Composer Blogs@Sequenza21.com
"There are no two points so distant from one another that they cannot be connected by a single straight line -- and an infinite number of curves."
Composer Lawrence Dillon has produced an extensive body of work, from brief solo pieces to a full-length opera. Partially deaf from birth, Dillon grew up in a bustling household with seven older siblings. He began composing as soon as he started piano lessons at the age of seven. In 1985, he became the youngest composer to earn a doctorate at The Juilliard School, and was shortly thereafter appointed to the Juilliard faculty. Dillon is now Composer in Residence at the North Carolina School of the Arts, where he has served as Music Director of the Contemporary Ensemble, Assistant Dean of Performance and Dean of the School of Music.

Dillon's music, in the words of American Record Guide, is "lovely...austere...vivid and impressive." His works are recorded by Albany Records, Channel Crossings and CRS, and published by American Composers Editions. He is represented by Jeffrey James Arts Consulting.

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Saturday, March 19, 2005
Notes Part 4: Rehearsal

Jeff warned me that I would be surprised by St. Petersburg's low standards with regard to ensemble playing, from students at the Conservatoire to the Kirov Orchestra under Gergiev. Unfortunately, the second rehearsal (I skipped the first) of Amadeus ex machina proved him right. Despite his best efforts to get them to cohere, the musicians seemed perfectly willing to accept sloppy attacks that would never be tolerated in an American ensemble. It's very difficult to explain: it's not that they are poor musicians -- far from it -- but this is an aspect of their training that has clearly been neglected. One would almost think that they prefer the blurred effect they were getting to the clarity of ensemble playing prized by American orchestras.

This flies delightfully in the face of the conventional wisdoms I was raised on, where Russians are highly disciplined cogs in a machine and Americans are freedom-loving nonconformists.

Amadeus ex machina will suffer with this lack of precision, but there are two more rehearsals, so I still have hopes that progress can be made before Sunday.
posted by Lawrence Dillon 3:22 AM