While well-known for his writings about music, including books about Elliott Carter and George Gershwin, David Schiff is also a prolific and active composer. A professor at Reed College, he’s visiting New York this week to hear the American Composer’s Orchestra premiere a revamped version of Stomp, a piece that celebrates the music of James Brown. The concert, part of the Orchestra Underground series, also includes premieres by Margaret Brouwer and Kasumi, Rand Steiger, Fang Man, and Kati Agócs. Carey: Stomp was written in 1990 for Marin Alsop. How did you decide to write in homage to James Brown? Schiff:
Read moreVarious Artists – the language of QUIET DESIGN RECORDS the language of is a compilation CD of ten pieces by eight emerging composers in NYC, many of whom are associated with the Wet Ink Ensemble. Released by Quiet Design Records in Austin, TX, this compilation is a forward-thinking treatise on a constantly evolving new music scene. The production, recording, and design chores were undertaken by the composers and their colleagues, thus comprising a very personalized aesthetic. the language of is an essential purchase, not only for its DIY approach, but because it contains a variety of exciting, well executed compositions.
Read moreSaturday night at 8 pm, the Brooklyn Philharmonic, under the direction of Michael Christie, gives the US premiere of Enrico Chapela’s Noctámbulos, a piece for rock trio and orchestra. Chapela will also participate in a panel discussion on Latin American Identity in Music at 4:30 (details below). Chapela is a composer on the rise; Boosey and Hawkes added him to their roster in 2008 and he’s recently received several high profile commissions. I spoke with him on Thursday about the BAM event and his other activities. Born in Mexico, he started out his musical career as a rock guitarist, playing
Read moreInterpretations continues its twentieth season of provocative programming in New York City. Founded and curated by baritone Thomas Buckner in 1989, Interpretations focuses on the relationship between contemporary composers from both jazz and classical backgrounds and their interpreters, whether the composers themselves or performers who specialize in new music. To celebrate, Jerry Bowles has invited the artists involved in this season’s concerts to blog about their Interpretations experiences. Produced in tandem with La Mama ETC and Performing Artservices, the centerpiece of the series this year is a two-week, three opera, 10 performance, mini-retrospective of the recent works of Robert Ashley:
Read moreThis week the Next Wave Festival 2008 is raging at BAM, and there are several chances next week to hear Lightning at our feet, the latest from Ridge Theater and Michael Gordon at the Harvey Theater. (Dec 9, 11-13) Gordon and I spoke on the phone about the new work that premiered in Houston. Listen to our conversation here – Lightning Interview with Gordon and Clare. Here’s an added bonus, Gordon has a new EP coming out Tuesday, a fascinating “Purgatorio: Popera” on Canteloupe. We talked about it, as well as being married to a composer (Julia Wolfe) and everyone’s
Read moreThis Fall marks the twentieth season of provocative programming in New York City brought to you by Interpretations. Founded and curated by baritone Thomas Buckner in 1989, Interpretations focuses on the relationship between contemporary composers from both jazz and classical backgrounds and their interpreters, whether the composers themselves or performers who specialize in new music. To celebrate, Jerry Bowles has invited the artists involved in this season’s concerts to blog about their Interpretations experiences. Our fourth concert this season, on 20 November, features composer-performers JB Floyd and Raphael Mostel at Roulette. JB Floyd: My concert on the Interpretations Series on November 20th will mark
Read moreThe last concert I attended that involved one of the great minimalist composers was a concert over the summer at the Dream House–a three hour long close encounter (small, hot and sweaty room) with La Monte Young and crew. While I enjoyed the music, I felt that I had my fill of hot and sweaty for the rest of the year. So it was a surprise when I saw La Monte Young talking to Terry Riley at a specially reserved table just some 10 feet away from me (as well as the fact that I was hot and cramped once
Read moreDavid Lang, who you will recall won this year’s Pulitzer with his piece The Little Match Girl Passion, will be submitting himself to the hard-hitting S21 interview next week. I’ll be asking him what he plans to do about the financial meltdown, the war in Iraq, and whether he stands by his selection of Sarah Palin as his running mate. Or something–I haven’t written the questions yet. In the meantime, those of you who live in New York may want to know that Wordless Music is presenting a concert of Lang’s music next Wednesday, November 5th, at Le Poisson Rouge
Read moreBaritone Eric Owens is busy this fall – his Met debut as General Leslie Groves in John Adams’ Dr. Atomic is just a start to his performances this season in New York, Atlanta, London and Los Angeles. Today is the release of A Flowering Tree on Nonesuch Records with Owens as the storyteller, another role he created. I spoke with Eric Owens about this new recording, his Met debut and about working with composers. MP3 file
Read moreThis Fall marks the twentieth season of provocative programming in New York City brought to you by Interpretations. Founded and curated by baritone Thomas Buckner in 1989, Interpretations focuses on the relationship between contemporary composers from both jazz and classical backgrounds and their interpreters, whether the composers themselves or performers who specialize in new music. To celebrate, Jerry Bowles has invited the artists involved in this season’s concerts to blog about their Interpretations experiences. Our first concert this season on 2 October, features the Myra Melford Quartet and Henry Threadgill’s Zooid + Talujon Percussion Ensemble. Michael Lipsey of Talujon has
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