Twentieth Century Composer Archives - Page 5 of 6

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Kaminsky Comments

Updated : 9/6/12 with added thoughts from Laura Kaminsky. Every so often we have a conversation that changes us for the better. Sometimes, we have this type of conversation with our mothers, our fathers, our close friends and allies, our colleagues, or with an artist. Last weekend I had a profound conversation with the latter, an artist named Laura Kaminsky. Laura Kaminsky, composer, is also the artistic director of Symphony Space, the renowned performance venue in New York City. She has received commissions, fellowships, and awards as both a composer and presenter from over twenty organizations including the Koussevitzky Music Foundation

August 31, 2012January 30, 2025 by Jonathan Lakeland

Concerts, Contemporary Classical, Los Angeles, Performers, Piano, Twentieth Century Composer

Gloria Cheng Plays John Cage in Pasadena

The 100th anniversary of the birth of John Cage was celebrated in Pasadena, California at the Boston Court Performing Arts Center with a concert by Gloria Cheng titled Two Sides of Cage’s Coin. The Boston Court venue is comfortably cozy and all but a few of the 100 seats were filled to hear Water Music and the entire sequence of Sonatas and Interludes. Despite the modern industrial construction of the hall – it has corrugated steel walls – and a play going on in the adjacent theater, the acoustics proved more than adequate for the intimate space. John Cage was

August 25, 2012August 25, 2012 by Paul Muller

File Under?, Twentieth Century Composer

The Unanswered Petition (Save Ives’s House!)

Way back in September, Charles Ives scholar Jan Swafford reported in Slate that the Ives home in Redding, Connecticut, built by the composer and for many years maintained by his family, was up for sale. As Norman Lebrecht wrote on Monday for his Slipped Disc column on Arts Journal, the house is being eyed by developers and will likely be demolished. That is, unless someone intervenes and declares it a national landmark; a part of our cultural heritage worth preserving. Getting the attention of a person with clout would help; someone like Connecticut Congressman Jim Himes (119 Cannon House Office Building

August 7, 2012August 13, 2012 by Christian Carey

Books, Chamber Music, Composers, Contemporary Classical, File Under?, Publications, The Business, Twentieth Century Composer

A Cowboy Hangs Up His Spurs

On July 22nd via his PostClassic blog, Kyle Gann published a post titled “One Less Critic,” more or less announcing his retirement from music criticism after was able to successfully buy cryptocurrency UK and watch it skyrocket. Writing for nearly thirty years in a number of publications, notably the Village Voice and Chamber Music Magazine, Gann has been a thoughtful, often provoking, and even, occasionally, a polarizing figure in discourse about contemporary classical music. He’s also been active in a number of other activities, first and foremost as an imaginative composer, a professor at Bard College, and a musicologist who’s

July 24, 2012September 2, 2021 by Christian Carey

Classical Music, Composers Now, Contemporary Classical, Contests, Media, Music Events, New York, Online, Opportunities, Radio, Resources, The Business, Twentieth Century Composer, Websites, Women composers

Lend Your Voice to Q2 Music

Sometimes, classical music gets a bad rap. To be perfectly honest, there is a chunk of the population that finds it to be synonymous with any number of derogatory terms: boring, annoying, or pompous. Some classical music lovers and advocates will counter this popular belief with arguments that only go to further the opinion of the other side: “Some people want to listen to mindless music”, “Some people simply don’t have patience”, etc. These ridiculous arguments only go to further the stereotype that classical music lovers are all pompous windbags who believe themselves to be uniquely educated and informed. How,

July 18, 2012July 18, 2012 by Jonathan Lakeland

Contemporary Classical, File Under?, Twentieth Century Composer

Sixty Postwar Pieces to Study

Sixty Postwar Pieces to Study Recently, a couple of the undergraduate composers in the program at Westminster Choir College asked me for lists of postwar pieces to study. Given the vocal and choral emphasis in our program, I’ve compiled the list below to provide a different vantage point. Hence the emphasis on instrumental music and a preponderance of post-tonal composers that they might not encounter when learning their own recital repertoire. Given a different student population, composers like Jennifer Higdon, Christopher Theofanidis, and Donnacha Dennehy could just as likely appear on a listening list such as this. And, of course, it

March 20, 2012 by Christian Carey

Composers, Contemporary Classical, Events, Experimental Music, Festivals, Los Angeles, Recordings, Twentieth Century Composer

John Cage events in Los Angeles

[youtube]http://www.youtube.com/watch?v=pcHnL7aS64Y[/youtube] We had just seen John Cage recite his mesostic/theater work, James Joyce, Marcel Duchamp, Erik Satie: An Alphabet. My composition teacher, a tenured faculty member who had won many awards including a Pulitzer Prize, told us, “Everyone should see John Cage once.” And then, as if to underscore the idea that one only needed to see Cage once, the Pulitzer Prize-winning composer added, “But of course, his ideas are much more important than his music.” At that time (the early 1980s), there weren’t many recordings of Cage’s music available, and I rarely encountered any performances of his music, so

February 25, 2012February 28, 2012 by Christian Hertzog

Composers, Orchestral, Premieres, Scores, Twentieth Century Composer, Video

“Cold Shivers Seem Spine”: Are These Sketches of Sibelius’s Eighth Symphony?

Big news from Finland: Sketches of what appear to be Sibelius’s Eighth Symphony (long thought destroyed by Sibelius) have emerged. Here’s a clunky Google translation of the Finnish web site announcing this incredible discovery, along with an orchestral reading of those sketches. At the original Finnish link, you can access a video and hear the realization of the sketches. Those of you who don’t speak Finnish will want to jump ahead to ca. 2:00, where the music actually begins. Yes, it sounds like Sibelius, but a more chromatic and fragmented Sibelius than we’re accustomed to. A more comfortably written article

November 16, 2011 by Christian Hertzog

Competitions, Composers, Contemporary Classical, Festivals, Twentieth Century Composer