Tonight at Merkin Hall, the Mirror Visions Ensemble is presenting Concert à la carte. Its first half features food-themed works by American composers, ranging from art songs by Samuel Barber, Leonard Bernstein, William Bolcom, and Martin Hennessy to offerings from Broadway tunesmiths Stephen Schwartz and Cole Porter. But the second half of the concert is where the concept really kicks in. Mirror Visions has commissioned a new work from composer Richard Pearson Thomas. His cantata know thy farmer sets a number of texts drawn from the menus of Blue Hill at Stone Barns Restaurant. The evening also includes an introduction from Blue Hill’s executive chef
Read moreAlthough Ann Arbor’s ONCE. MORE. festival, celebrating the 50th anniversary of the ONCE Group composers, does not end until tonight, the events with the surviving founders of the groundbreaking concert series – Roger Reynolds, Robert Ashley, Gordon Mumma and Donald Scavarda – concluded Thursday evening. That night’s ONCE. NOW. concert featured more recent works by these four composers. Robert Ashley’s Van Cao’s Meditation (1991), for piano, opened the evening. The piece was resonant, repetitive, and reminded me of Satie’s Ogives in spirit. Essentially, Van Cao’s Meditation milled about one confined group of a few notes which covered all registers of
Read moreInnerviews: Music Without Borders (Extraordinary Conversations with Extraordinary Musicians) by Anil Prasad Abstract Logix Books; 315 pages, Published 2010 Anil Prasad has covered music on the internet longer than practically anyone. He started the website Innerviews in 1994, well before blogging, social media, and a host of other technological changes. The web has changed remarkably over the past sixteen years, but Innerviews has remained a consistent and engaging part of the internet’s musical life. Prasad regularly publishes interviews with musicians from a plethora of genres: jazz, fusion, funk, prog, world music, electronica, etc. Innerviews the book collects some of his
Read moreLast night, Rackham Auditorium on Washington Street in Ann Arbor, MI became a sort of communal time machine. Complete with a vintage magnetic tape reel, electronic synthesizer and “public disturbance”, performed by students from the University of Michigan School of Music’s Composition Department, the hall carried its occupants back to the revolutionary decade of the 1960s when a group of young, local composers called the ONCE Group started a groundbreaking and historic contemporary music festival. These composers were Roger Reynolds, Robert Ashley, Gordon Mumma, Donald Scavarda (pictured to the right) and the late George Cacioppo, and the music they created
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Chamber Music, Composers, Concerts, Contemporary Classical, Experimental Music, File Under?, Music Events
Tomorrow and Thursday are two special nights for contemporary music in Ann Arbor, Michigan. This week, the University Musical Society is celebrating the 50th Anniversary of the ONCE composers, a group of University of Michigan student composers whose 1960s new music festivals gained worldwide acclaim. The surviving members of the group, which was founded by Roger Reynolds, Robert Ashley, Donald Scavarda, Gordon Mumma, and the late George Cacioppo, have come back to Ann Arbor to revisit the revolutionary spirit that inspired them and recognize what they’ve achieved in the years since they left Michigan. The local media here in southeast
Read moreOrpheus Chamber Orchestra announced the winners of the Project 440 competition tonight. The four winners will create new works for Orpheus to be premiered in 2012. They are (clockwise from top left) Alex Mincek, Clint Needham, Andrew Norman, and Cynthia Wong: It was quite a rigorous vetting process with some very talented competition. Congratulations to all!
Read moreThe first University of Michigan Composers’ Forum concert of the 2010-2011 season took place in the evening on Monday, October 11. Earmarked by the department as a preview for the upcoming Midwest Composers Symposium in Cincinnati, I had been looking forward to this event for over a month as my first opportunity to experience the creativity of my colleagues here in Michigan. Like most music schools, our Composers’ Forum is organized and performed by students and viewed as an arena in which the composers studying here may test concepts and solidify their ideas before moving on to a more professional
Read moreRemixers start your … laptops. Some hot-off-the-presses news about a contest beginning at noon TODAY! Pulitzer Prize–winning composer Steve Reich, Nonesuch Records, and Indaba Music have launched a search for collaborators to remix the third movement from Reich’s 2×5. Paired with his Pulitzer prizewinning Double Sextet, the work appears on Reich’s new Nonesuch CD. For four weeks beginning October 12, 2010 at noon, remixers can visit Indaba’s website to create their own version of the movement. From November 9 to 23, fans and a panel of judges including Reich will review the submissions. Winners will be announced on December
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Composers, Concert review, Conductors, Contemporary Classical, Experimental Music, File Under?, New York, Orchestras
My tweet right after the concert on Thursday: “Magnus Lindberg’s Kraft: some very beautiful passages + intriguing spatial effects amidst a joyously chaotic maelstrom of sound.” It’s a fascinating piece and a gutsy one for the New York Philharmonic to present. I do question the wisdom of programming it alongside Joshua Bell playing the Sibelius Violin Concerto. It threw some of the more conservative ticket-holders a curveball, as they had no idea (unless they’re checked out the promo videos on YouTube) what the Lindberg had in store for them. There were far more than the “handful” of walkouts Anthony Tommasini
Read moreWhen I planned to teach a course at Westminster Choir College about Benjamin Britten’s vocal music in the Fall, I knew that gender/sexuality studies would play a role in our evaluation of his works. But I certainly wasn’t planning to discuss something as topical and unsettling as the recent tragedy at Rutgers. Our campus is a half hour away from RU (my alma mater), and a number of students were understandably shaken by hearing about Tyler Clementi’s suicide. The technological tools for communication may have gotten more sophisticated; but the people using them, if they act selfishly, can be in
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