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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

Tuesday = Snooze-day
David Hanlon at Banglewood
Monday Molto Largo e Doloroso
Forget It, Jake. It's Chinatown.
It�s Friday!
No such thing as an unknown Venezuelan conductor
Thursday Poco Piu Mosso
Anthony Cheung at Tanglewood
Wednesday Andante
Golijov's Miracle in Santa Fe


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Tuesday, August 09, 2005
for Lou Harrison

On September 27 at the New England Conservatory, the Callithumpian Consort will perform for Lou Harrison, a 66-minute elegy for string quartet, two pianos and string ensemble composed by our northern friend John Luther Adams. Here are John's notes for the piece:
for Lou Harrison

Lou Harrison was a generous friend and wise mentor to me for almost 30 years. His faith in and support of my music was a decisive influence in my life. I learned more from my time with Lou than from any of my institutional studies. And he was an inspiring model of how to live, without regret or bitterness, as an uncompromising independent composer.

Composed in 2003-2004, for Lou Harrison completes a trilogy of large-scale memorial works that also includes Clouds of Forgetting, Clouds of Unknowing (1991-95) and In the White Silence (1998).

for Lou Harrison encompasses the most lush and active textures in my music to date, moving in four tempo layers (in the proportions 4/5/6/7)throughout. The work�s two textures --rising arpeggios over sustained harmonic clouds, and long solo lines over "procession-like" material--alternate in nine continuous sections, each of which is grounded in a different five-, six- or seven-tone harmony. The formal structures of the composition recur throughout the score, but the sound of the music
is always changing.

for Lou Harrison was not commissioned. I composed this work because I was compelled to do so in response to the death of one of the most important figures in my life. Amid the daunting realities of today�s world, Lou Harrison and his joyful ecumenical life and music seem more vital and more pertinent than ever before.

� John Luther Adams
Winter Solstice 2004
The September 27 program will open with Red Arc/Blue Veil for piano, mallet percussion and processed sounds, performed by pianist Stephen Drury and percussionist Scott Deal. Also: Next month, Mode Records will release John's Strange and Sacred Noise on CD and DVD.

 



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