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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

An Ordinary Saturday in July
Symphony Antarctica
39 Organizations Get Copland Recording Grants
John Adams at Wal-Mart
Best and the Brightest
Evan Johnson's On the Record - 3 From cold blue
Less Than Zero
Back to the Grind
Gone to Look For America
Fourth of July Eve


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Sunday, July 10, 2005
Hey, Kids. Let's Put on a Show

The annual Lincoln Center Festival--which begins Tuesday and runs through Sunday, July 17--is the funkiest and most adventuresome programming LC does all year. It's almost as if somebody says, it's July, the town's empty, we've got the Mozart crap coming up next month, let's do something edgy and fun.

The Merce Cunningham Dance Company�s piece Ocean, the final collaboration between Cunningham and John Cage, will be performed in the round at the new Rose Theater at Time Warner Center, 60th Street and Broadway. Cage is listed as co-creator, with Cunningham, but the orchestral component (Ocean 1-95) is by his long-time assistant Andrew Culver. Scored for 112 instrumental soloists in the round, and lasting 90 minutes, the piece consists of 32,067 events spread over 95 compositions in five continuously overlapping layers. The electronic music (Soundings: Ocean Diary) is by the late David Tudor. Ocean was premiered at the first Lincoln Center Festival back in 1996.

If that sounds too intense, you can take in the New York premiere of avant-garde puppet master Basil Twist�s production of Ottorino Respighi�s rarely-performed puppet opera La bella dormente nel bosco, yet another version of Sleeping Beauty, this one written for orchestra, chorus, soloists and puppets. On Thursday, comes the US premiere of Robert Wilson's I La Galigo, a music theatre work inspired by Sureq Galigo, an epic poem from South Sulawesi, Indonesia, with music by Rahayu Supanggah. Sunday is the US premiere of Le Dernier Caravanserail, a re-working of Homer's Iliad and Odyssey based on letters written by detainees who were held in recent years in refugee camps, created "collectively" by Th��tre du Soleil, directed by Ariane Mnouchkine, with music by Jean-Jacques Lem�tre

In addition to Festival�s many performances, opening week also offers numerous symposia and additional special events. Take a look at the schedule here.

Next week--Shadowtime by Brian Ferneyhough. With some luck, we'll be getting an advance report from the London premiere this week.

 



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