Tag: Bach

Concerts, File Under?, New York

Chris Thile: Bach, Bluegrass and Radiohead at the Y

Chris Thile at 92nd Street Y Kauffmann Concert Hall October 19, 2025   NEW YORK – Chris Thile is one of the best mandolinists around, and he has established himself as a singer, songwriter, and storyteller as well. On Sunday, he performed a solo concert at the 92nd Street Y that brought together these various activities. From 2016 to 2020, Thile hosted Live from Here, a variety show for public radio modeled on its predecessor A Prairie Home Companion. The pandemic made continuing the show impractical but he has since returned to the concept via podcasting, and his performance at

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CD Review, early music, File Under?, Piano

Francesco Tristano – Bach: The 6 Partitas (CD review)

Bach: The 6 Partitas Francesco Tristano, piano Naïve 2XCD   In his 2024 recording for Naïve, pianist Francesco Tristano interprets some of Johann Sebastian Bach’s most challenging pieces, the six Partitas for clavier. Tristano’s 2022 On Early Music was an admirable outing, with pieces by Giralomo Frescobaldi, Peter Philips, John Bull, and Orlando Gibbons, serving as a taster course for Italian and English approaches to harpsichord playing in the early seventeenth century.    Tristano’s keyboard isn’t the harpsichord, but a beautiful sounding grand piano in a recording studio in Kakegawa, Japan. Abetted by sound engineer Christoph Frommen, Tristano reveled in

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CD Review, Chamber Music, File Under?, Strings

Danish String Quartet – Prism V (CD Review)

Danish String Quartet Prism V ECM Records   This is the last outing in Danish String Quartet’s Prism series. Each of the five recordings has included a late Beethoven string quartet, a related Bach fugue, and a later work influenced by Beethoven. Prism V’s program begins with “Vor deinen Thron tret’ich,” Bach’s chorale prelude BWV 668, arranged for string quartet. It also includes “Contrapunctus 14” from Bach’s Art of Fugue, Anton Webern’s String Quartet (1905), and Beethoven’s String Quartet in F Major, Op. 135.   The performance of the chorale prelude is beautiful, played with expressive tone and ardent phrasing,

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CDs, File Under?, Recordings

Bach’s Christmas Oratorio – Dunedin Consort

J.S. Bach Christmas Oratorio (BWV 248) Mary Bevan and Joanne Lunn, sopranos; Clare Wilkinson and Ciara Hendrick, mezzo-sopranos; Nicholas Mulroy and Thomas Hobbs, tenors; Matthew Brook and Konstantin Wolff, bass-baritones. Dunedin Consort, conducted by John Butt. Linn CKD 499 (2xCD) First, I’ll admit that at Christmas Messiah has most often been my jam; I have several recordings, have performed it as soloist, accompanist, and conductor, and find it to be one of the most uplifting pieces out there. This year the Dunedin Consort, led by John Butt, has changed my tune. I’ve listened over and over again to their new recording

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Composers, Copyright

The Chess Game of Fact Checkers As Applied To Music

“You are entitled to your own opinion, but you are not entitled to your own facts.” – Sen. Daniel Patrick Moynihan For the past several election cycles, a cottage industry of fact-checkers emerges from their pumpkin patches each fall to assess the credibility of candidates’ claims.  One of most-quoted of these, FactCheck.org, is affiliated with my alma mater.  These groups’ findings are not only cited by the media but are also used by partisans of both Presidential candidates.  And while neither the press nor the candidates are free to plagiarize the articles produced by fact-checkers, the facts themselves are fair

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