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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

Mo' Money Mo' Negative Media Attention
Potluck
It's 1984. Do You Know if Your Opera is a Hit?
Wednesday Flurry
Kudos and Kudzu
More on Are Orchestras Dead
What's Going On
Del Tredici in Chicago
Last Night in LA--Paper
The Da Vinci Code Meets the Faenza Codex


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Friday, May 06, 2005
Musical Anarchy

Want to be a musical anarchist? Elodie Lauten has some "dos" and "don'ts." She also has a list of her 13 favorite Western classics.

Elsewhere...At first glance, Richard Danielpour and Toni Morrison are an odd couple. At second glance, too. A New Yorker of Persian-Jewish stock and the reining diva of African-American literature teaming up to create a new $6 million opera about a runaway slave who kills her two children rather than let them be captured and sent back to slavery is an unlikely combination.

By Sunday, we�ll know if it works. Margaret Garner debuts tomorrow night at the Detroit Opera House with Denyce Graves singing the title role. This is the first opera for both Danielpour and Morrison and it is backed by Michigan Opera Theatre, the Philadelphia Opera and the Cincinnati Opera.

Jessye Norman was originally scheduled to play a leading role but withdrew a few weeks ago because of �rehearsal scheduling� problems which I interpret, perhaps unkindly, to mean that she�s too fat and rich to want to rehearse all that much these days. In any event, I�m sure the production is better for the absence with Cilla Brown as her replacement.

There is nothing in Danielpour�s output that I�ve heard that would suggest he has the kind of ear for American vernacular�black or white--that this story would seem to require but, as we learned from Dvorak, sometimes being from out of town is a plus.

 



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