Contemporary Classical

Portman at the Proms, Beaudoin at the Arcola

In England the last Monday in August is a Bank Holiday, and is more or less equivalent to Labor Day in the U.S. in being the last holiday of the summer. The Proms for August Bank Holiday Monday usually has a matinee, and the whole day usually has a more populist, is not popular- music, slant (the evening concert this year was devoted to the singer Michael Ball and was a concert of Broadway-type songs). The afternoon concert, billed as a family concert and presumably intended to be especially appealing to children, was the occasion of the first performance of

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Contemporary Classical

Morricone Speaks

I’m sure I wasn’t the only S21 reader pleased when Ennio Morricone received a lifetime achievement Oscar earlier this year.  Recently he chatted with CNN.  At one point he advises young composers to focus on writing absolute music:  if you’re a film composer without a film, you’re not really a composer at all.  Which begs the question:  any film-less film composers peddling their misconceived craft these days?  Play nice, now.

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Chamber Music, Classical Music, Composers, Contemporary Classical

I Know I Am

As those of you who come round here regularly know, I’m not a composer or musician but I am an experienced listener with limited patience for things that take too long to get to the point.  As a practical matter, that means that music I’ve never heard before has about 30 seconds to grab my attention.  I’ll listen to the whole thing but if doesn’t have that “Holy shit” thing happening in the first few bars, chances are the earth is never going to move for me.  Call it the Jerry Principle:  musical masterpieces announce their masterpiece-ness in 16 bars or less.  Go ahead, prove

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Contemporary Classical

Quitting Just Ain’t My Schtick

Rodney has been doing such a great job with the Proms that it’s given me time to finish one of my new projects–the Cleantech Collective, a social community for people who believe there is serious money to be made in cleaning up the planet which, of course, is the most persuasive argument for doing so.  (See Tragedy of the Commons for details).  Also, having this thing with the lower back.  When I sit down, it takes me about three minutes to get vertical again.  Who wants to be Rodney next week while I consult my physical therapist? 

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Contemporary Classical

John Adams at the Proms

The Prom concert on Tuesday night was given by the BBC Symphony and John Adams, with pianist Olli Mustonen. The big event of the evening was the first performance of Adams’s Doctor Atomic Symphony, a big instrumental piece based on scenes from his opera of the same name. In this project he was consciously following the example of Hindemith with Mathis der Mahler in not merely assembling a sort of suite from the opera, but recomposing the material into a related but nonetheless independent symphonic composition. In a pre-concert talk Adams said that the task had been much more difficult

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Classical Music, Composers, Contemporary Classical, Proms

Some Proms

On Aug 9 The BBC National Orchestra of Wales, conducted by David Atherton, presented the first performance of …onyt agoraf y drws…(…unless I open the door…) by Welsh composer Guto Puw. The title of the piece refers to a Welsh saga in which, after suffering heavy losses in a battle with the Irish, and the death and beheading of Bedndigeidfran, his men, having been enchanted, return to Harlech and feast happily for seven years entertained by the singing of Rhiannon’s birds and cheerfully conversing with Bendigeidfran’s severed head, without any recollection of their past troubles. Eventually they move on to

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Classical Music, Contemporary Classical, Odd

Programming Note

9 P.M. (Lifetime) LOVE NOTES                                                When a classical music critic becomes pregnant from a fling with (gasp!) a country-music singer, she decides to give her baby to her infertile best friend.  But will she undergo a change of heart, or at least a change in musical tastes?  Laura Leighton and Antonio Cupo star. A female classical music critic?  Must be a fantasy.

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Click Picks, Composers, Contemporary Classical

Steve’s click picks #34

Our regular listen to and look at living, breathing composers and performers that you may not know yet, but I know you should… And can, right here and now, with so much good listening online: Mayke Nas (b. 1972 — Netherlands) Mayke studied piano and composition with Martijn Padding, Gilius van Bergeijk, Daan Manneke, Alexandre Hrisanide and Bart van de Roer at the conservatories of Amsterdam, Tilburg and The Hague. In 2004-2006 she was composer-in-residence with the Nieuw Ensemble. During the summer of 2005 she spent three months as artist-in-residence in Aldeburgh, England supported by a scholarship from Arts Council

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Contemporary Classical

Nitin Sawhney at the Proms

The Prom concert on Saturday night, August 11, featured the music of Nitin Sawhney exclusively. I have to confess that I did not know who Sawhney was, which is an big oversight obviously, since his website says that he is “widely regarded as one of the most influential and versatile creative talents alive today.” Had I been more observant, however, I would have realized that I had heard some of his work previously, though, since he is the composer of the music for the recent movie, The Namesake. Although he apparently does not like for his music to be described as

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