North Carolina. One of Tim’s latest personal ventures involves the wildly-popular virtual world of Second Life. There, people seem to carry on just like they do out here in the real world, except they get to make it — and even themselves — into anything they can dream up. Like the Royal Liverpool Philharmonic,

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