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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

Zen and the Art of Composing
Terry Riley - Requiem for Adam
Keep twiddling the knobs Stocky...........
Singende S�ge
Breaking News
Criticism and Mortality
Operation Sweet Dreams
What Becomes a Legend Most?
Xenakis and alternatives to the internet
Last Night in L.A. - Beethoven With a Knussen Touch


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Saturday, October 22, 2005
Oy, Vey

Every few months I write something here about needing CD reviewers and two or three people respond and I go to the post office and mail a batch of ten or so disks by priority mail. Sometimes, I get a review or two back in a couple of weeks and then there are these long periods of silence; once in awhile I never hear from said person again. The lesson, I suppose, is that we all have good intentions and like to get free CDs but we don't put a great priority on what is, after all, a volunteer effort. This is understandable but not really fair to the record companies and individual composers who are nice enough to provide us with CDs. (In a previous life, I was a Jewish mom.)

My point is, I need a couple of volunteer reviewers who will actually write reviews. I'd also like to find some specialists; for example, I have a couple of hot-looking guitar/electronic CDs--Dominic Frasca's Deviations on Cantaloupe and KastingSiefried's Scaler Fields on GreyDisc--that I would like to have reviewed by a composer/guitarist or, maybe, just guitarist. I give most of the piano stuff to David Salvage because he is a pianist but I get all kinds of stuff. If trombone is your thing, or clarinet, or percussion, of whatever, let me know and I'll hook you up with your speciality. But, you actually have to write the review.

And speaking of reviews, see Lawrence Dillon's performance review that is not quite a review.

 



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