Seda Röder is a Turkish pianist who currently teaches in Boston. Those of you who are interested in electroacoustic music may remember her performance back in April during the New York City Electroacoustic Music Festival at the CUNY Graduate Center. If you live near Boston, take a look at her website: she will be playing four concerts in the area between September and the end of the year. Seda has been very active recently, performing and recording works by young Turkish composers including Tolga Yayalar and Hans Tutschku. She believes that most Americans don’t know much about young Turkish composers — I believe
Read more[youtube]http://www.youtube.com/watch?v=3YD6uu7dJ7I[/youtube] Mauricio Kagel‘s 1984 “Der Eid des Hippokrates” (“The Hippocratic Oath”), for piano 3-hands. Kagel wrote: This aphoristic composition was inspired by the publication in January 1984, in a medical magazine, of an article on my latest work. Whiling away the time in hospital waiting rooms, I began to think about the generous Hippocratic oath. I could not say if it was because I was wondering about the influence this Greek practitioner had — but there I was, writing a piece for two left hands, while also calling on the right hand [….] One hand keeps on providing a muted
Read more[We previewed this concert a couple weeks ago, and were hoping to file a quick review following the performance. Due to unforseen circumstances it’s a few days later than we’d like, but reviewer Eric Johnson came through in the end:] .. .. .. .. Xiayin Wang offered two world premieres on her May 18 recital at Alice Tully Hall. Ms. Wang’s career is on the rise, with a number of orchestral appearances, solo recitals, and her new CD release of music by Scriabin on Naxos. The New York Sun recently praised her for
Read more
Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Experimental Music, Music Events, New York, Performers, Piano
Interpretations continues its twentieth season of provocative programming in New York City. Founded and curated by baritone Thomas Buckner in 1989, Interpretations focuses on the relationship between contemporary composers from both jazz and classical backgrounds and their interpreters, whether the composers themselves or performers who specialize in new music. To celebrate, Jerry Bowles has invited the artists involved in this season’s concerts to blog about their Interpretations experiences. On 9 April 2009, pianist Teresa McCollough presents a recital of music by Alvin Singleton, Sam Pluta, Gabriela Lena Frank, John Adams, and George Crumb. In Tribute I have been asked to
Read moreIt’s pretty easy to drive by Fredonia, NY without realizing you’ve done so…it’s one of the many small communities that dot the I-90 Interstate between Cleveland and Buffalo, practically on the shores of Lake Erie. The surrounding countryside is known for grapes and snow…Norman Rockwell would feel right at home in the town square, and it’s often found in the dictionary illustrating the definition of “quaint”. Not exactly the place you’d expect to find a new music series, but that’s just the way we like it. Over 30 years ago the composition students at SUNY Fredonia began to fund their
Read moreVeda Hille – Indie pop plus Hindemith! Vancouver’s Veda Hille is an indie singer/songwriter who fashions classical instrumentation and catchy tunes into an erudite pop style. This Riot Life, her latest CD, draws on a wide assortment of influences. Its frequent eschatological references and cryptically, messianic-tinged lyrics (“Ace of the Nazarene,” “Book of Saints, ““Rose of Sharon”) represent a recent find: an old hymnal belonging to her grandmother. The harmonic sophistication and extended formal designs of her songs reflect Hille’s classical training, as does an unorthodox rendition of “The Moon,” a Shelley setting by Paul Hindemith. Prog-rock inflections are
Read moreLuke Gullickson is a composer, pianist, and writer currently working on a Master’s in composition at UT in Austin, Texas. He keeps a blog, Sonatas and Interludes, where he recently pondered how “new age” can reach out and bleed into even the “avant-garde”: There’s a problem in new pretty piano music. I call it the “new age” problem. The thing is, we’ve been Jim Brickman-d, David Lanz-d, Yanni-d, and now we can’t hear Keith Jarrett the same way anymore. We are all familiar with the warm sounds of new age piano music; it’s been a weird but persistent classification. On
Read more
Chamber Music, Classical Music, Composers, Concerts, Contemporary Classical, Downtown, Experimental Music, Improv, Music Events, New York, Piano
This Fall marks the twentieth season of provocative programming in New York City brought to you by Interpretations. Founded and curated by baritone Thomas Buckner in 1989, Interpretations focuses on the relationship between contemporary composers from both jazz and classical backgrounds and their interpreters, whether the composers themselves or performers who specialize in new music. To celebrate, Jerry Bowles has invited the artists involved in this season’s concerts to blog about their Interpretations experiences. Our fourth concert this season, on 20 November, features composer-performers JB Floyd and Raphael Mostel at Roulette. JB Floyd: My concert on the Interpretations Series on November 20th will mark
Read moreHow does it sound – a double concerto written by a musician weaned on Beethoven, salsa, Stravinsky and Bulgarian folk music? In short – like nothing else! The Danish composer Anders Koppel (b. 1947) is himself. “My music consists of the life I have lived,” is as close as he gets to a definition of his style. Anders Koppel grew up with music all day long. His father, Herman D. Koppel, was one of Denmark’s leading composers and pianists, and worked in the living room at home. Anders and his siblings were eye-witnesses to all aspects of the musical creative
Read more[youtube]qKXy1FPTdvg[/youtube] Steve Reich’s seminal 1967 Piano Phase has always been a fantastic challenge for any two pianists. But here is the Russian Peter Aidu (b. 1976) going them all one better, by performing both parts solo, on two pianos at once. Released on the netlabel Top-40, the complete recording is available to freely download at Archive.org. (There’s also a link there to further information on the pianist and release, and the MP3 download at Archive.org is fine, but I would recommend NOT visiting directly the Top-40 homepage. There may be some malware lurking there!)
Read more