Last month at Columbia University’s Italian Academy, I was formidably impressed by an evening of madrigals old and new performed by the vocal ensemble Ekmeles. One of the revelations of the evening began with an idea ofensemble director Jeff Gavett. He thought that the madrigals of Carlo Gesualdo might benefit from Nichola Vicentino’s 31-tone equal tempered scale, most famously employed in the tuning of an instrument of his design, the archicembalo. While, as Gavett admitted in the concert’s program notes, there is not direct evidence that they were ever performed this way in the presence of Gesualdo, there is some documentary
Read moreHere’s a contest for pianists with the music of David Lang. Read all about it here. David explains more in this video: http://youtu.be/BrmQqX_Qs5o Between November 15, 2011 and December 31, 2011, download the score to wed from David Lang’s memory pieces without charge from http://digital.schirmer.com/lang-contest Learn the music and make a video of yourself playing it. Post the video on YouTube.com by midnight (Eastern Standard Time) on December 31, 2011. **IMPORTANT** you must tag the video with the following phrase: David Lang Piano Competition 2011 I spoke with David when he was in South Texas just last year about composition:
Read moreOnce again, we find ourselves in the thick of things. The New York concert season is reaching a fever pitch of pre-holiday season intensity, in which presenters and ensembles try to get their programs heard before the inevitable onslaught of Messiahs, Nutcrackers, tree-lighting ceremonies, and caroling elbows its way to the forefront of New York’s calendar of musical events – ready or not. While we can’t be in two places at once (I still think Steve Smith has a magic ring that enables this power!), hopefully between the various new music enthusiasts in the Sequenza 21 community’s NYC cadre, we can
Read moreIt’s hard to believe, but one of the primary forces that fostered the “Indie Classical” phenomenon of the aughts is celebrating its tenth birthday. The Brassland imprint, which curates artists such as the National, Clogs, Doveman, and Nico Muhly, is celebrating their anniversary by sharing music: a different free download of a song from their catalog every weekday throughout November. Thanks to the kind folks at Brassland, below we share a stream of tomorrow’s pick: Nico Muhly’s “Skip Town,” a bonus cut from his Mothertongue CD. Be sure to visit the label’s “song a day” giveaway site or their Facebook
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Contemporary Classical, Experimental Music, File Under?, Percussion, Twentieth Century Composer, Video
[youtube]http://www.youtube.com/watch?v=nL5Kym7hVFI[/youtube]
Read moreSequenza 21 and Manhattan New Music Project present ACME in Concert Tuesday October 25, 2011 at 7 PM Joe’s Pub, NYC American Contemporary Music Ensemble (ACME) Yuki Numata, Caroline Shaw, violins Nadia Sirota, viola Clarice Jensen, cello Jonathan Singer, percussion Timothy Andres, piano Program Wily Overture … Christian Carey (premiere) Welcome … Nancy Kleaver (MNMP) Requests … David Smooke Grand Dragon (excerpt from Speedvisions) … Rob Deemer Slumber Music … Jay Batzner Steal Away
Read moreClarice: So, ahem, Nadia it was pretty remarkable when we switched from reading from the score to parts when we were working on Hayes’ piece (ed.: Steal Away by Hayes Biggs). It’s like the music took on a different meaning. Nadia: I know!! I find that stuff so incredible. Sometimes I forget that a massive portion of our jobs as musicians (especially of the new music persuasion) is essentially translating visual material into sound. We’re kind of like professional map-readers. Do you have any notational pet peeves? Clarice: Page turns of course… But other than that, just spacing in general.
Read moreOn Requests A guest post for File Under? Back in 2003, the incredible pianist Amy Briggs (and if you don’t know her playing, you should check out some of her performances of the David Rakowski Etudes on YouTube) was approached by the music department at U.C. Davis to engage in a residency built around the idea of new tangos for piano. As part of the project, they asked Amy to build an entire concert program of tangos, each of which needed to be no longer than three minutes. She could use completed pieces and have others write for the project,
Read moreSam Nichols teaches at UC Davis. His string quartet ‘Refuge’ is on the Sequenza 21/MNMP Concert this coming Tuesday (7PM at Joe’s Pub in NYC. Did we mention it’s free?). In 2009 the Left Coast Chamber Ensemble asked me to write a string quartet. I was happy, for a number of reasons, but mostly because they bring a tremendous amount of oomph to any project. At the time, though, I was working on another piece, a trio, that was giving me a lot of trouble. Make that: a LOT of trouble. Pounding my head against the wall trouble, breaking pencils
Read moreComposer Rob Deemer teaches at SUNY Fredonia. He blogs regularly at NewMusicBox; he’s also a frequent contributor to Sequenza 21. The presenters enjoyed his whole string quartet, but were running short on program time. He was kind enough to consent to our request to present an excerpt as part of next week’s Sequenza 21/MNMP Concert (Oct. 25 at 7 PM at Joe’s Pub). I’ve heard many composers say that the time directly after they finish their studies is one of the most important periods in their career when they finally feel comfortable to experiment, free from the pressures of being
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