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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

The Chill Factor: Cleveland at Carnegie
Masterpieces NOW Redux
Harrison Birtwistle at Zankel Hall, New York
Groovin' With the London Symphony Orchestra at 100
What's New?
Cue the Wagner: Napalm in the Morning
What's New Today?
Is This The End of the Affair?
Name That Tune
What's New Today?


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Sunday, February 06, 2005
Some Different Trains

In the midst of an orgy of Harry Partch, I encountered something very interesting. Have any of you heard "US Highball?" It is easily, to my knowledge, Partch�s crowning achievement. But it also strikes me as potentially a likely precursor to Reich�s seminal "Different Trains." Both pieces share a focus on the musicality of ordinary speech; both pieces evoke the rhythm of trains; both pieces bear a loose narrative structure composed of fragments of text; both "take place" during WWII; both are autobiographical. And both are masterpieces.

Steve, are you out there?

 



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