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SEQUENZA21/
340 W. 57th Street, 12B, New York, NY 10019

Zookeeper:   
Jerry Bowles
(212) 582-3791

Managing Editor:
David Salvage

Contributing Editors:

Galen H. Brown
Evan Johnson
Ian Moss
Lanier Sammons
Deborah Kravetz
(Philadelphia)
Eric C. Reda
(Chicago)
Christian Hertzog
(San Diego)
Jerry Zinser
(Los Angeles)

Web & Wiki Master:
Jeff Harrington


Latest Posts

Surviving Rita
Slow New York
Mozart, Schmotzart
New and Now--Focus! Festival at Juilliard
Philadelphia Sounds: Mozart Reloads
Beaut� et la Mer
He plays the piano like Mike Tyson boxes
The View From Spillville
The Horror. The Horror.
Dispatch from Greenwich, CT


 

Record companies, artists and publicists are invited to submit CDs to be considered for review. Send to: Jerry Bowles, Editor, Sequenza 21, 340 W. 57th Street, 12B, New York, NY 10019


Monday, January 30, 2006
Hold That Note

Just because a composer writes a bunch of stuff on paper does that mean an orchestra should feel compelled to play it as written? An early morning provocation in the Composers Forum.

Blackdogred wonders what's up with the gratuitious trash talking of moderism in an article about Daniel Ginsberg's Roberto Sierra in the Washington Post...Tom Myron has a haiku for Mahler...Jay C. Batzner learns how to cage some free CDs.

Now Playing: Elektra Richard Strauss, WDR Sinfonieorchestra Koln, Semyon Bychkov, conductor. Profil/Hanssler. Stirring, with Deborah Polaski in splendid form as Elektra and Felicity Palmer a memorable Klytamnestra.

 



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