Received this from reader Richard Mitnick as a comment on another post: Sorry- I searched all over S21 for a place to simply ask a question. I want to know if there will be any response from S21 on WNYC taking over WQXR. What I think I posted at my own weblog, http://richardmitnick.wordpress.com. But, I am not a professional. It would seem to me that WNYC, John S., David G., and certainly Nadia S. would be very important for New Music; anything smacking of the mediocrity of WQXR should be anathema. So, will there be any comment? Sorry to put
Read moreSan Francisco’s Mission District, home of so much that is cool, is a natural neighborhood for the arts. The San Francisco Community Music Center located at 544 Capp Street is the the Bay Area’s oldest community arts organization and San Francisco’s largest provider of low-cost, high quality music education. In 2008, 2,300 students of all ages, ethnicities and income levels enrolled in Music Center programs and over 16,000 people enjoyed musical performances at no or low cost. Starting this Sunday, the SFCMC will host the eighth annual Outsound New Music Summit, a festival which for all its success and longevity
Read moreSir Edward Downes, one of Britain’s most distinguished orchestra conductors, flew to Switzerland last week with his terminally-ill wife and joined her in drinking a lethal cocktail of barbiturates provided by an assisted-suicide clinic. He was not ill. I wish I had that kind of courage.
Read moreYes, it’s Proms season again here in the UK/GB (see link for the differences.) The “worlds greatest music festival” kicks off on Friday and I thought I would put together a vaguely ‘contemporary’ programme for those so inclined. Included are composers who are still alive regardless of ‘style’, and a few 20th century composers I thought relevant (excuse my subjective and rather fuzzy criteria; Stravinsky and Bartók are included for instance, Debussy, Ravel and Shostakovich are not; feel free to berate me in the comments section.) All the concerts listed will be broadcast live on BBC Radio 3 and will
Read moreI am excited to say that this month on the podcast I am featuring all four members ETHEL. I was able to spend some time with the band before their performance at the Bang on a Can Marathon and would like to thank them for being so generous with their time. It was difficult to decide who should go first, so I’ve decided to go alphabetical by last name (brilliant, right?!), which means that we’ll begin with violinist, Cornelius Dufallo. If you want to keep up with this series, I’d recommend subscribing in iTunes or through your blog-reader. Or, you
Read moreSummertime in the Steel City brings forth some pretty damn good concerts from the Pittsburgh New Music Ensemble, one of the best new music ensembles in the country, every year and this year isn’t any different. This summer PNME will be performing over twenty new works, including two commissioned world premieres by Houston’s Pierre Jalbert and Chicago’s Stacy Garrop, over the next four weekends under the direction of their executive artistic director, Kevin Noe. They had their first concert last night, but you can still catch them this evening at the City Theatre (1300 Bingham St.) for an 8pm concert,
Read moreAlmost everyone on the web has seen this by now but if you haven’t, take a look. It’s a classic example of don’t-get-mad-get-even. [youtube]http://www.youtube.com/watch?v=5YGc4zOqozo[/youtube]
Read moreAnd you thought the master was gone?… Nooo no no, not that easy… His foundation and famous summer courses in Kürten continue — even stronger, if that’s possible. Starting today, July 10th, and continuing every day through July 26th, at 8pm there’s a concert featuring Stockhausen’s work (interspersed with course participants, which spiritually is very much the same thing). It’s a crazy insane compendium of S.’s music, spanning decades; there’s just too much to put on the main page, so I’ll list it all after the jump (and why the hell isn’t German Radio or the BBC camped out for
Read more(Thanks to Kevin Austin, who runs the Canadian Electroacoustic Community e-mail list, for pointing this one out): Every serious classical listener/collector has spent time probing through the hiss, pop and crackle of early monophonic 78 and 33 rpm recordings; though the sound is tinny and boxed in, they love the magical feeling of somehow being brought closer to some vital moment, performer or composer. Until 1958 people could only buy monophonic records; some might have heard stereo sound previously in a few push-the-envelope films like Fantasia, but for at least a couple generations mono was all they had. Yet there
Read moreLast week the BBC reported that the seminal electronic act Kraftwerk wowed the crowd at the Manchester Velodrome, not just with their music but a live riding appearance by the British Olympic cycling team during their classic song “Tour de France”! But also interesting was the opening act: Bang on a Can premiering Steve Reich‘s newest composition “2×5“. Scored for two sets of five instruments (hence “2×5”), the 21-minute piece calls for a total of ten musicians: four electric guitars, two pianos, two bass guitars, and two drum sets. And this from Reich: “It took me until 2009 to finally
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