Contemporary Classical

Forget Gonzo Journalism…Philly’s got a Gonzo Cantata!

It’s not often that Sequenza 21 gets scooped by the likes of Rachel Maddow – but that’s a good thing for composer Melissa Dunphy and the group of 30 musicians that are all performing Dunphy’s The Gonzales Contata with text directly taken from former Attorney General Alberto Gonzales’ testimony before Congress. Written in a neo-Baroque style, Dunphy has inverted the genders of the primary characters in the story, with Gonzales and Sen. Specter, Leahy and Hatch sung by females and Sen. Diane Feinstein sung by a tenor. The work is being performed this weekend in Philiadelpha at the Rotunda (4014

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Conferences, Contemporary Classical, Kansas City, Minimalism, Piano

Minimalism Conference, Day 3

This summary has to be a short one, since I need to finish preparing for my paper presentation tomorrow morning, but today was another excellent conference day.  During the day, in addition to papers there was a concert of Tom Johnson‘s extremely minimal Organ and Silence performed by Neely Bruce.  At dinner time Robert Carl gave a plenary address about In C, a subject on which he has just published a book.  Then we all had some of the justly famous Kansas City barbecue.  In the evening Sarah Cahill, a great champion of contemporary music, gave a concert which included

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Conferences, Contemporary Classical, Kansas City, Minimalism

Minimalism Conference, Day 2

A day that starts at 9AM and ends after 11 at night, in which 15 different people give presentations, and which culminates in a two hour concert, is not a day that is easy to distill down to a single theme (except perhaps happy exhaustion).  We began with no fewer than six papers on Steve Reich, some of which were thematically linked but none of which was redundant.  Perhaps my favorite moment of those morning sessions was when Sumanth Gopinath compared a feature of Different Trains to the music from a classic 1980s IBM commercial.  In the afternoon we had

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Contemporary Classical

Hilary and Missy

Our third “Hilary Hahn Interviews…” segment was actually the first recorded for S21; kind of like the first Star Wars was actually the third… or something… I brought Missy Mazzoli to your attention as far back as 2006, when she’d just finished getting her Masters degree. More recently, just a couple months ago we were telling you about the popularity of the alt/classical/something group she’s now part of, Victoire. Those very few years out of school have been kind, with all kinds of projects and praise coming her way. As well they should; Missy’s work overflows with offbeat and surprising

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Conferences, Contemporary Classical, Kansas City, Minimalism

Minimalism Conference Day 1

If good luck in travel is a harbinger of things to come, then the fact that my flight into Kansas City for the Second International Conference on Minimalist Music actually touched down twenty minutes early is surely a very good sign.  And so far today things have worked out that way. The conference got underway with two papers on Intertextuality in the music of Dutch composer Louis Andriessen and British composer (and the first journalist to use the word “minimalist” to describe music) Michael Nyman.  Apparently Nyman steals liberally from everybody, including himself.  I mean that in only the best

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Blogs, Classical Music, Click Picks, Contemporary Classical, Websites

Snap, Crackle, Pop (with a few Fizzles)

Up and running for a few weeks now, The Cereal List blog/website attempts to goose the arse of the always-just-a-little-too-sacrosanct classical music world. Run by the shadowy “Milton Blabber”, “Randall Scandall” and “Miss Information”, the blog’s posts have their share of flats mixed with a few good sharps. Though some jabs have veered just this side of awful or even libel, when they get it right, with such gems as “Generate a New York Times Review of your Work“, they’re pretty spot on. My current fave though, has to be “How to Design a Classical Music CD Cover”: [youtube]http://www.youtube.com/watch?v=uoqcHAdyiN4[/youtube] Whoever

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Contemporary Classical, Electro-Acoustic, Experimental Music, Miller Theater, New York

Wordless Music meets Miller again

Ronen Givony’s Wordless Music is back at Miller Theater this Sept. 9-12, doing it’s indie-rock/electronic/classical/new-music thing. The 9th brings back the 802 Tour (Nico Muhly, Sam Amidon and Doveman, w/ special guest Nadia Sirota); the 10th welcomes Do Make Say Think and DMST founder Charles Spearin’s “The Happiness Project”; the 11th features Tim Hecker, Grouper, and Julianna Barwick; and the 12th caps it off with Destroyer and Loscil performing a rare collaborative set of original music from each artist’s catalog, then the JACK Quartet. All shows start at 8pm, with tickets setting you back $15-$20. Columbia University’s Miller Theatre is

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Composers

Music for Large Animals (and Smaller People) by Judith Lang Zaimont

Judith Lang Zaimont’s new music/art video, Beasts is now up on YouTube but you can watch it right here by clicking the little pointer thing. The video features paintings and drawings by Gary Zaimont who, I believe, is Judith’s husband, from his Large Animal Series of 2007-08. The videography is by Michael Bregman. The music is Growler, one movement from Judith’s Symphony for Wind Orchestra in Three Scenes in a performance is by the University of Minnesota Wind Ensemble, directed by Dr. Jerry Luckhardt, from the 2004 World Premiere. Enjoy. See Judith’s discussion of the piece here. Her comments reflect,

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Contemporary Classical, Festivals, London, Proms

Schnittke, Shostakovich and Nyman at the Proms

The Prom concert on August 24, by the London Symphony Orchestra and Chorus, conducted by Valery Gergiev, opened with Nagasaki by Alfred Schnittke, his graduation piece from the Moscow Conservatory. In this piece for chorus, solo mezzo-soprano, and large orchestra (including a theremin), Schnittke set texts reflecting on the devastation of the Japanese city by the atomic bomb at the end of the Second World War by Anatoly Sofronov, described in Calum MacDonald’s program notes as “the official Soviet propaganda poet”, along with poems by two Japanese poets, Eisaku Yoneda and Shimazaki Tōson. Although the piece was accepted by the

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Contemporary Classical

Draw a Straight Line and Follow it to Kansas City

In just over a week minimalist musicians, scholars, and fans will descend on Kansas City, Missouri for the Second International Conference on Minimalist Music, which runs from September 2 to 6.  I’ll be there–I’m giving a paper on Saturday–and I’ll be blogging regularly to give you a participant’s view of the proceedings–papers, concerts, lunchtime conversations, drunken rants, or whatever else is happening that seems noteworthy.  I’ll also be Twittering (@galenbrown), and the conference has its own Twitter account (@2ndminimalism). We’ll be encouraging other Twitter users to post their own thoughts with the hashtag #minconf. Our pal Kyle Gann is one

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