New York

Brooklyn, Composers, Contemporary Classical, File Under?, Interviews, Microtonalism, New York, Opera

Friday: Ueno Opera at Sawdust

At National Sawdust on Friday April 7th at 7 PM, Opera Cabal presents the premiere of Ken Ueno’s new opera Aeolus. Joined by vocalist Majel Connery and Flux Quartet, Ueno performs throughout the opera. His fascinating blend of vocal techniques includes microtonal inflections, megaphone-amplified directives, and throat-singing. Electronics, video projections, and an architecturally conceived set design converge to make Aeolus a potent multimedia concoction. I recently caught up with Ken as he was in the thick of preparations for the opera. Hi Ken. Thanks for taking the time to talk with Sequenza 21. Why are you calling this an opera instead of some other genre? As you well know, multimedia theater pieces

April 4, 2017 by Christian Carey

Concerts, Contemporary Classical, File Under?, New York, Violin

Miranda at Miller

Miranda Cuckson – Pop Up Concert at Miller Theatre March 7, 2017 Published in Sequenza 21 By Christian Carey NEW YORK – Violinist Miranda Cuckson is one of the stars of new music in New York: a fearless, visionary, and tremendously talented artist. On March 7th, she presented a solo program of 20th and 21st century works in a “Pop Up Concert” at Columbia University’s Miller Theatre. In her introduction to the event, Miller Theatre’s Executive Director Melissa Smey pointed out that their “Pop Up Series” has hosted dozens of world and New York premieres. Cuckson’s program was no

March 15, 2017March 15, 2017 by Christian Carey

Concert review, Contemporary Classical, File Under?, New York

Misato Mochizuki at Miller Theatre (concert review)

Misato Mochizuki Composer Portrait Thursday March 2, 2017 Miller Theatre By Christian Carey NEW YORK – On Thursday, March 2nd, Japanese composer Misato Mochizuki was featured on Miller Theatre’s Composer Portraits series. In a concert featuring four U.S. premieres and concluding with a work commissioned and premiered at the 2015 Lincoln Center Festival, the audience was introduced to a range of her work. Throughout, Mochizuki demonstrated a clear aesthetic embodied by an interest in exploring a panorama of instrumental timbres and effects and a flair for dramatic, often quasi-ceremonial, designs. The earliest work on the program, Au Bleu

March 14, 2017March 14, 2017 by Christian Carey

Cello, Chamber Music, Classical Music, Concert review, Contemporary Classical, File Under?, New York, Piano

Couturier and Lechner at Greenwich Music House (Concert Review)

Francois Couturier and Anja Lechner Greenwich Music House New York February 18, 2017 By Christian Carey Five Things to Like About Francois Couturier and Anja Lechner in duo performance Versatility — These are two musicians who are able to play in a plethora of styles: classical, jazz, world music, et cetera. I first interviewed cellist Anja Lechner for a Signal to Noise feature about the bandoneonist Dino Saluzzi. I was impressed with her versatility then and remain so today. Pianist Francois Couturier is an eminently qualified performing partner for Lechner. Ensemble — Even though most of their set consisted of

February 22, 2017February 23, 2017 by Christian Carey

Concert review, Contemporary Classical, File Under?, New York

NY Phil Premieres H.K. Gruber

Hi All. This fell off the blog for some reason. I am re-hosting it today. New York Philharmonic Premieres H.K. Gruber Photos: Chris Lee Avery Fisher Hall, New York January 7, 2017 By Christian Carey Five Things to Love About the NY Phil’s January 7th Concert Kurt Weill’s Kleine Dreigroschenmusik (Little Threepenny Music) for Wind Ensemble: A truly charming work that also demonstrates the composer’s affinity for early jazz orchestration, Little Threepenny Music showed off the wind section of the Philharmonic at their very best, and it was wonderful to hear banjo in the mix. Mack the Knife alone is

February 18, 2017February 23, 2017 by Christian Carey

Chamber Music, Commissions, Concert review, Contemporary Classical, File Under?, New York

Kronos at Carnegie Hall

Kronos Quartet Carnegie Hall – Zankel Hall Saturday, February 11, 2017 Christian Carey Six Things to Like About Kronos at Carnegie Hall Fifty for the Future Commissioning Project — Kronos used Saturday February 11th’s concert to showcase some of the early entries in their “Fifty for the Future” project. Not only is Kronos recording all of the pieces for young quartets to hear; their website also includes free to download PDFs of scores and parts. Thus, they are creating a new repertory for quartets eager to learn about contemporary music. Garth Knox — Some of the pieces, such as renowned

February 18, 2017February 23, 2017 by Christian Carey

Concerts, Contemporary Classical, File Under?, New York

Beat Furrer at Miller Theatre

Composer Portrait – Beat Furrer Miller Theatre Thursday, February 2, 2017 Either/Or Ensemble; Richard Carrick, conductor By Christian Carey NEW YORK – Miller Theatre has long had plans for a Composer Portrait evening of Beat Furrer’s music. In 2001, the event was disrupted by 9/11, which made it impossible to bring in the musicians slated to perform. After a long hiatus, the American ensemble Either/Or, conducted by Richard Carrick, was invited to undertake the first Miller portrait event in 2017, finally featuring Furrer’s compositions. The concert was masterfully performed and artistically satisfying. Alas, this time out, it was Furrer

February 14, 2017February 14, 2017 by Christian Carey

Chamber Music, Classical Music, Contemporary Classical, File Under?, New York

Juilliard SQ Premieres Davidovsky’s 6th SQ

Last night I heard the latest incarnation of the Juilliard String Quartet in recital at Alice Tully Hall. The program included performances of Mendelssohn’s first String Quartet and the juggernaut that is Beethoven’s Op. 130 with the Grosse Fuge finale, both pieces performed with suavity rather than abundant risk-taking. The highlight was the quartet’s New York premiere of Mario Davidovsky’s Sixth String Quartet, “Fragments.” Davidovsky’s description of the quartet is accurate in that it includes fragments of motivic material that are juxtaposed in a variety of ways. However, it is anything but fragmentary in terms of the consistent feeling of a long line’s presence and persistent through

February 7, 2017 by Christian Carey

Choral Music, Concert review, File Under?, New York

Tallis Scholars at St. Mary’s (Concert Review)

Tallis Scholars at St. Mary’s: Bass Hit Sequenza 21 By Christian Carey NEW YORK – On December 10th, the Tallis Scholars found themselves in a bit of a quandary. Scheduled to give their annual Renaissance Christmas concert as part of Miller Theatre’s Early Music Series at Church of St. Mary the Virgin, the ten-voice ensemble was decimated to nine. Long-time member bass Robert Macdonald was ill and had been rendered voiceless. Peter Phillips, the Tallis Scholars’ director, quipped from onstage that unless he sang, which the rest of the singers “felt unwise,” the group’s other bass, Tim Whiteley, would

December 16, 2016 by Christian Carey

Chamber Music, Concert review, Contemporary Classical, File Under?, New York

Ensemble Lux at ACFNY

Ensemble Lux Austrian Cultural Forum New York November 17, 2016 NEW YORK – Austrian Cultural Forum New York makes part of its mission supporting chamber musicians from Austria, bringing them to the United States for concerts. One of the best of these concerts I have attended was this past Thursday’s New York debut of Ensemble Lux, a string quartet with formidable technique and ambitious tastes in programming. Their concert ranged across a century’s worth of music, from Anton Webern’s 5 Movements for String Quartet (1909), to la pureté de l’envie blanche, a piece from 2010 by the Lux’s second violinist,

November 27, 2016November 27, 2016 by Christian Carey