New York

Composers, Concerts, Contemporary Classical, Downtown, Electro-Acoustic, Experimental Music, Music Events, New York, Opera

Interpretations Season #20: Artist Blog #5 — Robert Ashley

Interpretations continues its twentieth season of provocative programming in New York City. Founded and curated by baritone Thomas Buckner in 1989, Interpretations focuses on the relationship between contemporary composers from both jazz and classical backgrounds and their interpreters, whether the composers themselves or performers who specialize in new music. To celebrate, Jerry Bowles has invited the artists involved in this season’s concerts to blog about their Interpretations experiences. Produced in tandem with La Mama ETC and Performing Artservices, the centerpiece of the series this year is a two-week, three opera, 10 performance, mini-retrospective of the recent works of Robert Ashley:

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Bang on a Can, CDs, Composers, Concerts, Festivals, Music Events, New York

Riding the Next Wave: Michael Gordon

This week the Next Wave Festival 2008 is raging at BAM, and there are several chances next week to hear Lightning at our feet, the latest from Ridge Theater and Michael Gordon at the Harvey Theater. (Dec 9, 11-13) Gordon and I spoke on the phone about the new work that premiered in Houston. Listen to our conversation here – Lightning Interview with Gordon and Clare. Here’s an added bonus, Gordon has a new EP coming out Tuesday, a fascinating “Purgatorio: Popera” on Canteloupe. We talked about it, as well as being married to a composer (Julia Wolfe) and everyone’s

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Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Downtown, Experimental Music, Improv, Music Events, New York, Piano

Interpretations Season #20 Artist Blog #4 — JB Floyd, Raphael Mostel

This Fall marks the twentieth season of provocative programming in New York City brought to you by Interpretations. Founded and curated by baritone Thomas Buckner in 1989, Interpretations focuses on the relationship between contemporary composers from both jazz and classical backgrounds and their interpreters, whether the composers themselves or performers who specialize in new music. To celebrate, Jerry Bowles has invited the artists involved in this season’s concerts to blog about their Interpretations experiences. Our fourth concert this season, on 20 November, features composer-performers JB Floyd and Raphael Mostel at Roulette. JB Floyd: My concert on the Interpretations Series on November 20th will mark

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Bang on a Can, Downtown, Minimalism, New York

Terry Riley, Bang On A Can All-Stars @ Le Poisson Rouge, NYC

The last concert I attended that involved one of the great minimalist composers was a concert over the summer at the Dream House–a three hour long close encounter (small, hot and sweaty room) with La Monte Young and crew. While I enjoyed the music, I felt that I had my fill of hot and sweaty for the rest of the year. So it was a surprise when I saw La Monte Young talking to Terry Riley at a specially reserved table just some 10 feet away from me (as well as the fact that I was hot and cramped once

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Bang on a Can, Chamber Music, Composers, Downtown, Minimalism, Music Events, New York

Watch Out for David Lang

David Lang, who you will recall won this year’s Pulitzer with his piece The Little Match Girl Passion, will be submitting himself to the hard-hitting S21 interview next week.  I’ll be asking him what he plans to do about the financial meltdown, the war in Iraq, and whether he stands by his selection of Sarah Palin as his running mate.  Or something–I haven’t written the questions yet. In the meantime, those of you who live in New York may want to know that Wordless Music is presenting a concert of Lang’s music next Wednesday, November 5th, at Le Poisson Rouge

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CDs, Composers, New York, Opera

An Adams’ Baritone

Baritone Eric Owens is busy this fall – his Met debut as General Leslie Groves in John Adams’ Dr. Atomic is just a start to his performances this season in New York, Atlanta, London and Los Angeles. Today is the release of A Flowering Tree on Nonesuch Records with Owens as the storyteller, another role he created. I spoke with Eric Owens about this new recording, his Met debut and about working with composers. MP3 file

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Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Downtown, Experimental Music, Improv, New York

Interpretations Season 20: Artist Blog #1 — Michael Lipsey

This Fall marks the twentieth season of provocative programming in New York City brought to you by Interpretations. Founded and curated by baritone Thomas Buckner in 1989, Interpretations focuses on the relationship between contemporary composers from both jazz and classical backgrounds and their interpreters, whether the composers themselves or performers who specialize in new music. To celebrate, Jerry Bowles has invited the artists involved in this season’s concerts to blog about their Interpretations experiences. Our first concert this season on 2 October, features the Myra Melford Quartet and Henry Threadgill’s Zooid + Talujon Percussion Ensemble. Michael Lipsey of Talujon has

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Concerts, Contemporary Classical, Downtown, Minimalism, Music Events, New York

M50: Minimalism Turns Fifty

This September marks the 50th anniversary of musical Minimalism, an artistic revolution which critic Kyle Gann has described as “the most important musico-historical event of my lifetime.” I’m delighted to announce that Sequenza21, in collaboration with the exciting new concert series Music On MacDougal, will be celebrating this important milestone with a concert of early Minimalist music. When: September 17th, 2008 at 8:00 PM Where: The Players Theatre, in Greenwich Village, Manhattan 115 MacDougal Street, New York, NY 10012 Tickets: By Phone: 212-352-3101 or Online. Program: Steve Reich — “Piano Phase” (1967) (Version for two Marimbas) Philip Glass — “Piece

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Composers, Concerts, Contemporary Classical, Festivals, Music Events, New York

ICO (formerly VIM:TRIBECA) Concert Series Disaster

Last year, many of us saw a posting regarding the VIM:Tribeca concert series. The organizers, Judd Greenstein and Kimball Gallagher, wanted to put on concert series of mostly new works; the composers were responsible for providing performers. The concerts were to be put on in the Gallerie Icosahedron (I’m deliberately not linking to them, for reasons that will be apparent soon!). The first indication of trouble to us should have been the delays, imposed by the gallery, regarding scheduling and, we found out later, the renting of a piano. The first public sign of trouble was the sudden announcement that

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