Contemporary Classical

Contemporary Classical

All Moms Love David Hanlon

This Mother’s Day, show her you care.  Nothing says “Thanks Mom” like a high-octane concert of Lachenmann, Ades, Nono, Alex Mincek, and Kyle Hillbrand.  And — just your luck — such a beast is roaring our way with David Hanlon’s Hold the Applause concert at Gallerie Icosahedron this Sunday at 5:30pm.  Of course, if you don’t love your Mom — or you live outside the Eastern timezone — your presence can be excused.  Otherwise, troops, forward march!  The various links will give you all the details you need.

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Click Picks, Contemporary Classical, Experimental Music

Steve’s Click Picks #27, take two

Houston, we have a problem… We’re sweating like pigs in your fair city! …OK, OK, it’s not nearly so bad (yet), though the humidity definitely hangs in the air most of the time. But the sky’s blue, the city’s BIG, the food’s good. Things are a’building everywhere; other things are falling apart everywhere, and usually right next to each other. In places it’s hard to tell whether what I’m looking at is renaissance or apocalypse. But if apocalypse, it’s a pretty friendly one. Just a quick link to honor our new home: Susan Alcorn (b.1953 — US) Susan plays a

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Contemporary Classical

“I’ve got a secret…”

Okay, the person with the secret was John Cage. And, the title refers to the game show on CBS, broadcast in 1960. Yes, there was once a time when a figure like John Cage appeared on TV, on CBS, and performed one of his works. Outside of South Park and the Simpsons, when have you seen major composers on TV.?(Glass appears, as an animated character [not his voice] in South Park, and is mentioned a few times on the Simpsons.) Anyway, back to Cage: you can see it here. Enjoy!

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Contemporary Classical

Boston Pops Smackdown!

Yes, you read that right.  Two men got into a fistfight at the Boston Pops, which apparently knocked over chairs left one of them shirtless.  With the obvious caviat that we should use our words to resolve our differences and that violence is generally bad, this is great news for the classical world.  I wish it had been a regular BSO concert. Conductor Kieth Lockhard apparently took the fracas in stride.  According to one audience member “he just stood there, you know, quiet.”

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Composers, Contemporary Classical, Just Intonation

Underrated: Ben Johnston

For the first subject of this column I’ve picked Ben Johnston, someone who has gotten some coverage on this site but remains criminally neglected. Born in Georgia in 1926, Johnston was variously taught by Harry Partch, Darius Milhaud, and John Cage. All three composers had an obvious effect on his music, but he quickly developed his own distinct voice. Best known for expanding on Partch’s experiments with just intonation, Johnston has contributed not only as a composer, but as a theorist and writer as well. Johnston has written for orchestra, voice, and chamber ensembles, but his most important works as

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Chamber Music, Classical Music, Composers, Contemporary Classical, New York

It’s Very Fancy on Old Delancey

Here’s something to put in your calendar.  Our friends at the Metropolis Ensemble, led by Artistic Director Andrew Cyr, have a fabulous program called “There and Back Again” lined up for May 24 at the Angel Orensanz Foundation Center for the Arts, highlighted by the U.S. Premiere of Avner Dorman’s Mandolin Concerto.  Mandolin virtuoso Avi Avital (for whom the work was written) and the Metropolis Ensemble Strings will do the honors.   “The concerto’s main conflicts are between sound and silence and between motion and stasis,’ Dorman says. “One of the things that inspired me to deal with these opposites is the Mandolin’s most basic technique – the

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Contemporary Classical

Dispatches from Around Town (Part 2 of 2)

Thursday, May 3rd: CUNY Composers Alliance. It’s more than collegial loyalty that compels me to mention last week’s student composers’ concert at the CUNY Graduate Center. We presented a great program of ambitious works ranging from a pocket violin concerto in the Romantic tradition, to a multi-media electronic sound-scape, to an insouciantly postmodern large-ensemble work, to gritty European modernism, and beyond. (There was also some tinkly, diatonic piano improvisation.) Programs do not get more pluralistic than this, and the performances were solid. Friday, May 4th: Serge Prokofiev, Romeo and Juliet, NYC Ballet. Ballet, take two. Certainly the more accessible of

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Contemporary Classical

Dispatches from Around Town (Part 1 of 2)

It’s starting to look like the end of the season, and there are even more concerts than usual here in the Center to Universe to feel bad about missing. My own concert-going tends to come in unpredictable binges, the most recent of which began last weekend, resumed last Wednesday, and ended this afternoon (and continues this coming weekend). It’s not all new music, but I thought I’d chime in anyhow to share some highlights. Saturday, April 28th: Doug Wright, Scot Frankel, Michael Korie, Grey Gardens. So The Mom was in town, we couldn’t get tickets to the Met, and we

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