Ken Ueno – Sonic Calligraphies (Off-record) Composer and vocalist Ken Ueno is a creator and performer of notated composition, sound art, and improvisation. A professor at UC Berkeley, Ueno’s singing involves extended techniques, with an investigation of throat-singing styles from many traditions being just one facet of them. His explorations have also often included using a megaphone. The megaphone is not often thought of in musical contexts, but rather as an amplifier of spoken voices, often strident in demeanor and used for warning of danger, imposition of power, and inducing fear. Ueno’s employment of it in previous contexts turned these
Read morePeter Thoegersen has posted a digital realization of his Symphony IV: melodiae perpetuae on Bandcamp. This is an ambitious piece for full orchestra with a running time of just over 52 minutes. Symphony IV is a work in progress; it is intended to be poly microtonal and poly tempic in its ultimate form. The recording posted at this writing is realized in 12TET tuning with various sections of the orchestra heard in different tempi simultaneously. Thoegersen writes: “Each choir of the orchestra is moving separately in Fuxian contrapuntal motions, such as contrary, parallel, similar, and oblique, with respect to tempi
Read moreToday is not a day in which one considers celebrations, but we are pleased to send Arvo Pärt greetings and congratulations on his ninetieth birthday.
Read moreIt’s rare for a new work to have even a second performance, but Kati Agócs’ Rapprochement received nine plays in a single day. Agócs was commissioned by the Banff International String Quartet Competition to write a composition that each quartet would be required to play in the 2025 competition. The title of her nine-minute piece means “to bring together.” Agócs, in a pre-performance conversation with BISQC director Barry Shiffman, explained that it is in variation form, in which the harmonic underpinning is important to the melodic line. It’s a lyrical piece, and the instructions call for a lot of fluidity
Read moreThe Prom on August 4 was presented by BBC Symphony Orchestra, along with the BBC Symphony Chorus and the Constanza Chorus, conducted by Hannu Tintu. It opened with Rituel in memoriam Bruno Maderna by Pierre Boulez, in commemoration of the centennial of Boulez’s birth. Written later in his life, when Boulez’s conducting career seemed to limit his compositional activity, Rituel is an austere ceremonial progression of textures and instrumental colors, lasting approximately half an hour. Both its structural strategy and its expressive effect are somewhat reminiscent of Stravinky’s Symphonies of Wind Instruments. It was given a very effective performance with
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Martin Kuuskmann performs works for Bassoon and Orchestra composed by Tõnu Kõrvits, Eino Tamberg and Erkki-Sven Tüür, with the Estonian National Symphony Orchestra conducted by Mihhail Gerts on Orchid Classics ORC 100384 ©2025 by Orchid Music Ltd. Martin Kuuskmann (b. 1971) is an Estonian born, multi-Grammy nominated virtuoso bassoonist noted for his high energy, charismatic performance style across a wide spectrum of idioms and repertoire. To date, over a dozen concerti have been written expressly for him. In addition to maintaining a busy international recording and concertizing career, he holds the chair of Associate Professor of Bassoon at the University
Read moreDave Seidel has released Intercosmic, a new album of electronic music featuring tracks recorded in studio and in a live performance at The Wire Factory in Lowell, MA on June 7 of this year. Over the years, Seidel’s works have exhibited a long evolution from classical drones to the present mix of industrial and synthesized electroacoustic music. Seidel has an extensive background in experimental music, beginning as a guitarist in the 1980s downtown New York minimalist scene and later performing in various festivals throughout the US.. Since 1984 he has concentrated on the composition of drone and microtonal electronic music.
Read more“Not even Arvo Pärt’s Gregorian chants could save her.” When life tears your heart out, music has a way of suturing it back into place before you lose consciousness for good. This is what it feels like to immerse oneself in Trozos De Mí (Pieces Of Me), the latest project from Bogotá, Colombia-based pianist and composer Valentina Castillo (under the stage name Uva Lunera). Having previously explored her idiosyncratic blend of minimalism, groove, and songcraft across a travelogue of studio and live settings, she has produced what is, so far, her most intimate and transformational multimedia experience. Combining sound, text,
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Chamber Music, Concert review, Concerts, Contemporary Classical, Festivals, Percussion, Women composers
2025 Festival of Contemporary Music at Tanglewood – July 24 – July 28, 2025 Every summer since 1964, the Tanglewood Music Center presents its Festival of Contemporary Music. According to Tanglewood’s materials: The Festival of Contemporary Music (FCM) is one of the world’s premier showcases for works from the current musical landscape and landmark pieces from the new music vanguard of the 20th century. FCM affords Tanglewood Music Center Fellows the opportunity to explore unfamiliar repertoire and experience the value of direct collaboration with living composers. Over the four FCM concerts (of the total of six) I heard carefully honed performances
Read moreThe Prom on July 31, presented by the BBC Philharmonic Orchestra, conducted by Joshua Weilerstein, as so many of the concerts during this stretch of time, included a work of Rachmaninov, the Symphonic Dances, which ended the concert. It began with Symphony No. 2 by Elsa Barraine, a composer unknown before this point to this listener. Barraine was a French composer, trained at the Paris Conservatory, where she was a student of Paul Dukas. The fact that she was a woman and Jewish and politically active made her life, both personal and professional, difficult during the time leading up to
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