Blue Heron Sings Ockeghem’s Missa Prolationum First Church in Cambridge, Massachusetts By Christian Carey Sequenza21.com March 9, 2019 CAMBRIDGE – Blue Heron’s Ockeghem@600 project has steadily worked its way through much of the composer’s repertoire. On March 9th at First Church, one of the most special evenings of this series was performed: Johannes Ockeghem’s Missa Prolationum. The mass is constructed almost entirely out of a set of double canons, presenting imitative counterpoint throughout and at every scalar interval (a feat only matched by Bach’s Goldberg Variations, but Bach’s include single, not double, canons). The jaw-dropping intricacies of this work’s construction,
Read moreBlue Heron: The Lost Music of Canterbury Music Before 1800 Corpus Christi Church February 10, 2019 Sequenza 21 By Christian Carey NEW YORK – On February 10th, the Boston-based early music ensemble Blue Heron made one of its regular appearances at the Music Before 1800 series at Corpus Christi Church in Morningside Heights. Directed by Scott Metcalfe, an ensemble of a dozen vocalists performed five selections, all votive antiphons, from the Peterhouse Partbooks. Copied by John Bull during the reign of Henry VIII, the partbooks now reside at Peterhouse College of Cambridge University. The tenor book is missing, as are
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Choral Music, Commissions, Concert review, Contemporary Classical, early music, File Under?, New York
Tallis Scholars: A Renaissance Christmas Miller Theatre Early Music Series Church of St. Mary the Virgin December 1, 2018 Published on Sequenza 21 By Christian Carey NEW YORK – The Tallis Scholars, directed by Peter Phillips, made their annual appearance in New York as part of Miller Theatre’s Early Music series at the Church of St. Mary the Virgin in Midtown. The program was billed as a dual celebration — the 45th anniversary of the Tallis Scholars and Miller Theatre’s 30th anniversary season. In honor of the occasion, Miller Theatre commissioned a new piece for the Tallis Scholars
Read moreStile Antico in Concert October 13, 2018 Church of St. Mary the Virgin By Christian Carey NEW YORK – The first concert in Miller Theatre’s 2018-19 Early Music Series, given in midtown at the Church of St. Mary the Virgin, presented the acclaimed choral group Stile Antico from the UK. They have made regular appearances on the Miller series. As is their custom, Stile Antico sang without a conductor in a semicircle facing front. The occasional setup change consists of singers changing formation and, in pieces in which the full ensemble isn’t required, “extra” singers sit down. They
Read moreNow, and Then Orchestra Della Svizzera Italiana; Dennis Russell Davies, conductor Pablo Márquez, guitar ECM 2485 November 17 sees the release of Now, and Then, an ECM recording of transcriptions by composers Bruno Maderna and Luciano Berio. In addition to his creative pursuits and new music advocacy, Maderna (1920-1973) was in demand as a conductor of classical repertoire. Rather than performing the instrumental music of the Italian Renaissance and Baroque eras with its original, reduced, forces, he made transcriptions of figures such as Frescobaldi, Legrenzi, Gabrieli, Viadana, and Wassenaer (all included on this CD) for the modern orchestra. They are
Read moreBruce Brubaker Le Poisson Rouge September 17, 2017 Sequenza 21 By Christian Carey NEW YORK – Pianist Bruce Brubaker has long been known as one of the best interpreters of Downtown contemporary music around. His is a versatile catalogue of recordings, including excellent CDs of works by John Adams, John Cage, Alvin Curran, William Duckworth, and Meredith Monk. However, despite an increasingly crowded field of pianists exploring the works around the composer’s eightieth birthday, Brubaker’s renditions of Philip Glass have few parallels; the 2015 InFiné recording Glass Piano is required listening. Brubaker’s latest project, a recording titled Codex,
Read moreNew York Polyphony sings works by Ivan Moody and Giovanni Perluigi da Palestrina Miller Theatre’s Early Music series at Church of St. Mary the Virgin Saturday, January 21, 2017 Sequenza 21 by Christian Carey NEW YORK – As part of Miller Theatre’s Early Music series, the male vocal quartet New York Polyphony (Geoffrey Williams, countertenor; Steven Caldicott Wilson, tenor; Christopher Dylan Herbert, baritone; and Craig Phillips, bass-baritone) celebrated their ensemble’s tenth anniversary with a concert at Church of St. Mary the Virgin on Saturday, January 21st. Speaking from the stage, the group acknowledged their long relationship with both Miller Theatre
Read moreMater ora fillium: Music for Epiphany Choir of Clare College, Cambridge; Michael Papadopoulos, organ; Graham Ross, director Harmonia Mundi CD HUM907653 On the Christian calendar, tomorrow (January 6th) is the Feast of the Epiphany. There are several aspects to Epiphany. First, it is the “Twelfth Day” after Christmas, and so ends the celebrations of that merry season. Second, it is the commemoration of Jesus the Christ’s baptism by John the Baptist. Finally, in the spirit of ending a party with a magnificent and mysterious flourish, it is also commemorates the Visit of the Magi to the infant Jesus. It is
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