Hayes Biggs is an outstanding composer, vocalist, copyist, and longtime instructor at Manhattan School of Music. I was delighted when he agreed to help us judge the call for scores for the Sequenza 21/MNMP Concert (which will be on Oct. 25 at 7 PM at Joe’s Pub in NYC). The concert will close with the final movement from Hayes’s String Quartet, a work he discusses in the following post. If ever a piece required my patience as it slowly taught me what it needed to do and be, it was my String Quartet: O Sapientia /Steal Away. My first sketches
Read moreThe BAM Next Wave Festival is upon us right now. There are a ton of exciting things lined up, including what appears to be a thrilling multi-media extravaganza from violinist DBR. Behold: Symphony for the Dance Floor! Known for bringing audiences to their feet with sonic collages of classical, pop and hip-hop sounds, DBR ushers the concert hall and dance club into the theater with Symphony for the Dance Floor. In an attempt to homogenize all art forms on one stage, it combines exhilarating music, soulful dance, and photographic artistry, all within a theatrical setting, most notably, in the use of on-stage seating. “Symphony for
Read moreFrom October 14-22 in various locations in New York City, the American Composers Orchestra hosts SONiC, a new music festival co-curated by Derek Bermel and Stephen Gosling. ACO asked me to write an essay for the program booklet, which they’ve kindly let me share with Sequenza 21 readers as a preview of the concerts Trying to sum up the diverse array of compositional styles and performing traditions that comprise contemporary classical music’s many “scenes” is a daunting task. One can scarcely imagine distilling its essence, even over the course of several evenings. But during SONiC: Sounds of the New Century,
Read moreOne of our featured composers on the Sequenza 21/MNMP Concert (on October 25 at Joe’s Pub) is Dale Trumbore. In the following post she tells us about the work ACME will perform on the program: a piece that was premiered in 2009 by Kronos Quartet. How it will go (2009) is a quirky little 6-minute work for string quartet; its first descriptive marking is “maniacally cheerful.” Although the piece is a rondo, the piece has a frantic, slightly unpredictable quality, as if it doesn’t know which way it’s supposed to go, or when exactly it should return to its main
Read moreNot really, but it got your attention, didn’t it? You can, however, worship at the feet of one of the world’s best fiddle players and nicest people from fairly close afar Monday night (that’s probably tonight when you read this) for a mere $20 donation to one of NY’s favorite performance spaces, The Stone, located somewhat inconveniently at the corner of Avenue C and 2nd Street. Ms. Hahn will be playing the Charles Ives Violin Sonatas 1 and 4 (with Cory Smythe on piano…sorry Valentina stalkers) as a special benefit for The Stone, whose artistic director is the estimable John
Read moreNothing stays the same for very long these days, especially in NY. So I shouldn’t have been surprised when Brooklyn Rider’s first violinist Johnny Gandelsman and I meet at 11th and University Place–once Dean and De Luca, but now Argo Tea Cafe. Gandelsman approaches and we slip into the cool of the cafe on a warm afterrnoon two days after the 10th aniversary of 9/11. He suggests Armenian tea, which chimes perfectly with the quartet’s repertoire — they’ve recorded Komitas Vardapet’s Armenian Folk Songs on their Passport CD on their In A Circle Records label — plus they’re all members
Read moreComposers, performers, or music-lovers looking for an interesting day job: PostClassical Ensemble needs a manager for their group. Contact Joseph Horowitz at jh AT josephhorowitz DOT com for more information. Here’s a brief job description: Managing Director, PostClassical Ensemble. Cutting-edge, 8-year-old DC-based chamber orchestra seeks half-time administrative director. The director will work with Artistic Director (Joseph Horowitz) and Musical Director (Angel Gil-Ordonez). Wide-ranging responsibilities include: budgeting, contracts, web management, marketing, artistic/strategic planning, fund-raising, radio broadcasts (WFMT; Sirius XM), Naxos recordings and DVDs, touring, etc. Our thematic programming incorporates dance, theater, film. Close collaboration with National Gallery of Art, Georgetown University
Read moreToo Many Concerts and Cloning is Still Illegal! October in New York is becoming an embarrassment of riches in the new music world. So many wonderful concerts to hear in town! But the plethora of notable events can be a source of frustration too: sometimes you wish you could be in two places at once. (I have a sneaking suspicion that Steve Smith has figured out a way to do this!) So, while we won’t get to review everything, there’s nothing saying we can’t preview as many events as possible! What follows are some, but rest assured not all, of
Read moreLast week the Composition Department at the University of Michigan hosted two distinguished guest composers: Susan Botti and Marilyn Shrude. Their visit was marked both by an appearance at our weekly Composition Seminar class and, most importantly, performances of their work with Marilyn Shrude leading off a recital by her husband – renowned Saxophonist John Sampen – and Susan Botti featured as a composer and vocalist in the heart of University of Michigan Symphony Band’s inaugural performance of the year. Mr. Sampen’s recital last Thursday was one of the more unique performances I’ve attended, continuously presenting a handful of works
Read moreSteve Reich turns 75 today. One of the premiere maestros of minimalism continues to dazzle us with thought-provoking and musically moving creations. This morning, I introduced some of my undergraduate BA students to Reich, playing excerpts from Piano Phase, Music for 18 Musicians, and Different Trains. Some of them were unfamiliar with his music, but one student piped up,”What about Four Sections? I like that one too!” If our students, particularly our student musicians, are picking out favorites and learning to perform Reich’s music, that is indeed a promising sign for the future of his works. As a small online musical
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