Ambrose Akinmusire and Mary Halvorson – Slo-Mo Neon Luminate Hoverings (Nonesuch) Slo-Mo Neon Luminate Hoverings is the first recorded collaboration by the duo of trumpeter Ambrose Akinmusire and guitarist Mary Halvorson. Spontaneity and through composed material are on display, with both playing roles in all of the pieces. “Prelude in the Ash” begins with a questing trumpet solo before the guitar joins with a sinuous arpeggiated chord pattern. “This Vivid” is more muscular, with solo material – a high trumpet note and single line guitar solos – repeated amid ebullient shouts. Calling a piece “Soundcheck” might suggest something off the
Read moreVoices of Ascension: Canticle of the Sun Voices of Ascension, Beth Willer, conductor Church of the Ascension May 21, 2026 Published in Sequenza 21 By Christian Carey NEW YORK – Beth Willer, Director of Choral Activities at Peabody Conservatory and Artistic Director of Lorelei Ensemble, served as guest conductor for Voices of Ascension’s recent Canticle of the Sun concert. To say the program was ambitious is to undersell the challenges posed by all of the pieces. Most choral ensembles, even professional ensembles, would consider any one of these works to be an inclusion sufficient to prove their capabilities
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Chamber Music, Concert review, Contemporary Classical, File Under?, New York, Twentieth Century Composer
Decoda Celebrates “American Renaissance” Decoda Weill Recital Hall – Carnegie Hall May 12, 2026 By Christian Carey Published in Sequenza 21 NEW YORK – Founded in 2012, Decoda is an ensemble, composed of a wind quintet, string quartet, and piano, whose members had worked together in Ensemble Connect, a fellowship program at Carnegie Hall and the Juilliard School. This season the musicians continue that relationship with Carnegie Hall. Their concert last Tuesday at Weill Hall is part of the season’s 250th American anniversary celebrations. Titled “American Renaissance,” it featured composers who had relationships to the Harlem Renaissance, either
Read moreBlue Heron in New York In Praise of Laura Peperara – Music for the Concerto delle dame • Ferrara, 1580s St. Ignatius of Antioch Published in Sequenza 21 By Christian Carey February 25, 2026 NEW YORK – Blue Heron always presents thematic programs, and they excel at giving the audience a sense of the time and place in which the music they perform resides. This past week in their program at St. Ignatius of Antioch Church, they featured the music performed in the court of Ferrara in the 1580s, specifically by the Concerto delle dame. These were a trio
Read moreBanish the inescapable treacly holiday music with this palette cleanser for Boxing Day. Other Minds has shared this recital of music by “Blue” Gene Tyranny and Robert Ashley, performed by pianists Sarah Cahill and Joseph Kubera on Sunday, September 7, 2025 at Mills College. Much of the programmed music was premiered by the performers.
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Choral Music, Composers, Concert review, Contemporary Classical, early music, File Under?, Miller Theater, New York
Mother and Child The Tallis Scholars, directed by Peter Phillips Miller Theater Early Music Series, Church of St. Mary the Virgin December 4, 2025 By Christian Carey NEW YORK – The choral ensemble The Tallis Scholars, directed by Peter Phillips, are regular visitors to Manhattan, and their December concerts at Church of St. Mary the Virgin have a devoted following (pardon the pun). Often they perform a Marian-themed program appropriate to the space, and their appearance this past Thursday was no exception. In addition to pieces principally drawn from the English Renaissance, a new Salve Regina setting by the
Read more2025 Tanglewood Festival of Contemporary Music Tanglewood Music Center Orchestra July 28, 2025 LENOX – This year’s Festival of Contemporary Music was curated by composer Gabriela Ortiz. Born in Mexico City, Ortiz is one of the most prominent Latinx figures in twenty-first century classical music. Among other honors, she is composer-in-residence at Carnegie Hall and the Curtis Institute. Revolucióndiamantina, a recording of her music by the Los Angeles Philharmonic, conducted by Gustavo Dudamel, won three GRAMMY Awards in 2025. This year, FCM has spotlighted music from Mexico, as well as that of women composers. After four chamber ensemble
Read moreDalit Warshaw Sirens Carolina Eyck, theremin Boston Modern Orchestra Project, Gil Rose, conductor Dalit Warshaw (b. 1974) is a multi-threat artist. As a composer and pianist, she has created a distinguished career. Her first orchestra piece was commissioned when she was eight years old, and this prodigious distinction has been followed by a body of work that encompasses music for orchestra, chamber ensembles, vocalists, choruses, and Letters of Mademoiselle (2018), a staged song cycle for the talented soprano Nancy Allen Lundy. The theremin has become an important part of her work. Warshaw has performed the instrument in high
Read moreSimone Dinnerstein and Baroklyn Perform Glass at Merkin Hall Kaufman Music Center Piano Dialogues Simone Dinnerstein with Baroklyn May 12, 2025 Published on Sequenza 21 NEW YORK – Last Monday, the pianist Simone Dinnerstein brought her Baroklyn project to Kaufman Music Center’s Merkin Hall to perform an all Philip Glass program. Baroklyn is a string ensemble, augmented at the concert by harp and celesta, assembled by Dinnerstein from musician friends with an eye towards a mostly, but not exclusively, female group. The concert opener was The Hours Suite, excerpted from the film score and arranged by Michael
Read moreLisa Illean Arcing, stilling, bending, gathering NMC Records, 2024 Composer Lisa Illean (b. 1983) is from Australia and has been based in recent years in the UK. Her work encompasses a variety of techniques, including alternate tunings and sampled electronics. These are means to consummately expressive ends, and Illean’s music maintains an organic sensibility irrespective of how the sounds are formed. The title piece, performed by the Australian Academy of Music, is split into various constellations of sound: small groups of strings, solo piano, and pre-recorded sound. Illean uses detuned pitch collections to make a supple harmonic language. Like much
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