Contemporary Classical

Composers, Contemporary Classical, Deaths, Electro-Acoustic, Experimental Music, File Under?

Jeffrey Mumford Remembers Pauline Oliveros

Composer Jeffrey Mumford remembers the recently departed Pauline Oliveros in the following obituary. I had the honor of being a TA for Pauline Oliveros during my graduate studies at the University of California, San Diego from 1979-81. Our worlds couldn’t have been more different. I was deeply discovering the endless inventiveness and poetry in the music of Elliott Carter, with whom I would soon study, and was also working with Bernard Rands as my major teacher at UCSD. A composer of color, I came from Washington, D.C. steeped in the music of among others, Count Basie, which resonated throughout our house in

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Chamber Music, Concert review, Contemporary Classical, File Under?, New York

Ensemble Lux at ACFNY

Ensemble Lux Austrian Cultural Forum New York November 17, 2016 NEW YORK – Austrian Cultural Forum New York makes part of its mission supporting chamber musicians from Austria, bringing them to the United States for concerts. One of the best of these concerts I have attended was this past Thursday’s New York debut of Ensemble Lux, a string quartet with formidable technique and ambitious tastes in programming. Their concert ranged across a century’s worth of music, from Anton Webern’s 5 Movements for String Quartet (1909), to la pureté de l’envie blanche, a piece from 2010 by the Lux’s second violinist,

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Birthdays, Composers, Contemporary Classical, File Under?, Recordings, Review

Happy Birthday Meredith Monk!

Meredith Monk turns 74 today. An early birthday present came from ECM Records on November 4th: a recording of Monk’s On Behalf of Nature project. We do not have the benefit of language: the “text” consists of songs, chants, and syllabification in unknown tongues. And there is no narrative per se, but there are clues present in the piece’s sound world that readily suggest its environmental message: at times with clarion calls; at others, with poignant vulnerability. Joined by a versatile troupe of vocalists (many of whom also play instruments on the recording), Monk sings with tremendous vigor and impressive range. The panoply of

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Contemporary Classical

Boston Conservatory at Berklee’s Opera Intensive Summer Program in Valencia

Boston Conservatory at Berklee – recognized for offering one of the best opera programs in the U.S. – is launching a summer program at Berklee’s campus in Valencia, Spain for students from all over the world looking to pursue a career in opera. The Boston Conservatory Opera Intensive at Valencia is a comprehensive three-week program taking place June 25-July 15, 2017. This is the first program to be developed jointly between the Valencia campus since the merger between Berklee and the Conservatory in June 2016. “This summer program is designed for students who are serious about building a career in

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Composers, Contemporary Classical, Radio

Twenty-Five Hours For YOU To Be Heard

In this year where up is down and blue is red, one constant remains: our radio pal Marvin Rosen‘s end-of-year, day-long marathon playing recent music by living composers. But how does he get enough great, new stuff to program 25 hours? Why, from YOU! Marvin needs, wants, loves your submissions of pieces you’ve composed in the last few years. So read on, and find out what you need to do to make Marvin’s marathon mus-tastic. CALL FOR NEW MUSIC RECORDINGS to be presented during the 11th Live Marathon (10th devoted to 21st century music) curated and hosted by Marvin Rosen, host

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Contemporary Classical

The Makropulos Case in San Franciso

It’s never good to live in the past, but sometimes we have to, even though as our latest catch phrase would have it “it is what it is.” These are some of the thoughts which came to mind when I caught the last performance of San Francisco Opera’s revival of its 2010 production of Leos Janacek’s “The Makropulos Case ” (1923-26) which received its American premiere at this house in 1966. German soprano Nadja Michael, who as the over three-hundred-year-old opera diva Emilia Marty has traveled with more aliases than you could count on several hands, was its star. But

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Contemporary Classical, File Under?, New York, Opera

Mrs. President … the Opera … comes to New York

The first woman (among several) to run for president was Victoria Woodhull, whose campaign back in 1872, before women were even allowed to vote, was greeted with nastiness from detractors and the press that rivals … well, politics today actually. Composer Victoria Bond and librettist Hilary Bell have crafted a two-act opera that depicts Woodhull’s historic run. It was acclaimed in its debut, by Anchorage Opera in 2012. Now New Yorkers have a chance to hear it. This Friday, October 28th at National Opera Center, Bond conducts a cast led by dramatic soprano Valerie Bernhardt, who will reprise the title role, and tenor Scott Ramsay, who plays her nemesis, Henry Ward Beecher. Mrs.

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Chamber Music, Concert review, Contemporary Classical, Los Angeles, viola, Violin

Andrew McIntosh in Recital at The Wild Beast

On Tuesday, October 18, 2016 at The Wild Beast on the Cal Arts campus, a faculty recital by Andrew McIntosh featured no fewer than six different violins and violas, five sections of the Rosary Sonatas with period Baroque tuning, four contemporary pieces, and two world premiers. A good-sized crowd turned out mid-week to experience a wide range of music employing tuning practices from the 16th to the 21st century. Embellie (1981) by Iannis Xenakis was first, a solo viola piece. Xenakis is quoted in the program notes: “I wrote this piece… trying to think only of the viola, with its

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Chamber Music, Concert review, Contemporary Classical, Los Angeles, Premieres

Lyris Quartet Featured in Santa Monica Jacaranda Event

On Saturday, October 8, 2016 Jacaranda Music presented a pre-season event titled Intimate Letters featuring the Lyris Quartet in a concert preview of their new CD by the same name. Intimate Letters contains newly-commissioned pieces by four different composers, each writing a work of musical commentary and reflection on String Quartet No. 2 (1928) by Leoš Janáček. “Intimate Letters” is the nickname given by Janáček to this piece, inspired by his long and close friendship with Kamila Stösslová, a married woman some 38 years younger with whom over 700 letters were exchanged during a span of 11 years. The practice

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Concert review, Contemporary Classical, Events, Los Angeles

Noon to Midnight at Disney Hall – 2

Saturday, October 1, 2016 was the Noon to Midnight event at Disney Hall consisting of a series of new music concerts, many by local groups. The event ran more or less continuously – here are some observations on what I was able to see and hear. At 3:30 PM wasteLAnd set up shop in the BP Hall area to perform three pieces, including a world premiere by Nicholas Deyoe commissioned by the LA Philharmonic. The first piece was Invisibility (2009) by Lisa Lim for solo cello, performed by Ashley Walters. The opening section began with Ms. Walters holding a bow

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