Contemporary Classical

Easter Morning Coming Down

Happy Easter or Passover or whatever mystery cult holiday your side of Abraham’s futon celebrates this time of year.  It’s a chilly one here in the Center of the Universe; about 30 degrees (-1) but I’m snug inside and listening to Frank Martin’s in terra pax (Chandos 9464, with Matthias Bamert and the London Philharmonic).  On deck is Stravinsky’s Symphony of Psalms (Naxos 8.557504, Robert Craft with assorted forces) and George Crumb’s The River of Life and Unto the Hills, with Ann Crumb and Orchestra 2001 (Bridge 9218 A/B). What’s on your best-for-Easter playlist?

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Contemporary Classical

The best of times, the worst of times

“But I do believe the people who are the most immortal are the composers. The man on the street, he knows who Beethoven is, he knows who Mozart is. And I’d like to compose.”– Joshua Bell, from a CNN story on his win of the Avery Fisher Prize April 7th, 2011: Gerald called. Says if I don’t do Tchaik in Berlin this November I can kiss my contract goodbye. Sigh. My cello sonata needs the time. I just got the draft back from Yo-Yo who has reservations about the dead butterflies. But that’s the sound I want!! He’d do it,

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Classical Music, Concerts, Contemporary Classical, New York

Getting a Clue

For those of you who may not be familiar with it, there is a seminal document called The Cluetrain Manifesto that defines a new style of communication in an age in which everyone and everything is electronically connected.  Its premise, to which I subscribe, is that the internet is fundamentally different from mass media like television because it allows lots of people to have “human to human” conversations (with all the complexity and difficulty that implies) rather than being force fed a one-sided party line or mass marketing message.  There can be negative aspects to this ubiquetous connectedness.  Some people hide behind the mask of anonymity on the internet to say and do

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Concerts, Contemporary Classical, Experimental Music, New York

All We Are Saying is Give Peace a Chance

Kevin Gallagher, guitarist and founder of Electric Kompany, writes:  I noticed in your Jacob TV piece that there was hardly any mention of the fact that Electric Kompany is doing a world premiere of White Flag (for rock quartet and tape) based on sounds from the Iraq war starring the voices of Bill O’Reilly and George W Bush at the Whitney Museum at Altria on Friday, May 4 at 8pm. Needless to say, I was pretty upset that they aren’t stressing this piece to the press. It’s rare enough to have a world premiere for rock quartet at the Whitney,

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Click Picks, Composers, Contemporary Classical

Steve’s click picks #24

(I think I’m going to switch to mid-week from here on; people seem to like it.) Our regular listen to and look at living, breathing composers and performers that you may not know yet, but I know you should… And can, right here and now, since they’re nice enough to offer so much good listening online: Tom Rojo Poller (b. 1978 — Germany) Born in Osnabrück, Poller began his composition studies in 1996 at the Hochschule für Musik Detmold, continuing with Prof. Walter Zimmermann at the Universität der Künste Berlin (UdK). After an exchange year at the Royal College of

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Contemporary Classical

What the heck is TAFTO?

I’m so glad you asked!  TAFTO is Drew McManus’s “Take a Friend to the Orchestra” month–a month dedicated to bringing new fans into the fold.  As always, Drew is marking TAFTO with a series of essays by hot, industry-savvy writers — how-to guides, analysis of the contemporary situation, and so on.  The first two essays went up yesterday and today, and you should check them out. Both of my fans (hi mom!) will want to know that my own contribution will be going up on April 12th, and the rest of you will want to know that you can see

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Classical Music, Contemporary Classical, Festivals, New York

I Want My JacobTV

Contrary to speculation that the mystery man in Friday’s photo is a Guantanamo detainee or a middle school crossing guard, the fashion-forward gentleman in question is, in fact, the Dutch composer Jacob ter Veldhuis, aka JacobTV, whose work (it says here in the press release) “…has had a huge impact on the European music scene in the past decade, but he is far less known in the U.S.”  It could happen.     The Whitney Museum of American Art, that well-known new music venue, is concluding its Spring 2007 Whitney Live series with Grab It!, a three-day festival dedicated to JacobTV, Wednesday to Friday,

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