Birthdays, Chamber Music, Composers, Concerts, Contemporary Classical, Music Events, Portland, Seattle

WCF in the PNW is A-OK (& so is PDX)

This year marks the 25th anniversary of the Washington Composers Forum. Like any of these ventures, they’ve had some busy and some moribund periods. But more than most and especially through the last decade, the WCF has been a pretty consistent force, beacon and shelter for composers of all stripes (as I can personally attest to from my own long sojourn in the Seattle area). They’ve been great about getting the word on opportunities out to their members, sponsoring commissions, readings and concerts, and their Composer Spotlight series (a different composer holds court each month, sharing whatever they think is

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by Steve Layton
Concerts, Contemporary Classical, Dance, New York

Hoof it on down to the Bowery

I know, short-short notice for the NYC crowd … But there’s a pretty giddy concert to attend this (Wednesday) evening at 8:30 PM, St. Mark’s Church in the Bowery (131 East 10th Street, Second Ave. and 10th Street / $10).  The International Street Cannibals — a happy cabal of composers, chamber players, filmmakers and painters, conceived by in 2005 by composer, cellist, conductor Dan Barrett, and steered by composer/guitarist Gene Pritsker — are presenting “Desperately Seeking Stravinsky”.  Now, Stravinsky was always amenable to the dance, and I don’t think there are many of his works that haven’t been choreographed, but

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by Steve Layton
Contemporary Classical

12-Step Program

Kyle Gann reports that more than twice as many students have signed up for his 12-tone Analysis seminar than for his Beethoven class, and then in the comments he expresses concern that some of those students may think the course is a 12-Step program. Coincidentally, our crack musicological research team has recently uncovered the following from Serious Composers Anonymous: A Method Of Ensuring the Supremacy of German Music for the Next Hundred Years Using Twelve Steps Related Only To Each Other 1. We admitted we were powerless over free atonality, and that our compositions had become unmanageable. 2. Came to

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by Galen H. Brown
Composers, Concerts, Contemporary Classical, Downtown, Electro-Acoustic, Experimental Music, Festivals, File Under?, New York

Ken Ueno & Du Yun at the Flea

Big ups to my composer compadre Ken Ueno. He’s had a heck of a busy year. In addition to an active teaching schedule at University of California-Berkeley, where he’s an Assistant Professor of Composition, he’s been busily composing, performing, and supervising recordings of his music. His new disc on the BMOPSound imprint – the only disc I’ve ever received in the mail with a warning label on it (extreme dynamic range) – is an engaging collection. Featuring the Boston Modern Orchestra project, conducted by Gil Rose, its a collection of his concerti for other musicians – violist Wendy Richman, biwa

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by Christian Carey
Composers, Contemporary Classical

The other good guys

Congratulations to John Luther Adams for that 2010 Nemmers Prize, and to all the other Adamses, Reichs, Harbisons, Salonens, Lachenmanns, Carters etc. out there. Keep doing what you’re doing! …Meantime though, there are a few folk closer to my own home & circle, that I’d like to draw your attention to: First up is Christopher DeLaurenti. My good pal and sound artist extraordinaire has ventured out of his beloved Seattle haunts to pay NYC a visit, tonight (Friday), 8pm at The Stone (corner of avenue C and 2nd street, Manhattan, $10/5 students). This is his first New York solo appearance

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by Steve Layton
Contemporary Classical

John Luther Adams wins 2010 Nemmers Prize

John Luther Adams has been named the 2010 winner of the $100,000 Michael Ludwig Nemmers Prize in Music Composition. The announcement was made today at the Northwestern University Henry and Leigh Bienen School of Music. The biennial award honors classical music composers of outstanding achievement who had a significant impact on the field of composition. Past winners include John Adams (2004), Oliver Knussen (2006) and Kaija Saariaho (2008). Frank J. Oteri, his own bad self, has the details.

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by Jerry Bowles
Contemporary Classical

Now Batting for Jean-Yves Thibaudet–Alex Ross

Jean-Yves Thibaudet has had to cancel his Apple Store appearance tonight because of exhaustion from repeated delays in flying from Europe to the United States due to “le vulcan.”  His arms are apparently too tired to box with Jobs. Ok, ok. However, the The New Yorker‘s Alex Ross and The Bad Plus’ Ethan Iverson will end their The Rest is Noise tour in New York  replacing Thibaudet at the Upper West Side Apple Store at 6:30pm.  Details about program can be found on The Rest is Noise blog: http://bit.ly/aTQn87.  Alex has promised not to play the piano.

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by Jerry Bowles
Contemporary Classical, Interviews

Chiara Quartet at (Le) Poisson Rouge

The Chiara Quartet is back on tour and has one more show in NYC this week (they actually played Sunday in Southport, CT and tonight(!) at Symphony Space but your humble/slacker correspondent wasn’t able to get this ready in time for y’all).  Anyway, you’ll still have a chance to catch them on Wednesday at (Le) Poisson Rouge (158 Bleecker Street) performing Different Trains, Webern’s Five Pieces for String Quartet, and Jefferson Friedman’s 2nd Quartet. Somehow Jonah, Becca, Julie, and Greg were able to find time between rehearsals and performances to answer a few questions for us.  Enjoy…. JH: During this

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by James Holt
Chamber Music, Composers, Concerts, Contemporary Classical, Events, Music Events, Percussion, Premieres, Washington D.C.

When Music and Art Collide

On Friday, April 30, 2010, my ensemble, Great Noise Ensemble, will present the last concert of our 2009-10 concert season.  The program, presented at Ward Hall, on the campus of the Catholic University of America at 7:30 p.m. (Visit www.greatnoiseensemble.com for tickets if you’re in the Washington region this Friday), is a unique program featuring a new work for mixed ensemble and sculpted percussion by composer D.J. Sparr in collaboration with artist Terry Berlier of Stanford University.  The 41st Rudiment, named after the 40 “rudiments” that percussionists study as they develop their craft, represents one more rudiment indicative of the

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by Armando Bayolo
Composers, Contemporary Classical, Music Events, Opera, Participation

Make it so

Dennis Báthory-Kitsz has been a great friend of new music, a great friend of S21, and a great friend of myself personally for about as long as I’ve been online. Justly (semi-) famous as the “Kalvos” half of the long-running institution that was Kalvos & Damian’s new Music Bazaar (now continued as Kalvos & Damian In the House!), Dennis has never let his rather remote Vermont location interfere with spreading the word about living composers and their music, whether through regular radio and online broadcasts, a steady stream of writings, and endless creative projects. At the same time, he’s also

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by Steve Layton