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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

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David Salvage

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Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Wednesday, September 21, 2005
Is the Symphony Dead?

may seem like a pretentious headline. But this is a true story about the vicissitudes of contemporary composing, and the 'heartbreaking' struggle to achieve recognition for Sir Malcolm Arnold's 9th Symphony. (Portrait of Arnold by June Mendoza to right).

Arnold's musical output is prodigous, and has reached a remarkably wide audience. The published works include eight previous symphonies, several concertos (including works for written Benny Goodman, Julian Bream, Larry Adler and James Galway), two string quartets, much other chamber music, and five sets of dances. And this extraordinary published opus does not include his film and TV music. 1957 for instance produced the 3rd Symphony, four other published works, and no fewer than six film scores, including the Oscar winning The Bridge on the River Kwai.

Yet his 9th Symphony, composed in 1986, was initially rejected by his publisher, and remains neglected in the concert hall. On An Overgrown Path asks have musical opinion formers written the symphony off? Or is the problem the perennial one that the musical establishment cannot reconcile popularity with artistic merit?

Sir Malcom himself describes the struggle to achieve recognition for the symphony as 'heartbreaking'. The full story of this remarkable work is in Arnold's 9th - neglected 20th century masterpiece?

 



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