James Combs, composer… Ah, where to start?… I met James years ago, in our formerly-shared hometown of Seattle. Truly a “regular-Joe” in person, giving little hint of the ornate wheels spinning underneath. An anecdote on James’ blog seems a perfect illustration of the man and the work: A Minimalist Experience A boring Sunday, really not so much different than any other Sunday. March 16, 2008, I went for a drive to run some miscellaneous errands. My wife informed me that we were in some need of household items which could be purchased at the nearest store. So heading to the
Read moreRenewable Music‘s long-time American-in-Deutschland, Daniel J. Wolf, had the idea of inviting composers to contribute to an album for piano, simply centered around this moment and season. No publishers, no glitzy “call for works”, just a friendly invitation for any interested. The result is the A Winter Album, twelve piano pieces of quite diverse hues, for each and everyone of us to freely peruse in our gray and inclement hours. The composers may not be known to you, but all the better; they’re a stellar bunch in my book: Dennis Báthory-Kitsz, Jon Brenner, Steed Cowart, Elaine Fine, Hauke Harder, Ben.Harper,
Read moreOur regular listen to and look at living, breathing composers and performers that you may not know yet, but I know you should… And can, right here and now, since they’re nice enough to offer so much good listening online: Stephane Ginsburgh (b. 1969 — Belgium) I first ran across this fine pianist a few years ago, while searching the web for information about Marcel Duchamp’s prescient, chance-based 1913 “compositions”, Erratum Musical — In 2001, Stephane recorded a number of his own interpretations of Duchamp’s score for the Sub Rosa label. A little of Stephane’s official bio: Born in Brussels,
Read moreFor the full story on the new aleatoric work seen being performed above on a Bösendorfer at the Two Moors Festival in the UK, take An Overgrown Path. Image credit BBC News
Read moreOur favorite techno-geek pianist Hugh Sung has come up with a really neat new way to integrate live music with dynamic imagery, animations, and synchronized video clips, all of which can be controlled by the performing musician directly a simple foot-switch. Think Arditti Quartet meets the Joshua Light Show. (Perhaps too old a reference for most of you.) Hugh calls his system the Visual Recital which seems as good a name as any. You can catch Hugh’s next Visual Recital live on Saturday night at the Darlington Arts Center, 977 Shavertown Road, Boothwyn, PA (610-358-3632) or if you can’t make it you can watch this sample
Read moreThe brilliant and talented piano and TabletPC genuis Hugh Sung has a terrific post about the Sequenza21 concert where he was a star performer. Hugh is also one of the nicest people alive. Kyle Gann, who drove two hours down and two hours back to Bard for the concert, has some nice words about the concert here. Kyle turned 37 yesterday. Our congratulations to regular Darcy James Argue who is one of the 29 recipients of the latest round of the American Music Center’s Composer Assistance Program (CAP). The complete list is here. Altman was one of the best. Update: Speaking of
Read moreLast night, the third and final concert of the Keys to the Future series featured pianists, Tatjana Rankovich, Joseph Rubenstein, Polly Ferman. Ms. Ferman, a noted tango performer, closed out the concert with a set of Argentine compositions, many of them inspired by the Tango. Winged (1995) Bruce Stark (b. 1956) Stark’s work has been featured in every concert of the series and for good reason. He has an unusually rare gift in creating a recognizable voice, combining compelling content with forms that make sense and are full of surprises. Winged, one of his first ‘acknowledged’ compositions did not fail
Read moreIn the second concert of the Keys to the Future series, Tatjana Rankovich, organizer Joseph Rubenstein, and Lora Tchekoratova performed in a program rich in compelling melodic and textural content. Music for Piano (1997) Franghiz Ali-Zadeh (b. 1947) Tatjana Rankovich began the program on a piano with a beaded necklace inside. Middle Eastern vocal melodies caused this necklace to resonate in a pleasant (if ultimately obsessive) almost insectoidal buzzing. Occasional outbursts in the lower ranges contrasted with these exquisite Eastern melodies ultimately climaxing in a storm of bass scales. Ms. Rankovich notably performed with precision and a finely atuned sense
Read moreThe opening concert for the Keys to the Future featured organizer Joseph Rubenstein, BOAC regular keyboardist Lisa Moore and Blair McMillen in a program practically devoid of common modernist influence. 8 short works (1980s) Howard Skempton (b. 1947) Howard Skempton, a miniaturist of some reknown in Europe, but little recognized here, was featured in 8 short works selected and arranged by Rubenstein. While evoking a mastery of emotional poignancy, each of the pieces demonstrated a poverty of texture that was vaguely puritanical. The performance by Rubenstein was masterful. Notable among the eight pieces was The Keel Row, which began the
Read moreSeason two of Keys to the Future, a festival of contemporary music for solo piano, takes place next week, November 7-9 (Tuesday, Wednesday and Thursday) at Greenwich House’s Renee Weiler Concert Hall. The six participating pianists are Lisa Moore, Blair McMillen, Tatjana Rankovich, Lora Tchekoratova, Polly Ferman, and myself. On the first night (Tuesday, 11/7), the brilliant pianist Blair McMillen will perform Fred Hersch’s gigantic piece called 24 Variations on a Bach Chorale. Here are some notes by the composer: The original chorale melody is by Hans Leo Hassler (1562-1612), but was borrowed several times by J.S. Bach, mostly famously as “O
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