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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

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(Philadelphia)
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Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019

Tuesday, November 22, 2005
Peak melody

'The serialist movement of the early 20th century led by Arnold Schoenberg was one of the first concerted attempts to locate new reserves of melody. Schoenberg searched for tunes in the atonal wilderness, but he met with only limited success. Experiments in microtonal technology (initiated by the likes of Carillo and Ives in the late 19th century) are ongoing, but so far they also show little prospect of producing anything approaching a memorable, repeatable tune. Others have searched further afield: Olivier Messiaen searched for melody in birdsong. But it seems that birds and humans have different ideas about what constitutes a good tune. John Cage in his infamous piece 4�33�, posed the paradoxical question �is silence actually the best melody?� But the world was not convinced, and the rate at which the rate of increase of consumption of new, audible, melody increases continued to increase unabated.'

That is a very small excerpt from a very long, and delightfully provocative, article that was posted on the imaginatively named Tampon Teabag blog back in September. If you missed it first time round, and want something to chew over (no, I had better rephase that) in the holiday break click on the Peak Melody story On An Overgrown Path.

Picture credit - Kunstradio
Report broken links missing images, and other errors to - overgrownpath at hotmail dot co dot uk

posted by Pliable 11/22/2005



 
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